The Magnificent Models of Harrison Marks - Big Boob Special Number 5

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Country/County/Town of Origin There are conflicting accounts that Lorraine was born either in England / Manchester, or USA / (possibly Pittsburg).

Living on through this film are Marks’ best remembered models from the era, Pamela Green, Cleo Simmons, Jutka Goz and the aforementioned June Palmer all of whom contribute cameos. Also putting in an appearance in the film was a young actress/model called Toni Burnett, who caught Marks’ eye. By the end of the film Toni and Marks were very much in love “she puts up with my lunatic ways and my day dreams” he wrote “she makes me happy, and I make her happy. Really for the first time in my life I am as happy as an ordinary, average person”. Others saw a far more toxic side to the relationship, a former girlfriend of Marks told me "George had a genius for becoming seriously involved with women who were unsuitable for him. He was very self distructive in his behaviour and Toni fitted his tendency to marry women who treated him badly".

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Folies de Paris et Hollywood – many issues, including No.131 (covergirl), No.184 (covergirl), No 240 (cover girl) No.316

Kamera – many issues, including notably No.15 (many pics and centrefold together with Rosa Domaille), No.39 Davis characterized Lorraine as “a very quiet girl, rather withdrawn. An unexpected characteristic in a girl who could, and did, give an energetic and uninhibited performance on stage. Measurements 41-25-36 (early mag); 42-24-36 (c.1960); 38-24-37 (US mag, mid-60s, where her bust is noticeably smaller)

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Panama Theatre Club Magazine No.1 (cover and feature, with some shots of one of her dance routines) Unlike Marks' previous film Naked as Nature Intended, The Naked World of Harrison Marks disposed of the need to justify its nudity by pretending to be nudist propaganda. This was an exercise in showing boobs for the sake of it, and as a result Naked World was initially rejected by the British censor but swiftly passed by numerous local councils. Some of whom rated it as low as an 'A' certificate (the BBFC eventually passed the film with cuts in 1968).