The Highway Rat

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I grew up in a tall Victorian London house with my parents, grandmother, aunt, uncle, younger sister Mary and cat Geoffrey (who was really a prince in disguise. Mary and I would argue about which of us would marry him). Both Julia and Axel enjoy international renown for their work. Julia was the UK Children’s Laureate 2011-13 and honoured with an MBE for services to Literature. Axel’s artwork is exhibited internationally; he has illustrated for many charities, and designed the Royal Mail Christmas stamps in 2012. Find out about the highwaymen of the past. What did they do? Do you know the names of any famous highwaymen? The author uses different words to describe how the Highway Rat speaks (e.g. declared, bellowed). Can you think of any more?

Donaldson studied Drama and French at Bristol University (1967–1970), graduating with a 2:1 honours degree. During her time there she acted in departmental productions and learnt the guitar. In 1968, she and her friend Maureen Purkis took part in the play I am not the Eiffel Tower with music composed by Colin Sell, an accomplished young pianist who was studying Spanish and Portuguese at Bristol and who has gone on to appear in BBC Radio 4's I'm Sorry I Haven't a Clue. Sell's roommate Malcolm Donaldson, a medical student who played left-handed guitar and was a keen amateur actor, came to see the show and subsequently teamed up with Sell, Donaldson and Purkis to sing in the pubs during Bristol University Rag Week in early 1969. Almost immediately after this Donaldson and Purkis were seconded to live in Paris for six months as part of their degree course where they sang and played their guitars to café audiences for money. Malcolm joined them in the summer and the trio performed various songs by the Beatles and from musicals including Hair. The Highway Rat gets fat from eating everyone else’s dinner. Can you think of a healthy diet to help him keep fit? Draw a picture showing the inside of one of the Highway Rat’s bags. What different items has he stolen? You get a sense (or at least I did) whilst reading the book that it’s a very ‘active’ story. By that I don’t just mean its plot is full of cause and effect, but also that it lends itself to being acted out. This is a fun story that you can use to celebrate and promote reading. Using some of your class as a chorus, a few children as the lead characters and after having made character masks and props in class, The Highway Rat would make a perfect assembly piece. The Highway Rat is a baddie and he takes whatever food he wants from any traveller that he stops. Pastries, puddings, buns, biscuits, nuts, fish, milk, flies and even a bunch of clover and a leaf, the last mentioned from an army of ants! He even steals his own horse's hay!a b "Julia Donaldson". Desert Island Discs. 15 November 2009. BBC Radio 4 . Retrieved 18 January 2014.

A typical public event consists of acting out (more or less word-for-word) four stories, and singing three or four songs (mostly from Donaldson's three albums of songs – The Gruffalo Song and Other Songs, Room on the Broom and Other Songs and The Gruffalo's Child and Other Songs). There is always a strong element of audience participation, with children (and sometimes their parents) invited on stage to act parts in the stories. Malcolm Donaldson almost always takes part in the events, and they are also often joined by other performers including family members. Donaldson has also performed jointly with her illustrators, particularly Axel Scheffler and Lydia Monks. She has performed the Donaldson/Scheffler books not only in English but also in German on several tours and at the Berlin Festival. In 2007, when Malcolm took a sabbatical from his job, he joined Julia on a World Tour, acting and singing in Bermuda, New Zealand, Australia, Hong Kong, Singapore, Korea and America.This seemingly teaches him a lesson, and, thinner, greyer and meeker, the Rat lands a job in a shop ... what kind of shop is for you to guess, but believe me it is probably an easy guess! Donaldson's parents, James (always known as Jerry) and Elizabeth, met shortly before the Second World War, which then separated them for six years. Jerry, who had studied Philosophy, Politics, and Economics at Oxford University, spent most of the war in a prisoner-of-war camp where his knowledge of German earned him the position of an interpreter. Elizabeth, also a good German speaker with a degree in languages, meanwhile did war work in the WRNS.

The couple continued to busk in Europe during holidays, including in France and Italy, with Julia Donaldson writing "The French Busking Song" in French, and "The Spaghetti Song" in Italian. By 1971, Donaldson was working in London at Michael Joseph publishers as a secretary to Anthea Joseph but was also given considerable leeway as a junior editor. At weekends she and Malcolm took part in the Bristol Street Theatre, a group of mainly postgraduate students inspired by the late playwright David Illingworth. The group devised simple, unscripted plays which could be performed in the playgrounds of poor council estates and which recruited children from the audience to take over some of the roles. This was to have a lasting effect on Donaldson's interaction with children in her own shows as an established children's writer. I studied Drama and French at Bristol University, where I met Malcolm, a guitar-playing medic to whom I’m now married. Although the story line is very simple, there is a lot of cross curricular links there. Our year 2 created a ‘WANTED!’ poster for the Highway Rat and wrote about the crimes of the rat and why they needed to catch him as soon as possible. The children had to use a range of descriptive language to make their writing interesting and for creating a sense of urgency. In addition, our year 2 created their own version of the capture of the Highway Rat with a clear beginning, middle and end. They had to use a lot of similes, adjectives and body language to create tension and a chase to grab their reader’s attention. Julia Donaldson divides her time between Scotland and West Sussex where she lives with her husband. Axel is from Hamburg, and has lived in the UK since 1984. He lives in London with his family but travels extensively. Funnily enough, I find it harder to write not in verse, though I feel I am now getting the hang of it! My novel THE GIANTS AND THE JONESES is going to be made into a film by the same team who made the Harry Potter movies, and I have written three books of stories about the anarchic PRINCESS MIRROR-BELLE who appears from the mirror and disrupts the life of an otherwise ordinary eight-year-old. I have just finished writing a novel for teenagers.We have also managed to link it to art - we created Wanted posters for the Highway Rat. The children had to use their literacy skills to describe the rat and his terrible crimes, and then got the opportunity to be artistically creative as well. The Gruffalo author Julia Donaldson moved to Steyning and she is still enjoying a "honeymoon period" in the smallest town she has ever lived in". The Argus. 7 May 2016 . Retrieved 18 January 2019. I really enjoy writing verse, even though it can be fiendishly difficult. I used to memorise poems as a child and it means a lot to me when parents tell me their child can recite one of my books.