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Crawford, Robert (13 March 2010). " Macbeth, A True Story by Fiona Watson: The whole truth about Macbeth is not enough for Robert Crawford". The Guardian. Archived from the original on 29 January 2018 . Retrieved 28 January 2018. W innej pałacowej komnacie Makbet rozmawia z żoną o tym, cozrobili. Prosi ją,by podczas wieczornej uczty była możliwie spokojna i pogodna. Mówi też, że:„Grzech sił dodaje dzieciom nieprawości”.To zapowiedź kolejnych zbrodni. Like Richard III, but without that character's perversely appealing exuberance, Macbeth wades through blood until his inevitable fall. As Kenneth Muir writes, "Macbeth has not a predisposition to murder; he has merely an inordinate ambition that makes murder itself seem to be a lesser evil than failure to achieve the crown." [52] Some critics, such as E. E. Stoll, explain this characterisation as a holdover from Senecan or medieval tradition. Shakespeare's audience, in this view, expected villains to be wholly bad, and Senecan style, far from prohibiting a villainous protagonist, all but demanded it. [48]

King of England, James I (2016). The annotated Daemonologie: a critical edition. Warren, Brett. R. ISBN 978-1-5329-6891-4. OCLC 1008940058. In 1849, Macbeth even caused a riot in New York. The Astor Place Riot was caused by two rival actors arguing about whose portrayal of Macbeth was better. American actor Edwin Forrest and English thespian William Charles Macready were both playing the role of Macbeth in different productions at different theatres on the same night, and a longstanding rivalry erupted. Holland, Peter (2007). "Shakespeare abbreviated". In Shaughnessy, Robert (ed.). The Cambridge Companion to Shakespeare and Popular Culture. Cambridge Companions to Literature. Cambridge: Cambridge University Press. pp.26–45. doi: 10.1017/CCOL9780521844291.003. ISBN 978-1-139-00152-6– via Cambridge Core. King James VI and I (2016). Warren, Brett R. (ed.). The Annotated Dæmonology : A Critical Edition. ISBN 978-1-5329-6891-4.Clark, Sandra; Mason, Pamela, eds. (2015). Macbeth. The Arden Shakespeare, third series. London: Bloomsbury Publishing. ISBN 978-1-904271-40-6. Macbeth, australijski film z 2006 roku w reżyserii Geoffreya Wrighta osadzony we współczesnym Melbourne Benedict, David (14 October 2021). " 'The Tragedy of Macbeth' Review: James McArdle and Saoirse Ronan in an Over-Directed and Under-Dramatized Production". Variety. Archived from the original on 19 June 2022 . Retrieved 19 June 2022. Macbeth ( / m ə k ˈ b ɛ θ/, full title The Tragedie of Macbeth) is a tragedy by William Shakespeare. It is thought to have been first performed in 1606. [a] It dramatises the damaging physical and psychological effects of political ambition on those who seek power. Of all the plays that Shakespeare wrote during the reign of James I, Macbeth most clearly reflects his relationship with King James, patron of Shakespeare's acting company. [1] It was first published in the Folio of 1623, possibly from a prompt book, and is Shakespeare's shortest tragedy. [2] For Macbeth to become King, he needed to know that it was ordained that he would one day sit on the throne, so he could then murderously take it from the current incumbent. If Macbeth had not acted upon the prophecy, it may not have come true. (A similar ambiguity surrounding the role of fate and the role of individual agency governs the plot of Sophocles’ Oedipus Rex; although Shakespeare’s tragic model was more Senecan than ancient Greek, Macbeth is perhaps the play in his oeuvre which comes the closest to following the model for a good tragedy set out in Aristotle’s Poetics.)

Spurgeon, Caroline F. E. (1935). Shakespeare's Imagery and What it Tells Us. Cambridge: Cambridge University Press. doi: 10.1017/CBO9780511620393. ISBN 978-0-511-62039-3– via Cambridge Core.

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The ‘moral’ of Macbeth, if we can run the risk of reducing the play to an ethical message in this way, is that to usurp the ruler of a kingdom is usually a Bad Idea, at least if the ruler is generally thought to be a good one and your motivation for wanting to kill and replace them is your own grasping ambition to be monarch yourself. Which brings us to the last major theme of Macbeth worth mentioning in this short analysis (before the analysis becomes somewhat less than short)… Harris, Jonathan Gil (2007). "The Smell of Macbeth". Shakespeare Quarterly. Folger Shakespeare Library. 58 (4): 465–486. doi: 10.1353/shq.2007.0062. eISSN 1538-3555. ISSN 0037-3222. JSTOR 4625011. S2CID 9376451. Soon afterwards, King Duncan names Macbeth Thane of Cawdor as a reward for his success in the recent battles. The promotion seems to support the prophecy. The King then proposes to make a brief visit that night to Macbeth's castle at Inverness. Lady Macbeth receives news from her husband about the prophecy and his new title. She vows to help him become king by whatever means are necessary (*ominous music*). Gurr, Andrew (2009). The Shakespearean Stage 1574–1642 (4thed.). Cambridge: Cambridge University Press. doi: 10.1017/CBO9780511819520. ISBN 978-0-511-81952-0– via Cambridge Core. Shakespeare borrowed the story from several tales in Holinshed's Chronicles, a popular history of the British Isles well known to Shakespeare and his contemporaries. In Chronicles, a man named Donwald finds several of his family put to death by his king, Duff, for dealing with witches. After being pressured by his wife, he and four of his servants kill the king in his own house. In Chronicles, Macbeth is portrayed as struggling to support the kingdom in the face of King Duncan's ineptitude. He and Banquo meet the three witches, who make exactly the same prophecies as in Shakespeare's version. Macbeth and Banquo then together plot the murder of Duncan, at Lady Macbeth's urging. Macbeth has a long, ten-year reign before eventually being overthrown by Macduff and Malcolm. The parallels between the two versions are clear. However, some scholars think that George Buchanan's Rerum Scoticarum Historia matches Shakespeare's version more closely. Buchanan's work was available in Latin in Shakespeare's day. [9]

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