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In The White Room

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Recorded with the proceeds from their Doctorin’ The TARDIS single, the original 1988 version of What Time Is Love? marked a shift for Bill and Jimmy away from hip-hop towards dance music. The first of their Pure Trance 12″ singles, the song’s title is a reference to clubbers asking what time their Ecstasy will take effect. Hochman, Steve (11 August 1991). "The KLF 'The White Room' Arista". Los Angeles Times . Retrieved 16 November 2015. a b "The White Room - Information Sheet Eight". KLF Communications. August 1990. Archived (via the Library of Mu) on 5 October 2007. Wikipedia:WikiProject The KLF/LibraryOfMu/508 With a music press well used to their headline-grabbing antics and publicity stunts, it was best described by Select magazine. “It’s the last grand gesture, the most heroic act of public self- destruction in the history of pop,” they wrote. “And it’s also Drummond and Cauty’s final howl of disgust, defiance and contempt for a music world gone foul and corrupt.” It was the perfect epitaph. Read more: The complete guide to the KLF The KLF: The White Room – The Songs Mr Whitworth said he had to mention it, adding: “I just told Jimmy what I had found and that I thought it could be a real Banksy - he just smiled and said ‘that’s very, very interesting’”.

Mixed at Lillie Yard except A1 mixed at The Townhouse, London and A3 mixed at The Manor, Oxfordshire. Shade, Chris (2006). "The KLF: The White Room". In Dimery, Robert (ed.). 1001 Albums You Must Hear Before You Die. Universe Publishing. p.672. ISBN 978-0-7893-1371-3. The KLF: Enigmatic Dance Duo". Record Collector. 1 April 1991. Archived (via the Library of Mu) on 16 September 2016. Wikipedia:WikiProject The KLF/LibraryOfMu/226

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a b Fox, Marisa (9 August 1991). "The White Room". Entertainment Weekly . Retrieved 23 August 2009.

It was during one of these hunts that Mr Whitworth, from Wakefield in Yorkshire, and his wife believe they may have grabbed hold of an original Banksy in the Baltic Triangle. a b Christgau, Robert (30 July 1991). "Consumer Guide". The Village Voice . Retrieved 16 November 2015. Harrison, Allan. "The White Room". Splendid (review). Archived from the original on 12 November 2006.ARIA Charts – Accreditations – 1991 Albums" (PDF). Australian Recording Industry Association . Retrieved 27 November 2021.

Subsidised with the proceeds of an 80s novelty hit, the eccentricities, the vision and ambition of KLF, combined with their taste for acid house and anarchy, resulted in The White Room, one of the finest dance-pop albums of the 90s… The KLF The White Room coverThis affirmation in what they were doing continued with the eventual release of The White Room in March 1991. Entering the charts at No.3, it remained in the rundown for almost a year, no doubt bolstered by the further hit singles Last Train To Trancentral (Live at SSL) followed by two songs that were radically remixed for release as singles – Justified & Ancient (Stand By The JAMs), featuring Tammy Wynette and America: What Time Is Love?, both of which were Top 10 hits. It also has the single mix of 'Last Train To Trancentral' instead of the mellower UK album version, edits 'No More Tears' down from 9:24 to 6:42, and adds a little more wind noise at the end of the closing 'Justified And Ancient'. Last Train To Trancentral starts right after the string section and features a completely new additional verse from Ricardo Lyte after the breakdown. a b George, Iestyn (March 1991). "The KLF: The White Room". Q. No.54 . Retrieved 4 March 2020. Archived (via the Library of Mu) on 16 September 2016. Wikipedia:WikiProject The KLF/LibraryOfMu/206

After putting the work safely in their car, the couple then went for tea at Leaf in Bold Street, where coincidentally they were sat next to KLF member Jimmy Cauty. a b Beaumont-Thomas, Ben (1 January 2021). "The KLF reissue music for first time since 1992". The Guardian . Retrieved 2 January 2021. It has a total playing time printed of 45:05, but in reality it's only 43:54. It lists 9 songs, but only has 8 indexed. The theory that world famous street artist Banksy was in Liverpool last week has gathered strength - after another work in his iconic style was found in the city.As had been the case with What Time Is Love?, 3 A.M. Eternal was originally a Pure Trance 12″ single released in 1989, before being reworked as the second instalment of their Stadium House Trilogy in 1991. It is an edit of this version that was included on The White Room.

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