Ortofon Stylus 10

Product Information

c) Buy a Concorde 30 stylus from Jico. (But I'm not sure if it will be an improvement over my OM 10). Still using it on a Dual 1219 and it sounds great on this, better than it ever did on the Rega or Technics. So it's turntable dependant. OK value for money but were I buying now I would go for the plus version with its upgrade possibilities that this version does not have. Replacement stylus for Super OM 10, OM 10, OMP-mount 10, OMBulk 10, OMT 10, LM 10, Concorde 10, Concorde EC 10, TM 10H, LMB 12, SMB 12, LMA 12, Concorde STD, Dual ULM 65E, Dual ULM 66E resulting in improved linearity, higher channel separation and reduced distortion, so you can enjoy the hear

has been designed on the basis of the OM lightweight system offering the ultimate in stylus flexibility and Hello to everyone. I've been learning from you all for various months and finally decided to post here, so here I go...The sound character is influenced by the input/load impedance. The lower the load impedance, the higher the current and the more dynamic the sound will be.

Meaning that high mass of the combination needs low mechanical compliance, otherwise record warps can easily provoke tonearm vibrations at frequencies around 4 to 6 Hz, that will bring degradation of performance. At least 8 Hz is advisable. Are the Om 20 or Om 30 "too much" from my system (like putting F1 tyres on my Renault Clio :lol: )???. with ease. Easily switch between styli to customize your listening experience to your personal taste. Review quote from Analog Planet, Jul 25, 2012, by Michael Fremer: "...The Onzow Zerodust is recommended only if you can prevent your platter from moving when you lower the stylus into the mound of gel, and only occasionally, unless you exercise extreme caution each and every time..."

There are several different diamond shapes with various properties, and each of them are crucial factors for sound quality. The Moving Magnet fundamental principle of operation comprises the effect caused by the movements of the stylus in a magnetic field, generating a current in the nearby coils. Here, the magnetic field emanates from a tiny, fixed magnet that is fastened to the remote end of the cantilever.

This is due to the fact that the structure of harmonic and intermodulation distortion is fundamentally different between MC-preamps and SUTs. While an MC pre-amplifier has a constant resistive input impedance, an SUT has an input impedance that is frequency dependent. The harmonic distortion produced by SUTs is highest at the lowest frequencies and drops as the frequency rises, whereas in most MC preamps the distortion increases as the frequency rises. Combined with significantly lower Intermodulation Distortion (IMD), the sound produced with an SUT will be much more open, dynamic, spacious, and natural. On a mono record the signal is cut only in the lateral dimension whereas a stereo record is cut at +/- 45 degrees into the opposing groove-walls, see the below figure: Cleaning of record by means of fibre brush before and after every use. Cleaning of record by using record cleaning machine once in a while. A key component in delivering warm analog sound, the Stylus 10 offers improved performance over the OM-5E. I have done this and the jico is far better than the om10 it replaced, more detailed and just better sounding.The elliptical diamond tipped moving magnet stylus has been designed for precise and accurate retrieval of Prices valid in stores (all including VAT) until close of business on 27th November 2023. (Some of these web prices are cheaper than in-store, so please mention that you've seen these offers online.) Ortofon do not recommend the use of solvents of any kind for cleaning of either record surface or stylus. If necessary, records may be washed in lukewarm demineralized water with a dash of sulphonic soap. The detergents should be allergy- & environmental friendly, without perfume or as little as possible: a few drops to a few liters of waters, no lather. Occasional use of record washing machine can be recommended. Use only one side of the phono stage input, and put a Y-cable on a single one of the phono stage’s outputs, so that the mono signal can be split into 2 channels. That way, there’s only 1 path to ground. b) Upgrade to an Om 20/Om 30 stylus? (I know this is for sure the best option, but the pricier too. :cry: