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On the Road: (Penguin Orange Collection)

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White Noise is the eighth novel by Don DeLillo, published by Viking Press in 1985. It won the U.S. National Book Award for Fiction. White Noise is an example of postmodern literature. I want to believe [Atilla the Hun] lay in his tent, wrapped in animal skins, as in some internationally financed movie epic, and said brave cruel things to his aides and retainers. No weakening of the spirit. No sense of the irony of human existence, that we are the highest form of life on earth and yet ineffably sad because we know what no other animal knows, that we must die." My son has started watching "unboxing" videos. I cannot conceive of the appeal. I return to this book, now a slightly seasoned father, seeking to reassure myself: the kids are all right. The kids are all right. Even when I do not understand where they're heading, the kids are all right. It is nice to live in the land of plenty – food is merchandise, technology is merchandise, health is merchandise, education is merchandise, culture is merchandise… And everything is mass-produced and second-rate… And you can’t consume it all.

It is surely possible to be awed by a thing that threatens your life, to see it as a cosmic force, so much larger than yourself, more powerful, created by elemental and wilful rhythms.’ El propio DeLillo, antes de dedicarse a la literatura, trabajó en una agencia de publicidad y, aunque no tardó mucho tiempo en comprender que aquello no era para él, sin duda aprendió lo suficiente sobre los mecanismos de la sociedad de consumo como para recelar de por vida del poder del consumismo, una desconfianza que queda patente en sus obras, especialmente en White Noise. POP CULTURE UPDATE: Hey, it's a movie now! I was pretty satisfied; if anything it stayed TOO faithful to the book and I feel the style would be off-putting for anyone going in cold, like it wouldn't stand as a movie on its own cinematic merit. How strange it is. We have these deep terrible lingering fears about ourselves and the people we love. Yet we walk around, talk to people, eat and drink. We manage to function. The feelings are deep and real. Shouldn’t they paralyze us? How is it we can survive them, at least for a while? We drive a car, we teach a class. How is it no one sees how deeply afraid we were, last night, this morning? Is it something we all hide from each other, by mutual consent? Or do we share the same secret without knowing it? Wear the same disguise.”The power of the dead is that we think they see us all the time. The dead have a presence. Is there a level of energy composed solely of dead? They are also in the ground, of course, asleep and crumbling. Perhaps we are what they dream." That's what it all comes down to in the end," he said. "A person spends his life saying good-bye to other people. How does he say good-bye to himself?" Deadly Don lifts one leg over the top rope and then another and then another, and suddenly the bell has rung and the fight has started. A definitive collection of stories from the unrivaled master of twentieth-century horror in a Penguin Classics Deluxe edition with cover art by Travis Louie

It's like how my mom still calls me if there is bad weather nearby, or if I'm out driving on a holiday where the roads could be filled with people who had too much to drink. DeLillo is a talented writer, but he wasted his talent in this work and missed an important opportunity to demand change. Don't get me wrong, I'm not upset with his depiction of a dystopic American setting. The Toxic Airborne Event was brilliant, timely and necessary, but he never asks his readers to take even a cursory look at the causes and consequences of our toxin-producing lifestyle. And it was right there! I also take issue with his demonic proposal that there is liberation to be found in murder, that there is no immortality, that important "psychic data" can be gleamed from commercials and television programs. Heinrich Gerhardt Gladney is a cynic. I want to get inside his head. We’re all suffering from brain fade. Fear of death. Fear of life. Consumerism. Commercialism. Communism. Toyota Celica. Murray is a comic genius. No frills. The pills won’t save you. Orest Mercator. Going for the record. Snakes bite. One person chooses, the other reads. Don't we want a balance, a sort of give-and-take? Isn't that what makes it sexy?"The characters are all strange, the dialogue and prose is weird. It is perhaps not rare for authors to create characters that are unsentimental, and totally incapable of having a normal conversation. But I find it difficult to appreciate such a use of artistic license if it doesn't make any point at all and serves no purpose. Il che la dice lunga su questo incubo a occhi chiusi e aperti che accompagna i giorni e gli anni di alcuni esseri umani (tutti? È parte della condizione umana? Dissento). Pero todo intento es inútil; la verdad, si es que existe, es relativa y lo auténtico y lo artificial se confunden hasta fundirse en una misma materia. Ambos acontecimientos, en realidad, son la forma que tiene DeLillo de confrontar la burbuja en la que viven los protagonistas, donde nada malo puede llegar a suceder, con su único miedo: el miedo a morir.

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