Justin Bieber A4 Print Jonathan Wood Collection

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He is noted for his experience appearing in proceedings held under the auspices of the LCIA and LMAA." - Chambers UK 2021 Total Amount Due - The Hammer Price of the Lot sold, the Auctioneer's Commission due thereon under condition 13, such VAT as is chargeable and any additional interest, expenses or charges due hereunder.

Jonathanis] "very experienced in all forms of international arbitration - he is calm, professional and has very good judgment." - The Legal 500 UK 2018

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Representations or statements made by the Auctioneer in any Catalogue as to contribution, authorship, genuineness, source, origin, date, age, provenance, condition or estimated selling price or value is a statement of opinion only. Neither the Auctioneer nor its employees, servants or agents shall be responsible for the accuracy of any such opinions. Every person interested in a Lot must exercise and rely on their own judgment and opinion as to such matters. In his boldly colored, graphic works—including paintings, drawings, and prints—Jonas Wood combines art historical references with images of the objects, interiors, and people that comprise the fabric of his life. Translating the three-dimensional world around him into flat color and line, he confounds expectations of scale and vantage point. The buyer shall be responsible for any removal, storage and insurance charges in respect of any Lot which is not taken away within seven (2) days after the date of the auction.

In 2010, Wood had his first solo museum exhibition, at the Hammer Museum in Los Angeles. The exhibition was followed by a number of public commissions, including murals for the High Line, New York ( Shelf Still Life, 2014) and the façades of LAXART, Los Angeles (2014) and the Museum of Contemporary Art, Los Angeles ( Still Life with Two Owls (MOCA), 2016).

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b) The Auctioneer is satisfied that the Lot is a Forgery and that the buyer has and is able to transfer good and marketable title to the Lot free from any third party claims;