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Dyer R (2008) Learning through glass: the Blaschka marine models in North American post-secondary education. Hist Biol 20(1):29–37 Yoshino T, Katsunori Kimoto N, Kishimoto AM, Kurihara T, Ishida N, Matsuura S (2009) A simple mathematical model for chamber arrangement of planktic foraminifera. FORMA 25:87–92 Bergdoll B (2007) Of crystals, cells, and strata: natural history and debates on the form of a new architecture in the nineteenth century. Archit Hist 50:1–29
Art Forms in Nature: Marine Species From Ernst Haeckel
From recent articles published via premier scientific journals to monumental volumes marking the beginning of our study of the natural world, BHL’s collections include information about species from every corner of the globe and ecological niche. These digital collections are especially important for the works of the most influential men and women scientists of past centuries, books that because of their age and value are only available in a handful of libraries. Gould SJ (1971) D’Arcy Thompson and the science of form. In: New literary history 2 (2) form and its alternatives (Winter), pp 229–258 Sabin JE, Jones PL (eds) (2017) LabStudio: design research between architecture and biology. Routledge, Abingdon
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Kimoto K, Osamu S, Harumasa K, Masahide W, Tomohisa I, Tomohiro I, Naomi H, Makio H (2013) Seasonal carbonate dissolution at the water column in the North Pacific: the evidence from the Micro-focus X-ray CT Technology. ESSAS Annual Science Meeting, Hakodate, Japan. ( https://www.youtube.com/watch?v=mWm5q_gkuQ8 ) Today’s discoveries about our planet’s biological diversity build upon the research of previous generations of scientists. The Biodiversity Heritage Library (BHL) is a digital library committed to providing free and open access to this treasure trove of information, much of which is held in the libraries of natural history research institutions around the world.
Nature in Art: Detailed Discussion of Nature Inspired Art and Nature in Art: Detailed Discussion of Nature Inspired Art and
Brill ER, Huber F (2016) Sea creatures in glass: the Blaschka Marine Animals at Harvard. Scala Arts Publishers, New YorkArtists for Conservation is a group of artists who, in various ways, support nature through their artwork. They paint nature in art in the form of beautiful and idyllic images of animals and landscapes. In addition, they also donate a portion of their art sales to conservation efforts. Knoll AH, Benjamin K (2015) Protistan Skeletons: a geologic history of evolution and constraint. In: Hamm C (ed) Evolution of lightweight structures: analyses and technical applications. Biologically-inspired systems, vol 6. Springer, Dordrecht, pp 1–16 Cohen PS, Naginski E (2014) The return of nature: sustaining architecture in the face of sustainability. Routledge, Abingdon
Art Form in Nature - Etsy UK Art Form in Nature - Etsy UK
Oliver S, Kuperman A, Coombs N, Lough A, Ozin GA (1995) Lamellar aluminophosphates with surface patterns that mimic diatom and radiolarian microskeletons. Nature 378(6552):47 Nature in art can take many visual forms, from photorealism to abstraction. Art can mimic nature, by seeking to visually replicate objects as they actually appear in real life. But abstract paintings can also take their visual cue from actual forms in nature, such as the painting below. This piece arose from the study, observation, and contemplation of natural phenomena and natural forms. When sitting at the easel, I used creative liberties to assign bright colors to detailed patterns that were inspired by what I had seen in my natural surroundings.
Gardner M (2001) The colossal book of mathematics: classical puzzles, paradoxes, and problems. In: Mathematical zoo, WW. North, New York, p 643 (Originally GARDNER, MARTIN. "MATHEMATICAL ZOO OF ASTOUNDING CRITTERS, IMAGINARY AND OTHERWISE." Scientific American 238, no. 6 (1978): 18.)