The Silver Eyes Graphic Novel (Five Nights at Freddy's)

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To speed up the process, William captures the original animatronics and fuses their endoskeletons, rendering them unable to move and ready to be used for experimentation, involving melting down the endoskeletons to see if they would bring life to the Funtimes. One of these experiments involved heating up and injecting a glowing liquid from the endoskeletons into his new Funtime animatronics, which animated them and gave him full control over them. Another involved Elizabeth surgically removing organs from his body and smashing them into the endoskeletons, hoping for some kind of change. While Jessica, Carlton, and Marla were able to rescue most of the kidnapped children, one boy was captured by Funtime Foxy/Mangle and brought to William. Running out of time and low on options, William injected a glowing liquid from the endoskeleton into Carlton, who stayed behind to save the boy and put an end to Afton. Unaware that the injection didn't kill Carlton and instead enabled him to talk to the souls of Afton's victims, which are revealed to be still inside of the amalgamated endoskeletons, a disappointed William turned to the cornered kid, whom he then intends to use as his next test subject.

One aspect of FNAF The Silver Eyes that I love is the perspective of the story. In the video game series, we typically assume the role of a nightguard. Most of the story’s perspective comes from employees of Freddy Fazbear’s Pizza or Fazbear Entertainment. Charlie's character reflects that of Michael Afton from the games. Both have a dark and mysterious past and uncover their father's sins and creations which attempt to kill them, both have managed to even survive gruesome situations and cheat death. Additionally, both are no longer considered human, Michael is currently a living corpse while Charlotte is an advanced A.I. https://www.reddit.com/r/fivenightsatfreddys/comments/jk4xzy/comment/gai3gaf/?utm_source=reddit&utm_medium=web2x&context=3 William fears one thing and one thing only, and that is death. While in his weakened state in The Fourth Closet, he expresses that he is afraid of thinking about how his time is running out, and how he’d die if his goal of transporting his soul into a robot isn't achieved. He also mentions how he would rather live eternally in the state he is in than pass on.

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To speed up the process, William captures the original animatronics and fuses their endoskeletons together, rendering them unable to move and ready to be used for experimentation, involving melting down the endoskeletons to see if they would bring life to the Funtimes. One of these experiments involved heating up and injecting a glowing liquid from the endoskeletons into his new Funtime animatronics, which animated them and gave him full control over them. Another involved Elizabeth surgically removing organs from his body and smashing them into the endoskeletons, hoping for some kind of change. Claudia Schröder herself did the coloring for her illustrations at first, as revealed from the review copy at SDCC 2019. For reasons yet unknown, Scholastic rejects her coloring and decided to hire Laurie Smith to color her illustrations for the novel's final release. In Chapter 5, John finds Charlie in a chest, unconscious, while he and Jessica were hiding at Aunt Jen's house in Silver Reef. They make a run for it after they find Jen dead. John drives to his apartment and sets Charlie on his bed to rest. After discovering fake Charlie's true identity, he hides Charlie after fake Charlie visits his apartment while Jessica stalls her. While I have seen (and drawn) more FNAF fan art than I should have in a lifetime, I cannot see any artist other than Claudia Schröder working on this series. Claudia’s style is now iconic in the world of Five Night’s at Freddy’s. A New Look At The Lore

Several elements from The Silver Eyes (and its sequels) were adopted by the video games, including mentions of Hurricane, Utah in Freddy Fazbear's Pizzeria Simulator in the lawsuit segments. Sixteen-year-old Kiku, who is Japanese and white, only knows bits and pieces of her family history. While on a trip with her mother to San Francisco from their Seattle home, they search for her grandmother’s childhood home. While waiting for her mother, who goes inside to explore the mall now standing there, a mysterious fog envelops Kiku and displaces her to a theater in the past where a girl is playing the violin. The gifted musician is Ernestina Teranishi, who Kiku later confirms is her late grandmother. To Kiku’s dismay, the fog continues to transport her, eventually dropping her down next door to Ernestina’s family in a World War II Japanese American internment camp. The clean illustrations in soothing browns and blues convey the characters’ intense emotions. Hughes takes inspiration from her own family’s story, deftly balancing complicated national history with explorations of cultural dislocation and biracial identity. As Kiku processes her experiences, Hughes draws parallels to President Donald Trump’s Muslim ban and the incarceration of migrant children. The emotional connection between Kiku and her grandmother is underdeveloped; despite their being neighbors, Ernestina appears briefly and feels elusive to both Kiku and readers up to the very end. Despite some loose ends, readers will gain insights to the Japanese American incarceration and feel called to activism. The Silver Eyes ( Graphic Novel) • The Twisted Ones ( Graphic Novel) • The Fourth Closet ( Graphic Novel) However, in the graphic novel rendition, it can be noted that in some panels his outfit is changed to a medium-length purple silk robe with nothing beneath it.The Pizzeria [ ] The Diner [ ] The Return [ ] The Kidnapping [ ] The Rescue [ ] The Finale [ ] Major characters [ ] Charlie’s car is said to be an old blue Honda, given to her by Aunt Jen. In the graphic novel the car appears to be an early 80’s Honda civic 4door.