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What's This For . . . !

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a b Bennett, J. "Killing Joke". Decibel Magazine. Archived from the original (ASPX) on 16 October 2007 . Retrieved 7 January 2007. Coleman is a Composer in Residence to the Prague Symphony Orchestra, the nation of New Zealand and, as of October 2006, the entire European Union. What’s THIS For?” is apparently KJ’s first real studio child, sine their debut was rumoured to be birthed out of touring and live performances. “The Fall Of Because” remains a definite killer opener to the album and is often cited as such, while “Tension” has an almost underground pop-ish groove to it, albeit strictly in that unique KJ feel. “Unspeakable” and “Butcher” fall under slightly darker tones but are by no means less hypotic in their tribal effectiveness. “Madness” is in my opinion the low point of the album, featuring additional vocals by Big Paul, although his drumming does appear at times to be a hint on the sloppy side. “Who Told You How” has its own unique feel to it, a bit on the morbid side while “Exit” briefly hints at the energy to be found a few years later on “Fire Dances”. a b c Bansal, Andrew (4 July 2013). "Interview With Killing Joke Guitarist Geordie Walker". Metalassault.com . Retrieved 8 August 2014.

Revelations was recorded in 1982 in Germany near Cologne with producer Conny Plank, who had previously worked for Neu! and Kraftwerk. [17] The album was supported by a pair of performances on BBC Radio's "The John Peel Show" and a slot on UK TV show Top of the Pops for " Empire Song". It was the first time that one of their albums had entered the top 20 of the UK Albums Chart: Revelations peaked at No. 12 at its release. [18] Members of the band, especially Coleman, had become immersed in the occult, particularly the works of occultist Aleister Crowley. In February of that year, Coleman, with Walker following shortly after, moved to Iceland to survive the Apocalypse, which Coleman predicted was coming soon. While in Iceland, Coleman and Walker worked with musicians from the band Þeyr in the project Niceland. Youth, who had stayed in England, left the band after a few months. [19] He then began the band Brilliant with Ferguson, but the latter defected and travelled to Iceland to rejoin Killing Joke with new bassist Paul Raven. Munro, Scott (15 October 2019). "Killing Joke's Jaz Coleman: I could have saved Heath Ledger". Louder/Future Publishing Limited Quay House. Archived from the original on 16 May 2022 . Retrieved 16 May 2022. Bands – SUNDAY 9thAUGUST 2009". Rebellion Festivals. Archived from the original (PHP) on 20 April 2016 . Retrieved 1 May 2009. Good call on 'Sons and Fascination/Sister Feelings Call' (although the previous year's 'Empires & Dance' is the definitive SM LP for me). Their last truly great records. But so far, the only 2012 catastrophe that has befallen Killing Joke occurred in July when Coleman went on another one of his unannounced sojourns, as he had done when he offed to Iceland so many years ago. At the time, the group was working on a forthcoming collection of dub versions of its songs and planning a tour with the Cult and the Mission U.K., but it had to cancel its plans. Instead the band members took to Facebook and wrote, "We are all concerned about our missing singer's welfare." They also said, "We are doing everything we can to make this tour happen and locate our missing singer." In August, the group announced that he had turned up in the Western Sahara, and, other than the tour, Killing Joke resumed their plans.The last album he recorded with Killing Joke was the 1986 release Brighter than a Thousand Suns. Following disagreements with lead singer Jaz Coleman about new material and the direction of the band, Ferguson and bassist Paul Raven departed the band in 1987 during the recording of their seventh studio album, Outside The Gate. Coleman's "menacing" [61] vocal style and "terrifying growl" have been compared to Motörhead's Lemmy. [63] In the first part of their career, Coleman also played synth while singing, adding electronic atonal sounds to create a disturbing atmosphere. [61] a b Hanna, Lynn (8 November 1980). Plague of the Punk Zombies. p.45. {{ cite book}}: |work= ignored ( help)

Find sources: "Wardance"song– news · newspapers · books · scholar · JSTOR ( February 2015) ( Learn how and when to remove this template message) The "intelligentsia masquerading as yobs or vice versa" debate blind sighted many at the time, leading them to ignore the rich musical and literary culture around the band. Evolving from the fractured UK punk scene at the end of the 70's, early Killing Joke blended disco and dub into their apocalyptic sound. Hence, fans of The Ruts and Chic could be found in the crowds of their early gigs, alongside the mohican brigade. Their first Peel Session captures this period perfectly.trying to break into the Freemasons headquarters and ended up in Chelsea police station wearing a kimono and swimming trunks. Unsurprisingly, he was placed in a mental home, leading to a tour being postponed. He later said: Care, Peter. "Music Videos - UK 1983-1986 - Killing Joke, Love Like Blood". petercare.com. Archived from the original on 20 April 2022 . Retrieved 20 April 2022.

As Jaz Coleman said in 1990: "Killing Joke always have an important role to play in times of world tension" and this is still the case today. Another great album of 1981 was JuJu by Siouxsie and the Banshees as well as Computer World by Kraftwerk. The last truly great albums by each of those bands. I think the line up change forced on the Banshees in late 79 had opened up their perspective and Geordie was on their initial wish list of desired guitarists (along with Bruce Gilbert of Wire) suggesting they were paying close attention to KJ. 'What's This For...!' passed me by at the time. It was the only Killing Joke album I never owned from the run between their debut and Night Time. The dub version of ‘Follow the Leaders’ was years ahead of it’s time. 'The Fall of Because' has always been a peak of their live set when played. With 8:30 approaching, drummer Big Paul Ferguson walks onto stage and posits himself behind his drum kit. He limbers up gently as he gets into the right mindset for the gig ahead. It is a few minutes before he is joined onstage by the rest of the band. A simple but sinister drum beat opens 'The Fall of Because' before guitarist Geordie Walker comes in with a riff that sounds like the gates of hell opening up. Paul Ferguson and Youth play a tight, but inventive rhythm based on dub reggae and tribal, Celtic beats. Vocalist Jaz Coleman sings a set of lyrics influenced by noted British occultist Alistair Crowley, who once wrote that “He shall fall down into a pit called Because, and there he shall perish with the dogs of reason.”Walker later moved to London to study architecture and became a founding member of Killing Joke in March 1979 when he responded to an advertisement placed by the singer Jaz Coleman. He had never played in a band before. [2] His first release with Killing Joke, the Turn to Red EP came out in October 1979. [4] Their debut self-titled album was released in October 1980. [5] He recorded fifteen studio albums with the band between 1980 and 2015. Walker and Coleman were the only constant members of the group until Walker's death. [6] [7] Who Told You How' is a short electro number with tribal percussion and sweeping guitar. A sound collage with a simple question, it's not a million miles away from what the likes of Cabaret Voltaire were doing at the time and acts as both a respite from the grind of 'Madness' and a change of pace. Killing Joke 'The Singles Collection 1979-2012' Out Now". Spinefarm Records. 6 May 2013. [ permanent dead link]

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