Clerks III

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has been killed (while pregnant) by a drunk driver, and that Dante is still recovering from that trauma. Dialogue heavy with a few pushes of stereo music into the sides and rears makes Atmos a bit of overkill here, but it’s still appreciated. Dialogue is crisp, clean and fun, and the song choices are always on point. Miss Sally Walk and Just Breathe really hit gut punches. least, Clerks III has a lot of heart (in more ways than one, but more about that later) and the typically goofy Smith sense of humor. This Plot: What’s it about? Video: How’s it look? Audio: How’s it sound? Supplements: What are the extras? The Bottom Line Plot: What’s it about? All right, we’ll leave you this afternoon with a look at the cover artwork for a few upcoming 2-film 4K Ultra HD collections, for those who might be interested in getting a bargain...

As with many of Smith's offerings, and in fact now all three of the Clerks films, the humor can be hit and/or miss, and some of theWhat’s more, Criterion—knowing that the blue color was obviously an error resulting from photochemical drift in the original film elements—fixed the issue for their own excellent 2020 Blu-ray release (see our review here)... We’ve gotten our hands on Paramount’s new 4K Ultra HD release of War of the Worlds (1953) and unfortunately there’s a problem with the color grade. As it happens, it’s exactly the same problem apparent in their current 4K Digital version, and it also appeared on the Imprint Blu-ray release in early 2020 (see our review here): The opening shots of Mars are the wrong color. Specifically, the whole planet is blue. Here’s a projection screen photo of the 4K...

obviously improvised stuff, like Justin Long's emergency room attendant, seem kind of forced and frankly not very funny. A longish montage of "big Editor’s Update 9/29/22: Interestingly, I found this comment on Facebook from former ILM animator, VFX supervisor and film producer Peter Kuran, responding to Paramount’s statement: “The reason it would be blue would be theatrical IB tech prints are balanced for a carbon arc light source which is very yellow. Better to use a 16mm IB Tech print which is balanced for 3200-3500 more normal.” That seems a reasonable conclusion to me. –BH] We’re Not Even Supposed To Be Here Today: 3 Decades of Clerks Documentary– The second is more of a history than specific to this particular film. But if it’s anything and everything you’ve ever wanted to know about the franchise – this is for you.Editor’s Update 9/26/22: Here is Paramount Home Entertainment’s official statement RE: the Mars color grading error in War of the Worlds (1953) on 4K Ultra HD: