Mooer Hustle Drive, drive micro pedal

Product Information

Looking to get extreme with your tone? Like death metal extreme. Then this Rage Machine distortion pedal will definitely do the job for you. Despite the tiny size, this pedal produces one of the largest sounds out of all the pedals in this range. The pedal features four separate controls. The level knob controls the volume. The Low and High knobs control their respective bass and treble EQ. And finally, the "rage" knob refers to the distortion control. Rage Machine Clone Vs Digitech Death Metal The pedal also has a further level, tone and distortion knobs. Making it a nice and diverse pedal that can cover a lot of ground when it comes to an array of distortion tones. Do you need this pedal? This is an exceptionally hard Mooer pedal to review. Due to the fact that, in my opinion, does not serve much of a purpose on the average pedal board. This is not an essential effect. Unless of course, you've written a song/part with this pedal. Or, you're trying to recreate a particular sound that this pedal can produce. Other than those two reasons, it is quite hard to recommend this pedal for any specific need. Unless of course, you need a guitar pedal for super Mario sound.

the Best OCD Style Pedals Guitar Pedal X - GPX Blog - 12 of the Best OCD Style Pedals

LARGE - Dr. Scientist Heisenberg Molecular Overdrive, Elektron Analog Drive, Emerson Custom Pomeray Dual Overdrive, Empress Multidrive, Positive Grid Bias Distortion, Seymour Duncan Palladium Gain Stage, Strymon Riverside REGULAR - Dr. Scientist BitQuest, Dr. Scientist Frazz Dazzler, Dunlop Fuzz Face Mini Hendrix, EarthQuaker Devices Fuzz Master General, Fulltone 70-BC Fuzz, Keeley Electronics Psi Fuzz, Menatone The PoPo Fuzz, Old Blood Noise Endeavors Haunt Fuzz, SolidGoldFX If 6 Was 9 BC183CC As we have mentioned before in our Mooer Hustle Drive Pedal review, there is a high and low mode to this pedal. The high one is for getting louder mids and the low one is for a more neutral and natural tone. This is indeed a clone of the Big Muff by Electro-Harmonix. All of the characteristics mentioned above about the Mooer. Are those typical tonal characteristics of a class Big Muff. We all know the original muff to be an exceptionally large pedal. And, one this is not pedalboard friendly. For that reason, the Triangle Buff is a good choice as it is quite literally a fraction of the size of a proper Big Muff Fuzz. The Mooer Blues Mood, just like the Boss BD-2, Compresses in the same nature to that of a tube amplifier. And this results in a very smooth and creamy sounding drive. However, when the drive knob is maxed out to its fullest potential, you can start to reach some low distortion. As a clone of the Boss BD-2, the Blues Mood holds up very well. And with the addition of the "Keeley" style mod, the Blues Mood is a no brainer.

+ : ALL-ROUNDERS (≈ Good for nearly everything)

This modification is said to enhance the tonal capabilities of the Boss BD-2. Which is something I would have to agree with. Something definitely worth mentioning is that the Blues Mood also sounds great when used on the bass guitar. There's a video down below which is a Mooer Blues Mood review. It also compares it o the Boss BD-2. But unfortunately, the BD-2 in the video does not have the Keeley mod. The Mooer Blade is designed in a completely different way to the Metal Muff. Besides for the obvious smaller size, the Blade distortion only has three knobs but includes a 3-way toggle switch. The knobs include volume control, tone control and well as a distortion control. The toggle, however, gives you the options of a top boost, a lo boost or the middle function which is no boost. The Mooer Blade does not have an extra switch to engage the boost function, something that the EHX Metal does have. However, in terms of sound, this pedal produces tones similar to that of the Metal Muff as well as the Boss Metal Zone. Having said, these pedals do the bass sound from the band, "Muse" pretty well. So if you're a bass player in a Muse cover band, then I highly suggest getting on of these pedals. There are some settings on the fog that you can set which will maintain the low end somewhat. However, for the most part, this pedal tends to cut out the low end. And as a result, you're left with an underwhelming fizzy sound. This can often be the case with not only these bass fuzz pedals but bass fuzz pedals in general.

