The Other World's Books Depend on the Bean Counter Vol. 1 (The Other World’s Books Depend on the Bean Counter)

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The art is AMAZING—not just the style (which I think is what most people tend to focus on), but also how the artist uses the art to tell the story through paneling, pacing, facial expressions, etc. After successfully becoming an accountant at the Royal Palace, Kondou devotes himself to his new post. MC is a corporate slave accidentally transported to a fantasy world where he becomes an accountant for the royal government. When he was dragged into a saint summoning and transferred to another world, he still didn’t change and continued to work. I love how decisions of the romantic interest of the MC are in favor of the health of the MC rather than by possessive.

the (Other) World Go Round: The Corporate S*ave Money makes the (Other) World Go Round: The Corporate S*ave

Although there are not many intimate scenes, it does not remain scarce, and knows how to manage the times for nothing feel forced or hasty. But there are Layers to this narrative, including some incredibly thoughtful and well-executed explorations of Japanese work culture and health. If you want a story with a well crafted narrative, full of carefully woven metaphors and real-world parallels, I urge you to read this. The plot does not focus solely on romance, nor does it set it aside to the point where it makes you wonder if they will get anywhere.

Isekai no sata wa shachiku shidai (異世界の沙汰は社畜次第, literally "The state affairs of another world depend on a corporate slave") is a Japanese manga by drawn by Kazuki Irodori, based on the original story by Yatsuki Wakatsu.

Isekai no Sata wa Shachiku Shidai | Manga - MyAnimeList.net Isekai no Sata wa Shachiku Shidai | Manga - MyAnimeList.net

EditSynopsis Already at his wit's end, 29-year-old corporate slave Seiichirou Kondou suddenly witnesses the ground opening up and swallowing a woman. As compensation for dragging Kondou into the mess, the kingdom assures him that they will provide him with a comfortable life and fulfill any of his desires. As Kondou adjusts to his new exhausting and dangerous environment, he begins to find solace in the company of Aresh, whose icy demeanor may be just a facade. Los momentos íntimos no son gratuitos, en el sentido de que no aparecen porque sí, sino que tienen una razón y justificación cuando suceden.I would love it even without the humor, but with it, this series just really does it all—it's such an enjoyable experience reading it. El protagonista no es un adolescente, sino un sujeto en edad de trabajo, eso es refrescante por si solo. I would have already bought into this with the sheer premise of "saving the [fantasy isekai] world through accounting]", because that rules.