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M.Zuiko DIGITAL ED 100-400mm F5.0-6.3 IS, Super Telephoto Zoom, Suitable for all MFT Cameras (Olympus OM-D & PEN Models, Panasonic G-Series), Black

£9.9£99Clearance
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The 100-400m lens features built-in image stabilisation worth 3 stops to help to combat camera shake, while 9 circular diaphragm blades give the aperture a rounded shape. Thankfully I had set the ISO to 2000 prior to heading out just in case I saw something worth shooting, but that was set for the middle of the lake where it was brighter, not for here, under this darkened canopy! I did not mind and left the collar because it made holding it more comfortable actually (I have big hands). Such trademark owner has no relation, sponsorship or affiliation with Olympus nor has such trademark owner endorsed any Olympus product. The focus limiter comes in handy—you can set the autofocus system to look for focus only in the close-up range for times when you know you're working in the macro range, or only for distant subjects at times when you're separated from the action.

IS is surprisingly compact and relatively light for a superzoom lens covering a huge 35mm equivalent focal range of 400-800mm. Photographers who capture super telephoto subjects and favour a highly portable lens need look no further than this option which delivers sharp results and weather sealing as standard. Zuiko 100-400mm tremendously, and it is a great lens to have if you intend to dive into wildlife photography, or shooting birds outdoor, but you don't want to immediately sell off one kidney to fund for the 150-400mm PRO.Switches: I don't use switches on either of the lenses, and I really wish I could disable them because sometimes they get knocked out of position. Infinity and 6m-Infinity, with the latter speeding up the autofocusing if you don't need to shoot closer than 6m away from your subject. This switch will lock the lens at its 100mm position, and while I didn't experience any "lens creep" while using the lens, it's a handy feature to have; as the lens ages, the zoom mechanism might loosen and the lens could extend outward on its own.

Its functional design helps reduce strain when being carried for extended periods and lets you quickly find necessary items. It provides the flexibility that I want, provides great image quality and, with the two available teleconverters, I get an incredible equivalent focal length range, from 200 - 1600mm. Not having seen the lens in person, or tested it extensively, I am in no position to comment about the 150-400mm PRO, or give recommendations. Indeed at 800mm equivalent the optical stabilisation has to work hard to counteract the effects of camera shake, and as a result is rated to 3 stops, dropping to 2 stops with a teleconverter fitted.Should you want, you can also enable or disable IBIS or Lens IS separately, and to turn IS off entirely, you need to switch it off on the lens and in the camera. The buttery smooth rendering helps in adding depth to the images, as the lens captures super sharp main subject in focus with plenty of details and contrast, the background that is creamy and smooth helped boosted the illusion of 3D effect.

That did not stop me purchasing one, but I have to admit I am considering a G9 and the Pany version for the sinc IS. With the lens hood attached and the zoom retracted to 100mmm, the lens is very similar in length to the 300mm prime. Steve Ball is an Olympus Educator residing in the Pacific Northwest, where he found his love of bird photography while working for Olympus as a National Account Executive.You will find yourself bumping up your ISO when using the teleconverters to compensate for the additional loss of light in the tradeoff for additional reach.

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