Moondial (Faber Children's Classics)

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Ariminta (Minty) Cane, reluctantly separated from her mother, stays with her Aunt Mary (Valerie Lush) in Belton, Lincolnshire and it isn’t long before the curiosity of the nearby Belton House and its mysterious Sundial leads her to cross the threshold of time and encounters ghostly presences who appear to be caught in the trappings of life as much as she is. This is one of my favourite stories - I loved the BBC adaptation when I was younger. So, it was impossible to resist when I saw this book in the local Library sale.

Moondial Little Gems - Moondial

A lovely little mystery with some beautiful symbolism and lovely morals about love being the most important thing. As another reviewer remarked Cresswell sometimes spends more time on the things you aren't interested in then skips over other moments you felt could have had more tension in such as the finale. Cresswell writes good characters and this was a good book which was deservedly made in to a TV series. It seems a shame that her name has fallen in to obscurity. There’s a genuinely spooky, haunting feel to Moondial , and whilst perhaps modern viewers may turn away from a six-part adventure because of the pacing, the story is never less than interesting and raises plenty of questions in the mind of the viewer. Not all are always answered, and perhaps this is no bad thing – viewers don’t always need to be spoon-fed. This is a complex, layered story rather than your typical runaround adventure which caught the attention of children: some even being interviewed for the BBC’s Take Two programme to voice their opinions. Paul Stone also appeared, answering questions from Phillip Schofield on whether the serial was too scary for younger viewers. It features children from three different time periods – Minty of the 1980s, Tom from the 1860s and Sarah from the 1770s. Moondial, a ‘time shift within a time shift’ centres around the sundial in the gardens of Belton House. As 2017 marks the thirtieth anniversary of Moondial, an exhibition loaned by the Cresswell family has been on show in Belton House’s library. The illustrator of Moondial, P J Lynch, was a young man who had recently left Brighton Art College and was illustrating book covers for Faber when he was given Moondial to read. He told me that once he had read the book, he was excited about illustrating it. There are around twelve line drawings which are evocative of the mood of the story and add an air of mystery to the book. P J Lynch’s front cover cleverly captures several elements of the book, including the Halloween masks taken from the faces on the urns in the garden and the cloaked figure of Sarah. He was particularly pleased with the front cover which is still used by Faber.A timeslip novel much akin to The Children of Green Knowe and An Enemy at Green Knowe, Moondial sees a young girl attempt to comes to grips with a sense of a place and those who inhabited it before. Her relationship with Tom and Sarah, children from other times, were engaging enough although I suspect a more fruitful exploration would have come across in the T.V. version (for which the idea was also conceived.) Moondial is a British television six-part serial made for children by the BBC and transmitted in 1988, with a repeat in 1990. It was written by Helen Cresswell, who also wrote the 1987 novel on which the series was based. [1] [2] [3] [4] The west entrance to Belton House near Grantham in Lincolnshire, the setting for Moondial. Plot [ edit ] I don't remember if I was irritated as a child reading it, but reading it now I am in no rush to read it again (and I'd been *so* excited about re-reading it!). Too many un-answered questions The BBC made a children’s television programme of Moondial with Helen Cresswell writing the script. Her method had been to write the book first and to keep the television script faithful to the book. The six episodes were filmed at Belton House and village, with local children taking part. The series was broadcast from February to March 1988 and was repeated in 1990. A DVD of the series can still be obtained.

