Lord of the Dark Millennium: The Dan Abnett Collection (Warhammer 40,000)

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No one was left to gather and command any remaining forces of Darkness in Sauron's absence: his treacherous servant, Saruman, was the only one that could have conceivably claimed the title, but he was defeated and lost his physical body after the Battle of Bywater, at the end of the War of the Ring. Straubhaar, Sandra Ballif (2005). "Gilraen's Linnod: Function, Genre, Prototypes". Journal of Tolkien Studies. 2 (1): 235–244. doi: 10.1353/tks.2005.0032. ISSN 1547-3163. S2CID 170378314. Perkins, Agnes; Hill, Helen (1975). "The Corruption of Power". In Lobdell, Jared (ed.). A Tolkien Compass. Open Court. pp.57–68. ISBN 978-0-87548-303-0. Harlow, John (28 May 2008). "Hobbit movies meet dire foe in son of Tolkien". The Times. Archived from the original on 15 June 2011 . Retrieved 19 January 2022. Among its effects are numerous parodies, especially Harvard Lampoon 's Bored of the Rings, which has had the distinction of remaining continuously in print from its publication in 1969, and of being translated into at least 11 languages. [147]

Tolkien, J. R. R. (1954a). The Fellowship of the Ring. The Lord of the Rings. Boston: Houghton Mifflin. OCLC 9552942. book 2, ch. 1 "Many Meetings" Wilson, Edmund (14 April 1956). "Oo, Those Awful Orcs! A review of The Fellowship of the Ring". The Nation . Retrieved 1 September 2012. See the lead images in the articles on the three separate volumes, e.g. The Fellowship of the Ring. Derek Bailey (Director) and Judi Dench (Narrator) (1992). A Film Portrait of J. R. R. Tolkien (Television documentary). Visual Corporation. Williams, Stan. "20 Ways 'The Lord of the Rings' Is Both Christian and Catholic". Catholic Education Resource Center. Archived from the original on 20 December 2013 . Retrieved 20 December 2013.In 1965, the songwriter Donald Swann, best known for his collaboration with Michael Flanders as Flanders & Swann, set six poems from The Lord of the Rings and one from The Adventures of Tom Bombadil ("Errantry") to music. When Swann met with Tolkien to play the songs for his approval, Tolkien suggested for " Namárië" (Galadriel's lament) a setting reminiscent of plain chant, which Swann accepted. [137] The songs were published in 1967 as The Road Goes Ever On: A Song Cycle, [138] and a recording of the songs performed by singer William Elvin with Swann on piano was issued that same year by Caedmon Records as Poems and Songs of Middle Earth. [139] Tolkien, J. R. R. (1980). Christopher Tolkien (ed.). Unfinished Tales. Boston: Houghton Mifflin. ISBN 978-0-395-29917-3. Oops! This image does not follow our content guidelines. To continue publishing, please remove it or upload a different image. Lense, Edward (1976). "Sauron and Dracula". Mythlore. 4 (1). article 1. Archived from the original on 2020-09-18 . Retrieved 2020-05-31. Newman, J. K. (2005). "J.R.R. Tolkien's 'The Lord of the Rings': A Classical Perspective". Illinois Classical Studies. 30: 229–247. JSTOR 23065305.

Shulevitz, Judith (22 April 2001). "Hobbits in Hollywood". The New York Times. Archived from the original on 9 April 2009 . Retrieved 13 May 2006. The Gamasutra Quantum Leap Awards: Role-Playing Games". Honorable Mention: Dragon Warrior. Gamasutra. 6 October 2006. Archived from the original on 13 March 2011 . Retrieved 28 March 2011.

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Bramwell, Tony (2014). Magical Mystery Tours: My Life with the Beatles. Pavilion Books. p.70. ISBN 978-1-910232-16-3. Masters, Tim (30 April 2009). "Making Middle-earth on a shoestring". BBC News. BBC. Archived from the original on 3 May 2009 . Retrieved 1 May 2009.