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Freeing the elephants". The New Yorker. Archived from the original on 27 August 2010 . Retrieved 26 August 2010.
Fables for children work not by pointing to a moral but by complicating the moral of a point. The child does not dutifully take in the lesson that salvation lies in civilization, but, in good Freudian fashion, takes in the lesson that the pleasures of civilization come with discontent at its constraints: you ride the elevator, dress up in the green suit, and go to live in Celesteville, but an animal you remain—the dangerous humans and rhinoceroses are there to remind you of that—and you delight in being so. There is allure in escaping from the constraints that button you up and hold you; there is also allure in the constraints and the buttons. We would all love to be free, untrammelled elephants, but we long, too, for a green suit. After following a path lined with flowers, the family finds themselves in a magical land inhabited by witches. The first friend they meet is a Witch-In-Training named Lulu.And I don't accept any moldy or smokey (tobacco) books. Because I have to live with them too while they visit on my shelves, now alphabetized and priced.
Pompadour is another advisor to Babar, Pompadour acts as finance minister as well as the minister of royal protocol, to which he strongly adheres, sometimes creating unnecessary bureaucracy for the kingdom. A high-strung elephant, he often opposes radical ideas and is easily alarmed.
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Woolery, George W. (1989). Animated TV Specials: The Complete Directory to the First Twenty-Five Years, 1962-1987. Scarecrow Press. pp.21–22. ISBN 0-8108-2198-2 . Retrieved 2020-03-27.