Books by Helen Cresswell (Author of Moondial) - Goodreads

Moondials are time pieces similar to a sundial. The most basic moondial, which is identical to a sundial, is only accurate on the night of the full moon. Every night after it becomes an additional (on average) [note 1] 48 minutes slow, while every night preceding the full moon it is (again on average) [note 1] 49 minutes fast, assuming there is even enough light to take a reading by. Thus, one week to either side of the full moon the moondial will read 5 hours and 36 minutes before or after the proper time. [ citation needed]

When I was younger, that is to say, younger than I am now (11), this was one of my favourite books of all time. Now, I have 3: Harry Potter, Lord of the Rings, and Pride and Prejudice. I have always been a keen reader, so, when I was...7 or 8?...I read Moondial for the first time. Entertainment | Helen Cresswell's literary legacy". News.bbc.co.uk. 27 September 2005 . Retrieved 2 May 2015. And if P J Lynch had illustrated the tower with the golden pennants which never moved in the breeze, I'd have been most grateful - I never understood how this was meant: like stiff flags, vertically from the tower or corners? Or hanging horizontally and downwards from rampants? Or strung along like a bunting? For some reason I never got a good mental image of this, nor understood why Minty wondered if they ever moved. Thankfully for nostalgia hounds, the series was released on DVD in its full original episodic format by Second Sight in 2015, and in 2018 this fondly-remembered series celebrated its 30th anniversary. Perhaps appropriately for a story whose business is time travel, you may find yourself wondering just where those thirty years went…

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But Sarah is an innocent, beautiful child who has been led to believe she is evil has seemingly never been loved or accepted by anyone. At one point, Minty and Tom witness her daring venture into the daylight and trying to wash the devil’s mark from her face by the fountain in a heart-breaking scene that shows the true extent of the mental torment she has been subjected to. And all the while, as she walks the grounds of Belton House in darkness, singing her solitary song, ‘I’m weeping for a play-mate on a bright summers day’ she is completely unaware she has two mates awaiting to save her from her loneliness.

This story follows the saga of Araminta (or Minty for short), who has discovered she has a strange talent for seeing ghosts. After her mother is involved in a car accident, Minty is sent to stay in the country with an elderly Aunt who lives on the grounds of an old stately home now open to the public. Whilst staying with her Aunt, Minty befriends a local groundskeeper called World who informs her that she must help the past residents of the home find peace as they are lost souls. Minty meets these residents through some form of ghostly vortex which is triggered by the garden sundial that only seems to work in moonlight. These residents include a young stable hand by the name of Tom and a former resident with an unfortunate birthmark who spends her days hiding and her nights being taunted by neighbourhood children. The introduction of a sinister local ghost hunter with multiple personalities through time adds drama and a twist ending to this book. Moondial itself owes a little to some of Creswell’s earlier books, especially Polly Flint, but the whimsy is countered by a darkness and a genuine thrill at knowing that kids don’t need to have EVERY question answered because they can provide their own solutions when necessary. There’s a lovey ambiguity about the ending, about who Miss Vole and Miss Raven might be, and where Tom and Dorrie and Sarah actually go. Creswell provides some endings but also leaves other bits wildly open to interpretation which is incredibly bold and welcome in a genre where the gap between what adults what think kids want (tidy endings) and what kids actually will accept (messiness, strangeness and room to make their own endings) is often very large indeed. It’s less scary and dark than the TV version but treads a fine line between whimsy and menace during the best passages

Moondial by Helen Cresswell | Goodreads

In her autobiography, Helen wrote ‘I played with words as other children play with Lego’. Her play with words began with poetry at age 6, later producing around 100 children’s stories including Moondial. After becoming a teacher, she returned to writing in 1963. Helen wrote early in the morning, with a pot of tea beside her. She would sit on the floor and write in a large plain book, with ‘real pens and real ink’. When writing Moondial, as with other timeless fantasies, she used a white pen with sepia ink. After writing between 500 and 3,000 words, she would then type up her work, while it was fresh in her mind. Helen never edited the content once it was written.She finds herself drawn by some deep and secret force to the sundial in the grounds of old Belton House which she immediately knows, by instinct, is also a moondial. Now, really, there is no such thing as a moondial for telling the time with because the moon, unlike the sun, does not always follow the same path through the skies. But a sundial cannot work during dark moonlight hours, so the ordinary rules of time don't apply when the sundial is working as a moondial. That's how this time travel story works.