Fujifilm Fujicolor C200 35 mm 36 Exposure Colour Print Camera Film Twin Pack

Product Information

Fujicolor C200 is the kind of film that’s available almost everywhere film is sold. If you have a place local to you that sells a large variety of film off the shelf, they probably should have this. Or if not, at least the C-less Fujicolor 200 version. I shot mine on a couple of trips I took, as you’ll see from the sample photographs later, and found it did a more than serviceable job. I was genuinely pleased with the results. Finally, that aforementioned wide exposure latitude is a good safety net should the light really be too bright or dim, and the film has good enough dynamic range to render light and dark areas well in the same shot, as you can see with the fish market and pigs shots below. Finely detailed image formation for large-size enlargements and other work requiring high-magnification as a result of the finest grain among ISO 100 color reversal films. Fujifilm works with a pool of valued partners around the world as part of the production process to ensure we can continue to deliver high-quality imaging products to delight customers.

In that sense, I guess it’s little different to Kodak’s Gold 200 or Colorplus 200 or Ultramax 400, or any of the Ilford consumer grade monochrome films either. UPDATE: The film’s datasheet bears a striking resemblance to that of a Kodak colour negative film’s – read Kosmo Foto’s story.Velvia (ISO 50) จากการผสมผสานคู่สีน้ำเงินเขียว (cyan) สีม่วงแดง (magenta) และสีเหลือง (yellow) แบบใหม่เข้าด้วยกัน After this test, I went all-in on Fuji C200. For my style of photography and typical San Diego lighting conditions, I find it vastly superior. Whenever I test or review a half-frame camera for halfframeclub.com, I load Fuji C200, set the film speed to 100 and shoot. I’ve noticed that it has significantly finer grain than Kodak Gold 200, which is a benefit when you are shooting half-frame negatives. Professional, high-image quality, daylight-type color reversal film with superb granularity, and world-class levels of image color saturation and vibrancy.Precise modulation, vivid color reproduction and excellent image quality make this the outstanding film for nature, fashion, products, interiors, and artwork photography.Exceptional performance, ISO speed rating of 50, excellent results in push-/pull processing for a wide range of exposures - from -1/2 to +1 stop, enabling a wider array of photo opportunities.

Fujifilm is pleased to continue the legacy of analog photography and film so all generations can experience the joy of photography.’ The first and most obvious of these is the low price, which means you can spend less energy worrying about how much each shot costs you and more worrying about making photographs.On the other hand, Kodak Alaris IS returning certain admired films to their offerings – hopefully this will include the long-promised return of Ektachrome slide film. Perhaps it’s because Kodak doesn’t manufacture a serious line of digital cameras in which to emulate certain film looks…Or maybe they DO see a market that Fuji doesn’t. Or maybe they’re just real decent folks with a concept of loyalty to loyal customers…

But what does all this have to do with me shooting Fuji C200 on vacation? To make a long story short, I was once one of those new and less moneyed shooters. Consumer film was all I shot for years. Even though by many standards those films weren’t technically impressive, they gave me the opportunity to practice and appreciate the craft. And more often than not, those films would give me images that would inspire me to keep film alive in my own way. By choosing C200, I wanted to see if consumer films could still do that for me, even as an experienced shooter. What I ended up finding was a lot more valuable.Minimum color balance variation over a range from -1/2 to +1 stop to enable wider photo opportunities. Also allows fine adjustments of exposure and density to be easily done during processing. Its qualities actually give you more freedom to shoot. The wide exposure latitude and dynamic range, which to be fair most other consumer grade films have too, make it highly unlikely your results are going to be over or underexposed, even on a bright beach. Minimum variation in color and gradation during push/pull processing over a range from -1/2 to +1 stop, providing an expanded range of phototaking opportunities, as well as facilitating fine adjustments in exposure and density during processing and allowing an increase in speed of up to +2 stops (equal to E.I.400), depending on the scene.

The Fujicolor C200 is a color negative film produced by Fujifilm. Universal films are designed especially for outdoor use. With their exceptional quality, they are the ideal companions for all our shots. This film is (perhaps) the successor of Fujicolor 100, but gives you twice the ISO sensitivity. In fact we are at ISO 200, giving a clearer and a higher density of sensitivity to light. The film grain is very low. Because of its low cost, it is good to experiment and use every day in almost all photographic situations. If you shoot your C200 before it expires, you can most likely get away with not storing in your fridge. Of course, I wouldn’t leave it in direct sunlight or next to my oven either, but keeping it in a cool, dry cupboard for the relatively short time you have it should suffice.As I continue to shoot film and build up experience, I’m finding the more freely I shoot, the more likely it is I’ll have something in the results that I really like.