Nothing Is Okay (Button Poetry)

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Rachel Riley on combating antisemitism, 10 years on Countdown and getting girls into maths. Channel 4 News. 9 January 2019. Archived from the original on 10 December 2020 . Retrieved 1 October 2021– via YouTube. As I mentioned at the start - it's hard to review poetry. But I loved this collection so much! I can see myself rereading Fat Girl Finishing School. And that's rare. She has also made brief appearances in Dispatches, Britain's Brightest and 1001 Things You Should Know.

Rachel Annabelle Riley MBE (born 11 January 1986) is a British television presenter. [1] [2] She co-presents the Channel 4 daytime puzzle show Countdown and its comedy spin-off 8 Out of 10 Cats Does Countdown. She is a mathematics graduate. Artist and mother, Wiley-Janota spends most of her time working from her studioon the Texas Gulf Coast with her two young sons and husband. She is known for her Gulf Coast landscapes, with her focus on local salt marshes and clouded skies, as she often views from her car or kayak. Wiley-Janota divides her time between art-making and motherhood, traveling together to paint and explore, from the coasts of the Gulf of Mexico to the deserts and mountains of West Texas. CUSO Workshop: Literary Utopia / Dystopia, University of Neuchâtel, Switzerland (invited speaker), Lecture and the facilitating of a seminar mainly for PhD candidates and postdoctoral researchers as part of a workshop organised under the auspices of the Conference Universitaire de Suisse Occidentale (CUSO) network of Swiss Universities. 2021 Chair and respondent, ‘Renaissance Music: Performativity and Failure’,, Renaissance Society of America Annual Conference, Dublin, Oral presentation. 2022 I first heard of Rachel Wiley in 2012 when I saw a video recording of “10 Honest Thoughts On Being Loves By a Skinny Boy”. I was in a loveless relationship with a skinny boy at the time and thought, “If she could write something like that, I could find a boy to love me like this.” So I ended my relationship to one day find a better one. I’m still waiting.More Success for Rachel Riley". Thorpe Hall School. Archived from the original on 18 November 2021 . Retrieved 2 January 2022. Anatomizing the King’s Two Bodies: Regicide and Bloody Passions, Bloody Passions: Extreme Emotions in Early Modern Literature and Culture, University of Portsmouth, Oral presentation. 2015 http://projects.au.dk/trust-and-risk-in-literature-network/, Aarhus University, Trust and Risk in Literature Research Network (funded by the Danish Research Council). 2015 For services to Holocaust Education", Riley was awarded an MBE in the 2023 New Year Honours. [60] [61]

Willie RJ. 2009. Review of The Mooted Theatre Company’s production of John Ford’s "’Tis Pity She’s a Whore", dir. by Mark France Shakespeare, 5 :194-197 DOI Publisher Url Waterson, Jim (29 July 2020). "Rachel Riley and Tracy-Ann Oberman drop libel claim over retweet". The Guardian. Archived from the original on 30 July 2020 . Retrieved 19 January 2021.this reading of books is a pernicious thing”: Journeys of the Mind in The Emperor of the Moon (1687), Society for Renaissance Studies 6th Biennial Conference, University of Southampton, Oral presentation. 2014 Trust, Risk, and Vulnerability in Paradise Lost, ‘Vulnerability and Pastoral Care: John Milton, Richard Baxter, and Roger L’Estrange’ panel, Renaissance Society of America Annual Meeting, Dublin, Oral presentation. 2022

London Renaissance Seminar Contributor Award, Winner in the mid-career category, awarded to scholars who have made a significant contribution to research and also in recognition of collegiality, creativity and openness to ideas beyond the mainstream.. 2020 Worldmaking, soundmaking, moonmaking’, ‘Lend an Itching Ear’: Ubiquitous Music in Early Modern England Conference, Newcastle University, Oral presentation. 2023My research covers seventeenth century literary history and culture. My first book, "Staging the Revolution: drama, reinvention and history, 1647-72" (shortlisted for the University English Early Career Book Prize, 2016) offers a reappraisal of drama, both in terms of live performances and performances on the paper stage. My book argues that, far from 1660 marking a watershed moment as is often asserted in the texts transmitted in the Restoration and assumed to be true by later critics, late seventeenth-century England was concerned with the continuing legacies of recent history and this is revealed in literature printed and disseminated in the period. While researching this book, I became intrigued by the number of anonymous scurrilous pamphlets ‘by the man in the moon’ and I have begun a wider study on ‘long seventeenth-century’ responses to the moon as an embodied and as a philosophical construct. With Kevin Killeen and Helen Smith, both based at the University of York, I co-edited "The Oxford Handbook of the Bible in Early Modern England, c. 1530-1700" (winner of the Roland H. Bainton Prize in Reference Works, 2016). More recently, my research has broadened to consider emotions and the senses by drawing from my interests in material cultures and the relationship between literature and the epistemologies that underpin politics, religion and natural philosophy; this is supported by considering the relationship between literature and history. I have ongoing interests in early modern drama, music, cheap print, publicness, the early modern soundscape, history and cultural history, and the history of ideas. Also, we all need reminders that our bodies are fine, especially right now, when I can see the years I've spent working on long distance running fade away and seriously, I'm terrified of what it will feel like to go on a run once this ends and realize that I've lost years of progress.