A Month in the Country (Penguin Modern Classics)

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Haunted by his experiences at Passchendaele, Birkin has returned from the war with a conspicuous facial twitch. The doctors tell him it may get better, and he believes then that time will “clean [him] up”; indeed, his escape to the idyllic Yorkshire countryside proves to be cathartic. The local people come to know him as “that chap from down south,” but they nevertheless take a liking to him. Besides, he isn’t the only stranger in the village. There is the enigmatic James Moon, an ‘archaeologist’ and fellow veteran seeking a lost 14th century grave; the dour vicar who consigns Birkin to sleep in the belfry; and his attractive young wife, Alice Keach, who reminds Tom of Botticelli’s Primavera. Don’t let the bland cover or blurb lead you to think this is just the charming story of the healing effect of a bucolic month in a quiet village. It is that. But it’s much more. The copy I obtained has a compelling Introduction from Penelope Fitzgerald, who, during her lifetime, was one of the most distinctive and eloquent voices in contemporary British fiction. She describes Carr (1912-1994) as someone who “always dwelt lovingly […] on details of behaviour that separate one region of England from another.” She saw that while he was “by no means a lavish writer,” he did have the “magic touch” when it came to revisiting “the imagined past.”

He adds, later, “I stumbled on, tossing in pleas to be forgiven for unmentionable sins I felt were His responsibility. . . rather than mine.”Netflix has yet again let me down. There is a movie from 1987 starring Kenneth Branagh and Colin Firth, but Netflix does not have it. At this point it appears I will have to buy it to see it. I can only hope that they do the book justice.

I saw her in the yard. You seemed to have a lot to say to each other. Now, didn’t you find her a bit of a stunner? Fancy that gem of purest Ray serene hidden away in Oxgodby’s unfathomable caves! Well, come on, admit it”. The Publisher Says: In J. L. Carr's deeply charged poetic novel, Tom Birkin, a veteran of the Great War and a broken marriage, arrives in the remote Yorkshire village of Oxgodby where he is to restore a recently discovered medieval mural in the local church. Living in the bell tower, surrounded by the resplendent countryside of high summer, and laboring each day to uncover an anonymous painter's depiction of the apocalypse, Birkin finds that he himself has been restored to a new, and hopeful, attachment to life. But summer ends, and with the work done, Birkin must leave. Now, long after, as he reflects on the passage of time and the power of art, he finds in his memories some consolation for all that has been lost. And then, God help me, on my first morning, in the first few minutes of my first morning, I felt that this alien northern countryside was friendly, that I'd turned a corner and that this summer of 1920, which was to smoulder on until the first leaves fell, was to be a propitious season of living, a blessed time.

ACT III

One summer, just after the Great War, Tom Birkin, a demobbed soldier, arrives in the village of Oxgodby. He has been invited to uncover and restore a medieval wall painting in the local church. At the same time, Charles Moon - a fellow damaged survivor of the war - has been asked to locate the grave of a village ancestor. As these two outsiders go about their work of recovery, they form a bond, but they also stir up long dormant passions within the village. What Berkin discovers here will stay with him for the rest of his life . . . Read more Details J.L. Carr’s masterstroke is to tinge the mural of Thomas’ chronicle with a gossamer of vivid observations that sparkle the old flame of hope, which glows brighter than ever when Alice Keach, the Minister’s wife, pierces through Thomas’ numbness with her curious vitality. This is one mystery that annoyed me. Birkin makes two references to the mural probably being of Luke 16: initially, he refers to “the judge and his bailiff; below them, three Lords of Luke 16” and later, it’s “the three brothers” of the same chapter. But Luke 16 has two stories: the unjust steward, and Lazarus and the rich man. No threes, let alone brothers. What have I missed?

