Nick Drake: The Life

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Boyd had left Britain to take a job in America. Bereft of his guidance, Drake arranged with the engineer John Wood to record what would be his third and final album, the starkly beautiful Pink Moon, over just two sessions between 11pm and 2am. They were the only slots Wood could find, but Wood thought he would anyway get the best out of Drake when nobody else was there. “He wasn’t in good shape. He didn’t look healthy.” Like its predecessors, the album vanished leaving barely a trace. After the VW advert, according to US music journalist Amanda Petrusich's 2007 book on Pink Moon, sales of the album "increased nearly 500% during the first 10 weeks of 2000, when Drake shifted more than 4,700 copies of Pink Moon, compared to 815 in the same period in 1999". The New York Times reported in 2001 that sales had jumped from about 6,000 copies a year to more than 74,000.

Nick Drake by Richard Morton Jack review: a troubled genius Nick Drake by Richard Morton Jack review: a troubled genius

What followed was unexpected. “It was a much more intimate recording,” says Wood. Gone were the mournful strings and the jaunty brass and in their place was simplicity: just Drake and his guitar. “I think he wanted to make a very direct and personal record. I thought, after the first couple of songs, that we would probably augment it a bit. Not a lot, but I was expecting him to get Danny Thompson in maybe.” (Thompson is the double bass player who co-founded Pentangle.) “After the second number, I said something and he just replied, ‘No, that’s it. That’s all we’re doing.’ And that was it.” The author interviewed 200 people from all areas of Drake’s life and was given access to his family's private papers. His research suggests that, contrary to what some believe, the musician was not a heroin addict; he was not gay; he had not been abused at school; and conflict with his father was not at the root of his problems. The first two – Five Leaves Left and Bryter Layter – sold only modestly, around 5,000 copies each, making Drake, who had depression, retreat into himself even further. He felt Wood was one of the few people he could trust. “One day,” recalls Wood, “he just rang up and said he wanted to go into the studio.” On the morning of the 25th November, he was found, lifeless, on his bed. At the coroner’s inquest, a pathologist stated that he had found evidence in Drake’s body of “a serious overdose”. The verdict was suicide.So it is that Drake has gone from relative obscurity during his lifetime to appearing on the cover of music magazines, being the subject of a Radio 2 documentary presented by Brad Pitt, and having his music appear in mainstream Hollywood movies such as A Beautiful Day in the Neighbourhood and hit TV shows such as Normal People. He's even had a beer named after one of his songs by a Californian craft brewery.

Nick Drake: The Life by Richard Morton Jack | Waterstones

Aug 07 - Tabs added for the "Far Leys" instrumental (appears on Family Tree as Sketch 1) and original guitar version of Made To Love Magic. You believe that the problem of turning yourself from an amateur into a professional can be solved merely by transferring yourself from Cambridge to somewhere where you are surrounded by, and under the influence of, professionals in your chosen field. From what you say I take it that you must believe that it was the prospect of returning to Cambridge for eight-week periods during the year that prevented you, in the long summer vac, from getting into the swim, so to speak, and of starting to acquire the professionalism which you are rightly seeking. It was the same story with the next two; 1971's relatively upbeat Bryter Later and 1972's much starker Pink Moon. There was limited publicity and Drake’s eventual refusal to play live did not help. His last proper live performance ever was in 1970 and he played little more than 30 shows in his whole career. He simply didn't enjoy it. "There were only two or three concerts that felt right, and there was something wrong with all the others," he said in one of those two press interviews, in 1971 with Sounds magazine. He had champions in the celebrated producer Joe Boyd and in the Velvet Underground's John Cale, who had insisted on working with him, but it wasn't enough. Drake became seriously depressed and returned to live with his parents, telling his mother "I've failed in every single thing I've ever tried to do". He saw psychiatrists, spent five weeks in a psychiatric facility and was even treated with electroconvulsive therapy. It’s a beautiful book, certainly, but hard to read because it includes so much hitherto private pain – not just family letters, but Rodney’s diary of his son’s struggle with depression. “The worst day of our lives …” it concludes. “So ends in tragedy our three-year struggle.” Girls adored him. He was tall, good-looking, diffident, quietly well spoken, with none of the faux-Americanisms or affected glottal-stops of most musicians of the day. His shyness and gentleness – “it was impossible to imagine him being angry or unpleasant”, says one friend – were captivating. Yet despite his achingly romantic songs, it seems Drake never had an intimate relationship with anyone. “I would almost describe him as asexual,” one friend remembers. “I think he had a romanticised, even poetic view of women rather than a carnal one.” His greatest infatuation was with Francoise Hardy; there was a suggestion she might record one of his songs. They met in Paris, and it came to nothing but later, but as his mental condition worsened, he travelled to France trying, and failing to, see her.

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But living alone in a barely furnished Hampstead bedsit – “like a cell, overlooking a neglected garden,” according to one visitor – he started slowly going to pieces, looking progressively more shabby, neglecting to wash his hair or clean his fingernails, passing his days playing the guitar, smoking joints, occasionally forraying out in search of a curry when he became hungry. Pink Moon is often described as “desolate” and “bleak”, with Drake’s lyrics interpreted in light of his mental health. Place to Be contains the lines: “And I was green, greener than the hill / Where flowers grew and the sun shone still / Now I’m darker than the deepest sea/ Just hand me down, give me a place to be.” My brother once said to my mother, “If only I could feel that my music had helped anyone at all …” and I just wish he could have known how many people his music has helped.’ Drake’s third and final album Pink Moon is a bleak, minimal affair, seemingly wrenched from the depths of mental illness. As shown by the reactions of his family and contemporaries, it’s a reflection of his brilliance and the uncomfortably intimate nature of the material