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A style from Juicy Couture's relaunch Photo: Courtesy of Juicy Couture Tamu McPherson, editor-in-chief of All the Pretty Birds Other popular shows like Sex and the City and Mad Men may have had trendier or more elegant wardrobes, but the Sopranos characters are just as tuned in to high-fashion brands like Versace, Jimmy Choo, and Fendi. They also have an overwhelming passion for luxury and the power and beauty it embodies — so much that it informs a large number of the decisions they make. When Christopher Moltisanti sees a woman in Manolo Blahniks, for example, he decides to take her to bed. I feel like seeing Juicy stuff now, or anything designer, gives me a vague queasiness – I love fashion, and clothing, but I also hate that I thought those things had to be connected to money, status, and brand [when I was younger]. That being said, I also have such a kitschy, nostalgic love for these brands. (I bought a hat with the Fiorucci angels this summer.) It’s an aesthetic that feels both totally innocent and totally manipulated. It’s also interesting how out-of-reach so many things felt in that pre-Internet era. There was power in wearing something you recognised from magazines or TV – a feeling that one day you’d have access to a world that was bigger than the one you inhabited. Jasmine Jones, owner and designer of JJ Vintage The technical fleece traps heat without the puffy snowman effect, ideal for cold weather and winter wear. Coupled with an unbeatable color selection and multi-tone designs, it’s hard to outdo this well-loved set. That said, it’s worth noting that the Tech Fleece line runs large, so if you’re after a more tailored look, be sure to size down.

Juicy Couture in Jennifer Lopez's "I'm Real" Photo: Courtesy of Epic Records Danny Pellegrino, Everything Iconic Podcaster and Y2K Expert I feel like seeing Juicy stuff now, or anything designer, gives me a vague queasiness—I love fashion, and clothing, but I also hate that I thought those things had to be connected to money, status, and brand [when I was younger]. That being said, I also have such a kitschy, nostalgic love for these brands. (I bought a hat with the Fiorucci angels this summer.) It’s an aesthetic that feels both totally innocent and totally manipulated. It’s also interesting how out-of-reach so many things felt in that pre-Internet era. There was power in wearing something you recognized from magazines or TV—a feeling that one day you’d have access to a world that was bigger than the one you inhabited. Twenty years after it first aired in 1999, The Sopranos is still considered one of the greatest television shows ever made. There are countless aspects that make it great — the writing, acting, directing, cinematography, etc. But personally, I don’t think the costumes are celebrated enough. What gives?

Tiffany Pollard, reality star and ’00s icon