I would recommend "A Month in the Country" to anyone who has experienced depression, disillusion, loss, pain, uncertainty. It doesn't really matter if you believed in the same god as Mr. Carr (the son of a famous preacher), or in Mr. Freud or in any other modern '-ism' . We are all human, and we have the same needs to give our lives a sense of purpose, a reason to keep trying day after day, no matter how many times we fail. What we are experiencing now, stress in all its fanciful disguises and new medical definitions, is something every generation has gone through since time immemorial. Mr. Carr argues that the past, if you look at its art carefully, can give us precious tools to deal with pain and loneliness and despair.the first breath of autumn was in the air, a prodigal feeling, a feeling of wanting, taking, and keeping before it is too late.” It starts like a penny dreadful, with the arrival - by train - of the young Tom Birkin in Oxgodby (a suggestive name left open to interpretation), an unsightly northern English village. He has to uncover a medieval fresco in a church and restore it. We are 1920, and Tom turns out to be another traumatized victim from the trenches in the First World War, wounded at Passchendaele. We then become acquainted with the paradisical life in the village, in full summer, and the story takes on the allure of a rural idyll. But with each subsequent conversation and each scene, new angles emerge, up to and including a very classic just-not-romance. Humor and melancholy alternate, until together with Tom we leave Oxgodby with a heavy heart. I intend to read some novels that are first World War based for this year’s anniversary and this one is the first. It is a novella by a rather eccentric teacher turned writer which absolutely captures a time and place. The plot is straightforward. Tom Birkin is a WW1 veteran who was injured at Passchendaele and is troubled by his memories and dreams and by a failed marriage. It is the summer of 1920 and Birkin has taken a job in the remote Yorkshire village of Oxgodby. He is to uncover a medieval mural that has been painted over for many years. His living accommodation is the belfry of the Church. Nearby another war veteran, James Moon is digging for a lost grave which may hold some sort of secret because it was placed outside of the churchyard. He also has his scars from the war. He also carried on a single-handed campaign to preserve and restore the parish church of Saint Faith at Newton in the Willows, which had been vandalised and was threatened with redundancy. Carr, who appointed himself its guardian, came into conflict with the vicar of the benefice, and higher church authorities, in his attempts to save the church. The building was saved, but his crusade was also a failure in that redundancy was not averted and the building is now a scientific study centre.

He is courteous, but also lonely. Just about everyone he meets recognizes this and recognizes his need to keep life at arm’s length. So, the people around him engage in a subtle dance with Birkin to draw him gently and caringly into their lives and draw him out of himself a bit. And I'm very annoyed about it. After everything we went through we deserved to have it end in some shared moment of sexiness, instead of petering out the way it did. You worry a lot about situations like that when you're in them, and then later you realize that you were worrying about exactly the wrong aspects of them. He meets a man named Moon who is camping in a tent in the cemetery and has been commissioned to find the bones of an ancestor for their patron. As time goes on, and both men realize how simply wonderful this moment in time has been for them, they start to linger in their work, making it last, not wanting it to end. There is a story about Moon that you will have to read the book to discover. Indeed, for all of his British stiff-upper-lip as the novel opens, Birkin arrives as a broken man. He’s looking for “a new start and, afterward, maybe I won’t be a casualty anymore.”There is a full cast of local characters; the local vicar and his beautiful wife and the rival Wesleyan Methodists. Carr, being brought up in the Wesleyan tradition captures the chapel rituals and attendees very well. Carr said he wanted the effect to be something like Hardy’s Under the Greenwood Tree in relation to the local characters. Tom Birken is summoned to the countryside from the teaming streets of London to practice his craft revealing a Medieval painting that was originally painted 500 years previously, and had been whitewashed over about a hundred years later. It is a picture of doom predating the fantastical, terrifying visions of Bruegel by at least a hundred years. J.L. Carr's novella explores such perfect times, through the character of Tom Birkin. Set in the summer of 1920, but related in 1978, an older Birkin is remembering the month during which he is hired to uncover a medieval mural in a church in northern England. Damaged by time served in WWI and a bad marriage, Birkin arrives at Oxgodby fairly shattered and alone. This time serves as a salve on his heart, a reminder of the beauty of art, but also of nature, of simple pastoral idyls and country people. As he uncovers the painting, he is also uncovering the masterpiece of his self, his wonder at the world and whatever lies ahead.