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Everything You've Come To Expect

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The record arrived in perfect shape, being well packaged and posted quite quickly meeting my requirements perfectly. Close to every track demonstrates Turner's irresistible way with melody, as on ‘Miracle Aligner’ or the glorious, psychedelia tinged title track. Shout out to the young Rascal too, for the magic Liverpudlian touch is all over this dreamy blast from the past. Featuring current single ‘Bad Habits’, ‘Everything You’ve Come To Expect’ is a more open and expansive work than its predecessor, wearing its influences less obviously on its sleeve – by turns the album is soaring, snarling and breathlessly seductive.

The album finds Alex Turner and Miles Kane reunited with James Ford (production and drums) and Owen Pallett (string arrangements) and joined by Zachary Dawes (Mini Mansions) on bass, recording the follow up to 2008's 'The Age Of The Understatement' at Shangri La Studio in Malibu. The 'lead duo' have a beguiling, suave / geeky thing going on, bringing to mind Elvis and Chris Isaaks, but for NOW.Barry says: Once again, Alex Turner and Miles Kane deliver a minor-key slice of melancholic yet melodic indie-rock. This is a youthful record, full of life and the sheer pleasure of music making it’s not a chore, it’s enjoyment, Kane says, it’s great finding that with someone else, a dead good friend. Review: More than merely an awaybreak for its members Alex Turner and Miles Kane, The Last Shadow Puppets proved themselves on their debut 'Age Of The Understatement' to be masters of a distinctly '60s-styled world of glamour and arresting artifice, their clever wordplay and swooning harmonies combining with ornate arrangements to create a sound as redolent of black-and-white kitchen sink dramas as the trials and tribulations of the twenty-first century everyday. You can change your choices at any time by visiting Cookie preferences, as described in the Cookie notice.

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Everything You’ve Come to Expect is the second album by The Last Shadow Puppets, made up by Alex Turner, Miles Kane, James Ford, and Zach Dawes, with string arrangements by Owen Pallett. Collecting Vinyl is an Art form, an appreciation for the experience that leads you to become an audiophile enthusiast. All image and audio content is used by permission of the copyright holders or their agents, and/or according to fair dealing as per the UK Copyright, Designs and Patents Act 1988. the age of the understatement', is an album of 12 full-blooded songs, bold and brassy, full of drama, wit and melody, that source the past but avoid falling into pastiche. For items that are dispatched using our standard service, we ask that you wait 14 days from the date of dispatch before reporting any items as undelivered.

While the Puppets' sound remains anchored in ferry-'cross-the-Merseybeat sweep and romance - in the lost pop world of Brylcreemed Billy Fury - their new songs take us into the realm of Curt Boettcher (the title track's bittersweet sunshine pop) and Roy Orbison (the bolero-driven croonerama of 'Sweet Dreams, TN'). Our passion and romance for the love of music is universal – The House Of Vinyl is set to keep the nostalgia of collecting music from your favourite artists alive.

Age of the Understatement" by The Last Shadow Puppets offers a mesmerizing blend of orchestral rock and poetic lyrics. In the edit page, go to the 'Metadata' tab and add your Juno artist, label or release page for listeners to purchase your release / releases. Products labelled '*item fulfilled by Exertis on behalf of hmv' will be supplied to you directly by Exertis via their approved couriers. The strings on show here further emphasising the crescendo of both tone and density, and exacerbating the lifting tension present. The album finds Alex Turner and Miles Kane reunited with James Ford (production and drums) and Owen Pallett (string arrangements) and joined by Zachary Dawes (Mini Mansions) on bass, recording the follow up to 2008’s ‘The Age Of The Understatement’ at Shangri La Studio in Malibu.

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