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A Dozen A Day: Pre-Practice Technical Exercises For The Piano [Book 1 Primary]

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How might the musical ideas from two or three simple exercises be combined into a larger piece? What narrative can the piece then be given, and how will it develop? Can a basic Dozen A Day exercise be used as the core material for a piece which expresses a particular emotion, idea, story, mood or colour? A bonus: it can be helpful to talk to the student about technical problems the exercise helps with, asking them to identify passages in their new, active and recent repertoire which will benefit.

A Dozen A Day_ Book 1 - Edna Mae Burnam.pdf - Documents and E A Dozen A Day_ Book 1 - Edna Mae Burnam.pdf - Documents and E

Taken as a while, A Dozen a Day is a unique resource, and an extraordinary legacy that we are fortunate indeed to have at our disposal today. What is New? It is also worth noting at this point that Burnam herself suggested learning a couple of exercises at a time, playing them slowly and softly at first, then introducing a range of dynamics and speeding up the tempi. Pre-practice technical exercises for the piano. The purpose of this book is to help develop strong hands and flexible fingers. The idea is to learn two or three exercises at a time, which should be played each day before practising. Only when these are mastered should you add another. When all in the first group are mastered, the next group may be introduced. Many of these exercises may be transposed to different keys. While various songbooks and extras have appeared over the years, the core Dozen A Day material comprises six short exercise books: As a teacher using this material over several decades, I have found that while A Dozen A Day can be tremendously helpful as a set of technical exercises, the resource can also be used holistically to support many other learning objectives, as appropriate to each student’s needs and musical interests.

However you choose to introduce and use exercises from A Dozen A Day, remember that like any cycle of technical exercises, using them inappropriately won’t just potentially mitigate against any benefits, but could cause fresh problems for players. The advice of an expert teacher is always crucial when developing good technique at the piano.

A Dozen A Day: Book 1: Primary by Edna Mae Burnam - Goodreads A Dozen A Day: Book 1: Primary by Edna Mae Burnam - Goodreads

In the context of an integrated approach to piano education, here are just some of the strategies which I have found productive and helpful for students: Dozen A Day exercises can also be used as the starting point for improvising and composing in a lesson. A Dozen A Day Book One: Primary contains pre-practice technical exercises for the Piano. The purpose of this book is to help develop strong hands and flexible fingers. Andrew Eales is a widely respected piano educator, writer and composer based on Milton Keynes UK. His book HOW TO PRACTISE MUSIC is published by Hal Leonard.The Dozen a Day books are universally recognized as one of the most remarkable technique series on the market for all ages! Each book in this series contains short warm-up exercises to be played at the beginning of each practice session, providing excellent day-to-day training for the student.

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The Thematic Index must have taken a while to produce, and gratitude is due to Christopher Hussey, who produced it. With its brilliant Thematic Index, and kept ever within reach, this bumper book succeeds wonderfully as a teacher’s companion, making Burnam’s exercises ever-accessible without encroaching too seriously on lesson time. Because we are using the exercises holistically, rather than designating them as a “sight reading test”, we can get past any trauma that the student might associate with grade exams. I was struggling with the main pieces and especially with finger strength, flexibility and familiarity with common shapes and notes.Together the exercises form a rich resource for piano teachers and students to draw upon, and with the addition of the book’s special thematic index, it’s easy to focus on specific areas of technique.”

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