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The Lodger

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The Lodger by Helen Scarlett is a gripping and haunting gothic tale set in post-World War I London. When the body of Elizabeth Smith, a lodger who had become a dear friend to Grace, is found in the Thames after disappearing suddenly, Grace is drawn into the dangerous underbelly of London to uncover what happened to Elizabeth. An intriguing mystery layered with deeper themes of loss and regeneration after the Great War. London in 1919 is richly atmospheric, and Grace Armstrong is a sympathetic and spirited protagonist * V. B. Grey, author of SISTERHOOD *

The Lodger | Helen Scarlett | 9781529407594 | NetGalley The Lodger | Helen Scarlett | 9781529407594 | NetGalley

The middle part felt too slow for my taste and there was a lot of speaking about clues and small talk too, but not many active moments. The story lost its atmosphere in this part for me I didn’t have high hopes of this, having read a lot of gothic fiction recently and become a bit disillusioned with it but this was brilliant. I loved it. There were so many twist and turns and the ghosts and depiction of grief added real weight to the story. Elizabeth was a total mystery and I didn’t see the ending coming. I highly recommend this.To make matters worse, a body, dragged from the Thames, is identified as Elizabeth Smith, who lodged with Grace and her family for the last eight years before suddenly disappearing. The story began to slow down a bit in the middle, making me lose interest 😭 The romance felt almost forced and the mystery waned! The characters involved in the romance barely have any scenes together so it just doesn’t make sense. The murder mystery completely slowed and there’s zero tension, it feels more like a cozy mystery than a gothic novel (which there’s nothing wrong with that but it’s not something I enjoy; I prefer mysteries with tension). This is Helen Scarlett’s second novel; I haven’t read her first, The Deception of Harriet Fleet, but both are standalones so that didn’t matter at all. I will probably look for that earlier book now, as I did enjoy this one. It’s a slow-paced novel, but I still found it quite gripping, mainly because of the vivid portrayal of a world emerging from war, with people attempting to move forward while still struggling with the trauma of the recent past. Nobody in the novel has come out of the war unscathed; we meet men left damaged both physically and mentally by the horrors of the trenches, families grieving for the deaths of loved ones – and perhaps worst of all, people like Grace who are unable to grieve properly without knowing whether their loved one is dead or alive. Grace sees Robert everywhere – in the street, on the bus, in her dreams – and feels that she’ll never be able to rebuild her life until she knows the truth. A ghostly, immersive mystery threaded with twists and turns as evocative as the 20th-century London in which it is set . . . A devastating reveal and a tangled web I won't forget * Amanda Geard, author of THE MIDNIGHT HOUSE *

The Lodger by Helen Scarlett | Incredible books from Quercus The Lodger by Helen Scarlett | Incredible books from Quercus

So, despite my mild disappointment at the late introduction of over-used themes, overall I loved this one. A strong mystery contained within an authentic in-depth look at a specific and significant period in time, and peopled by characters I grew to like and care about. I will certainly be reading more from this talented author, and recommend this one highly. Helen Scarlett] has a gift for pulling readers into the twists and turns of her story * Sunday Times * The initial part was slow and intriguing. Full of hopes for the future blended with grief and inability to move on, it created a distinct mood. I couldn't put the book down Grace is appalled when a body, dragged from the Thames, is identified as Catherine Smith, who has lodged with Grace and her family for the last eight years before suddenly disappearing. Helen Scarlett] has a gift for pulling readers into the twists and turns of her story' SUNDAY TIMESPlease note: I have read the ARC copy. However, all the opinions and views are my own as any other review I make. Unfortunately near the end two of the compulsory themes of the decade are dragged in – homophobia and sexual abuse. I assume authors can’t get publishing contracts without them, a bit like the new Oscar rules. At least racism was omitted for once. It’s not that I object to any of these themes – I’d just like them not to be quite so ubiquitous. I love chocolate fudge cake, but I don’t want it with every meal. Believe it or not, there are other aspects of the human condition worth exploring. And in this case, I felt the subjects of loss and renewal were more than sufficient, especially since she dealt with them so well.

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