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Cabaret Desire

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Lust's films are characterized by carefully cast actors and high standards of production in adult film. Lust believes explicit film can be an educational tool besides being pleasurable and can help us better understand our sexuality, to live more freely and naturally. She hopes to influence viewers' conceptions of gender roles in sexuality. [19] She considers pornography to be the "most important discourse on gender and sexuality". [8] For Olympe de G, a 33-year-old Parisian filmmaker who directed a film for Lust last year, making porn authorizes her own—and other women's—sexual desires, pulsions and needs. "I'm very angry to see how women continue to be sexually repressed, still nowadays," says Olympe, whose real name is Barbara. She remembers being labeled a slut ("salope in French") when she was 13 after kissing two boys at a high school party. "It would have made me popular had I not been a girl," she concedes, adding that she was often told to "behave like a woman should" during her teen years, something that exasperated her to the point of deciding to make her own porn. Rather than hide behind the camera, Olympe wrote, directed and starred in her first explicit film. "I wanted to show proudly the beauty of sex, and how right it is. Sex is not something a woman should ever be shamed for."

Tramontana, Mary Katharine (14 January 2022). " 'There's Not Just One Type of Porn': Erika Lust's Alternative Vision". The News York Times . Retrieved 16 January 2022. In 2005, after this initial success, she founded her video production company Lust Films. [8] The company has produced erotic short films and compilations steadily from then on. Five Hot Stories For Her, an anthology of five vignettes including The Good Girl, won the Barcelona International Erotic Film Festival's 2007 Best Spanish Screenplay award, [15] the Venus Berlin Fair's 2007 Eroticline Award for Best Adult Film for Women, [16] and the 2008 Feminist Porn Award for Movie of the Year. [17] Since then she has been a regular on the adult cinema festival circuit, and in 2020 one of her films came to the cinema in the regular process for the first time. [18] Development [ edit ]Nadja Sayej (8 March 2016). "A Woman's Fight to Prove Porn Can Be Feminist". Newsweek . Retrieved 23 September 2020. In a study of feminist pornography, Carmen Pena Ardid, Professor of Literature and Film at the University of Zaragoza, cites Lust as opening a way for women as inventors of fantasies and producers of pornographic sexual representations, but her work does not resolve the models of femininity imposed by fashion, advertising or the cosmetics industry, and the constrained social situations within which fantasies are lived. [40] Álvaro Martín Sanz, professor of film studies at the University of Valladolid, while recognizing Lust as pioneering the rejection of the heteronormativity present in traditional pornographic cinema, also finds limitations in the pursuit of beauty and the focus on fantasies rather than more realistic portrayals. [41] Erika Lust: la pornografia è donna Oggi "Hard Time" al Videodrome". Alto Adige (in Italian). 8 September 2017 . Retrieved 23 September 2020. Taormino, Tristan; Shimizu, Celine Parreñas; Penley, Constance; Miller-Young, Mireille (2013). The Feminist Porn Book: The Politics of Producing Pleasure. New York: Feminist Press at The City University of New York. ISBN 978-1-55861-819-0. The FICEB Ninfa, Tacón de Aguja and HeatGay Awards". Archived from the original on 11 October 2007.

Mondin, Alessandra (2 January 2014). "Fair-trade porn + niche markets + feminist audience". Porn Studies. 1 (1–2): 189–192. doi: 10.1080/23268743.2014.888251. ISSN 2326-8743 . Retrieved 2 December 2021. But what really killed off my nascent interest in this feature was Erika's connection with the cult of amateurism. Along with Max Hardcore's introduction of gonzo into porn, the predilection for watching amateurs rather than pro actors is the most detrimental change in both Adult Entertainment and even mainstream TV (reality-TV) in recent decades. Erika uses untalented performers, as well as those poets whose way with words escapes me (most of the gibberish passed off as poetry here sounds more like the dubbing script for turning a Spanish or Italian movie into a junker for American audiences than original writing). Result: who wants to look at or listen to this set of losers? Porno para mujeres: Una guía femenina para entender y aprender a disfrutar del cine X". GoodReads . Retrieved 2 December 2021. Her film Cabaret Desire (2011) won her the Feminist Porn Award for Movie of the Year in 2012 and the CineKink Audience Choice Award for Best Narrative Feature. It was cited as an example of the diversity of porn at the 2013 Berlin Porn Film Festival providing a space for rethinking sex, sexuality, and pornography. [28] Fetisch Film Festival in Kiel". TraumGmbH. Archived from the original on 11 August 2015 . Retrieved 16 May 2015.Toni Fontana, Sofia Prada, Saskia Condal, Mario Mentrup, Lady Diamond, Matisse, Liandra Dahl, Didac Duran, Samia Duarte

Sanz, Álvaro Martín (20 July 2018). "Belleza e irrealidad en la nueva pornografía feminista: la imagen pornográfica de Erika Lust". Fotocinema. Revista Científica de Cine y Fotografía. 17 (17): 343–365. doi: 10.24310/Fotocinema.2018.v0i17.5117. ISSN 2172-0150. S2CID 240382508 . Retrieved 2 December 2021. Lorena Sonrisas (6 March 2018). "Puerto Vallarta International Film Festival, March 12–23". BanderasNews.com . Retrieved 2 December 2021. In 2015, a theatrical cut of XConfessions was screened at Chicago International Film Festival [4] and at Raindance Film Festival in London. [34] a b Lust, Erika (2015). "xConfessions - A Conversation With Erika Lust" (Interview). Interviewed by Maria Finitzo. 51st Chicago International Film Festival . Retrieved 2 December 2021. SZ-Kritikern (23 September 2020). "Die Starts der Woche". Süddeutsche Zeitung (in German) . Retrieved 23 September 2020.Good For Her Feminist Porn Award Winners". Good For Her. Archived from the original on 4 December 2011 . Retrieved 30 November 2011. Come Fly with Me' directed by Erika Lust, starring Carolina Abril as the as a 'badass' female pilot and Luke Hotrod as the 'nervous' passenger Jones, Maggie (7 February 2018). "What Teenagers Are Learning From Online Porn". The New York Times.

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