User reviews: Mooer Hustle Drive - Audiofanzine

SMALL - ENO OD-9, Ibanez Tube Screamer Mini, Keeley Red Dirt Mini, Mooer Green Mile, Mosky Tube Screamer, One Control Persian Green Screamer, Rowin Greenizer / Tube Drive, Tone City Kaffir Lime I have several distos underfoot. This e Ci used for solos and sometimes I also cheat a little grain of gain that is dirty sound just right. To be honest, I hesitate to take a second. Pedal allows subtle, playing volume and tone knobs to go to overdrive distortion / fuzz light depending on the guitar used. The Mooer Fog along with the Woolly Mammoth is like no other fuzz tones I have heard. A lot say you can get them to sound like Big Muff pedals. But I disagree. The Mooer Fog delivers a synth-like type of fuzz. Also, the words "snarly" as well as, "nasally" come to mind when I hear these pedals. At times, the sound tends to remind me of bit-crusher sounds.I know that there are many bass guitar players out there that swear by both the Mooer Fog as well as the Zvex Woolly Mammoth. I must be honest, I do not enjoy the sound of this pedal in general. The Mini Tube Screamer is very close to the full size TS9 tone, although I readily agree that the best overall sounding Tube Screamer is the 808 variety in either its regular format or extended Deluxe / DX version. The One Control Persian Green sort of gives you the best of both worlds here. We must not forget either that Maxon developed the Tube Screamer (808) sound for Ibanez before those two companies went their separate way.Mooer Audio have made sure the blues sound has been covered by adding yet another blues-style overdrive pedal to their range of clones. This time, Mooer have the Blues Mood pedal, which is a clone of the famous and extremely popular, Boss Blues Drive BD-2. However, Mooer didn't just stop there. No, in fact, they went a step further and cloned the Boss Blues Driver with the legendary Keeley Fat mod. Many guitar players are looking for pedals that they can get to spice up their guitar playing sessions. However, with that many options being sold in the market right now, it is really difficult to decide on one pedal that can last a long time. In this Mooer Hustle Drive Pedal review, we will be looking at this pedal to see if it is worth the money or not. The Trelicopter is a really good optical trem effects pedal for those on a tight budget. For such a small enclosure, you're able to get quite a diverse range of tremolo sounds. I must point out that this is not your "regular" trem pedal. I find it to be a bit more far out and shoegazy if that makes sense. A fantastic pedal for post-punk and indie guitar-based music. Mooer Trelicopter Volume Drop

The FX files: Fulltone OCD | MusicRadar The FX files: Fulltone OCD | MusicRadar

Plus: good surprise but views were good and for the price I was not taking a big risk. Quality very correct manufacturing of made in china. Versatility of the pedal. It goes from blues british sound just by mounting the volume on the guitar. 2 modes (hp and lp) are effective and offer a real workable soun You get more volume and a small increase in the high-mid range when you increase the distortion through the drive knob. Low peak mode adds little to the original sound but is ideal for clean boosting.

9 : PLEXI DISTORTION (≈ Marshall Plexi Stack)

REGULAR - Boss DS-1X, Boss DS-2 Turbo Distortion, DOD Boneshaker, Fulltone Plimsoul, Keeley Stahlhammer Distortion, Malekko Wolftone Sloika, Mesa Boogie Throttle Box, MXR Distortion+, MXR Super Badass / Custom Badass ’78 Distortion For me this is a tone that the Strymon Riverside does really well - giving it an added 80’s sheen through its digital processing. I have my Riverside set to two quite different gain stages - Brown on the favourite switch, and a very mild, smooth boost-like overdrive on the manual dials. The Riverside has a fairly smooth profile, it does do high gain distortion, but not with that really dirty grit that certain analogue pedals are so capable of. Hence, the Riverside is not quite the complete all-rounder it needs to be, but it does do certain things very well.

Hustle Drive_MOOER Audio

In this Mooer range of mini clone pedals, there are two Fuzz pedals. This Blue Faze is a clone of the classic Arbiter Silicon Fuzz Face (Now made by Dunlop). Not to be confused with the other Fuzz pedal on this Mooer clone list, the Grey Fuzz. The Blue Faze is based on the Silicon Fuzz Face and makes use of the BC108C silicon transistor. Which, is the vintage type of transistor that would have been found in the original Fuzz Face pedals. When it comes to fuzz and distortion in general, this silicon fuzz face was one of the first to ever be created. This silicon fuzz face is what basically started the guitar pedal, as the stompboxes we know them today.

6 : CRUNCH OVERDRIVE (≈ Fulltone OCD pedal)

An important consideration is that several of these pedals could be assigned to different categories with different tones / levels of gain dialled in, and while some have a huge range of soundscapes, others are more fixed within a type or have very specific timbres which make them instantly audibly identifiable / stand out within a very specific context. At a scenic beef with another group, I found myself jamming with that little thing at the end of the foot. Normally, I used a Ice9 VOX. Well even with the boost of 10 Db of the latter, I could not get out as much harmonic gas ... The Mooer Eleclady is a clone of the Electric Mistress by Electro-Harmonix. And, it manages to clone this legendary flanger in a fraction of the size of the original. The Mooer Eleclady, with its small and sleek design, offers three knobs as well as a 2-way toggle switch. The knobs include: The sweeper is without a doubt inspired by and based on the EHX bassballs. However, it is not an identical clone. The EHX features only a "distortion" toggle and a resonance knob. Whilst the Mooer allows you to control the intensity, range, and resonance. So on paper, the Mooer has more features and should be the better choice. Since this pedal is an extra small one, you might have a hard time placing it on your pedal board as your other pedals might need frequent adjustment. The other point is, if you will be adjusting the settings on the knobs frequently, that will mean that you are going to need to come close to the pedal every time.