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Animal House

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A combination of a great photograph, strong cover lines and good colours. If you get all three you are perfectly set.” Being told that when you know you’ve got no control over yourself was a real wake-up moment,” he says. It helped that Condé Nast were waving heaps of money at Brown for him to edit the upmarket fashion magazine GQ, believing it had got stuffy and needed an injection of fun. Still, leaving Loaded was like splitting up with someone, and he didn’t open a copy for a while. There was not much fun in media before we came along. Older editors said we did things they wish they could have done, but anyone could have done it Loaded was originally conceived as a magazine that combined music and football. Brown had been interviewed for the NME editor’s job, but ended up being offered the chance to make his own magazine instead. Under the mentorship of IPC’s Alan Lewis, he brought together a small team to create a rough sketch of the mag. It tested appallingly in focus groups, but legend has it that Lewis altered the figures, and so the project was greenlighted.

If you're coming to Coles by car, why not take advantage of the 2 hours free parking at Sainsbury's Pioneer Square - just follow the signs for Pioneer Square as you drive into Bicester and park in the multi-storey car park above the supermarket. Come down the travelators, exit Sainsbury's, turn right and follow the pedestrianised walkway to Crown Walk and turn right - and Coles will be right in front of you. You don't need to shop in Sainsbury's to get the free parking! Where to Find Us From 1st July 2021, VAT will be applicable to those EU countries where VAT is applied to books - this additional charge will be collected by Fed Ex (or the Royal Mail) at the time of delivery. Shipments to the USA & Canada: Social media, YouTube and podcasts. Far more interaction across a broader media landscape. Print isn’t dead, but it isn’t the big beast it once was.” Fast forward to 2022. I’m sat watching the Pet Shop Boys in Hull Bonus Arena with James. He tells me he’s finished his book, the one about the bloke who started Loaded, who went on tour with U2 and was in a ballet with The Fall, who played football with The Cult, drank liquid acid with the Beastie Boys, and discussed the debatable merits of hot or cold lamb over lunch with Michael Caine.There were a few too many drug/alcohol related tales in the book for me, however I would also argue that most of them did feel related to a bigger context (e.g. explaining the tone of the magazine through describing drug fuelled trips abroad). James noted that Loaded is now frequently lumped in with the other later 'lad's mags' such as Maxim and Nuts due to it featuring similar content focusing on alcohol and women but that he felt Loaded was above that genre, it was a brief comment but I would be really interested to read his deeper opinion on that and the genre that Loaded arguably spawned whether intended or not. It's an inspiring read of a working-class boy who did really well and lived by the motto that anything was possible. After leaving school with no qualifications it's clear that despite all the fun and the carefree attitude that he attempts to portray throughout the book that he grafted very hard for his success. I think James is a good example of the old adage 'make your hobby your job and never work a day in your life'. The first few chapters reeled me in in excited anticipation, so I decided to reach out to the author and applaud him on a good read, and to see if he may have remembered me (I wasn't expecting him to by the way but I wanted to show support). Regardless, my nice message was seen and ignored which irked me. I can imagine popular authors get inundated with enquiries but the authors popularity on this social media platform is fledgling. No one likes to be ignored.

Rewind to the summer of 2008. I’m sat on the top floor of an office suite on Tottenham Court Road with James Brown, where I am employed as a script writer for the film director Guy Ritchie. The walls are lined with DVDs and story boards. There is a fridge in the corner rammed full of vintage champagne and expensive gourmet chocolates. A photo of Madonna rests on one of the desks. Above our heads is a rooftop garden that commands panoramic views of London. On the floor below there is a freshly delivered rail of complimentary polo shirts from Fred Perry. My job is to lounge about here all day coming up with ideas for Hollywood movies. Occasionally, I slip outside to the fleshpots of Soho to attend a premiere or appear as guest on daytime television. It is a world away from Newland Avenue, and without doubt the best, most head-spinning job I have ever had. James has popped in to see me on his way to another appointment. He asks me how it’s all going and casts a bemused eye around the surroundings.

I’ve never brushed shoulders with royalty and I’d prefer it if the Royal Family invested a lot of their wealth in helping our schools and health service, so no, I don’t think my political outlook has changed since I was down the front of the Redskins or New Town Neurotics at the Hull Trades and Labour club.” If you do nothing, you will be auto-enrolled in our premium digital monthly subscription plan and retain complete access for 65 € per month. Almost inevitably, he landed a job at the now-deceased music magazine Sounds as a regular writer. Pretty soon, at the age of 22, he was the Features Editor at the legendary NME, which is where I first encountered his work. James’ prose was a kind of turbofuelled psychedelic rant of infectious enthusiasm, like if Hunter S Thompson had been raised in Leeds on a diet of jam sandwiches and amphetamine. As a young devotee of the music press, I hoovered up his every word. I liked it his stuff because it was always enthusiastic, hardly ever snide or self-consciously clever. Any band that James Brown championed was worthy of investigation. I was really mercurial,” Brown says. “One minute I would be happy and planning something fun, and the next I’d be chewing somebody out. Quite often that was because something else had happened in my life in between and, instead of being able to understand how to process that, I would take it out on the next person.”

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