House Rules (High Risk Books)

Product Information

The book begins with the narrator, Lee, facing expulsion due to being caught with pot and a bunch of boys (sound familiar?). As a result, she has nowhere to go but doesn't want to go home to a father who sexually abuses her and a mother who helps him do it. Lee manages to travel to the horse circuit after making her friend repay a drug debt, and on her way there, she is molested by a man who is her seatmate. Through this we begin to see how Lee copes with the way others treat her.

Next, we have a lot of unanswered questions about some main characters: Carl is alleged to be married, but we never hear of the wife, any history of the wife, other than 2 references. Even when the main character, Lee, stays with them in between shows, the wife is never even alluded to, but many other characters have their stories and history laid out up front. Confusing.

Lccn 93025614 Ocr_converted abbyy-to-hocr 1.1.20 Ocr_module_version 0.0.17 Openlibrary OL1416092M Openlibrary_edition

Sex, drugs, abuse—yes, that’s the darker side of the horse industry—any walk of life to be honest. We choose what we want to be a part of, even if you have had a life that created the spiral. The key element is what choice to you want to make. And that is where House Rules gets it. The main character starts to realize where she is, what is going on and the ending, which if this is a real experience, I’ve never heard of this happening, comes to a very real and sobering reality.urn:lcp:houserules0000lewi:lcpdf:5051e768-df1d-4539-9ce6-c961d6209890 Foldoutcount 0 Identifier houserules0000lewi Identifier-ark ark:/13960/t4tj8gm0r Invoice 1652 Isbn 0749395842 Although the book is powerfully honest and brutal I had problems more with the writing and character development. I suppose it just takes time to get used to how Heather Lewis wrote her novels. I admire the way she laid Lee's emotions and entire life bare for the reader to witness. It's just at the end of the book I didn't really feel like I knew Lee at all. And the entire world of show horses is completely unknown to me. I understand Lewis knew about it well and she certainly was able to show that through her words. I just wasn't able to picture any of the scenes in my head that contained the horses, which was a important thing to Lee. Besides House Rules, Heather Lewis left behind two more novels; no horses, but like in House Rules very violent sexual episodes and a lot of drugs. Both offer as principal characters a wealthy couple who are addicted to sexually abusing teen-aged prostitutes. The Second Suspect is an apparent police procedural investigating the death of one of these girls. The other novel, Notice– published only after the author’s suicide – is a 1st person account by a teenaged prostitute who specializes in servicing businessmen commuters @ a suburban railway station car park. The two books are obviously closely related & artistically it makes sense to connect them. The rest of the story passes with scenes in hotel rooms, stables, schooling rings. Abuse and drugs, over and over again.. it's a cycle that never ends, and the author wants you to experience this cycle.. and how it feels to be trapped within it.

It's a really dark, lonely sort of book. I don't know how to explain what I mean. It just left me sort of lost- but her writing was really good. The fact that nobody has any deeper biographical information from her.. It's like she's faded away from history. It took me a long time to find out what I know about her, from bits and pieces. Nobody else seems to think about her anymore. Given our culture's evergreen fixation with elite lives in spiral, I'm baffled that House Rules hasn't experienced a second wind like Heather Lewis' Notice. Perhaps this has something to do with the novel's rights: House Rules was a New Narrative gem published by Serpent's Tail during the early days of the UK house's short-lived US division. Then again, existing US NN house Semiotex(e) doesn't have a good record of intuitively republishing books when their authors reenter literary work consciousness (cough, Shulamith Firestone, cough). A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact. Her girlfriend, Tory, is also very obviously a victim. Another thing that killed me was that under different circumstances these characters could be so happy, they could heal each other and be happy young lesbians in love, but they’ve experienced so much trauma that the only way they can interact with each other is through violent sex and drugs. It’s got the hopelessness of a true tragedy, to the point that you almost become accustomed to the tragedy by the end of the book and you’ve gotten comfortable with the fact that there’s just about no hope for these characters. Not exactly spoilers in this review, but general outline of the plot (so you might want to avoid it!)

House rules

If you don’t have a problem with the context of the story, it is a very interesting read and very, very well written. Aside for a few things, I wish Miss Lewis had stayed with the world. I think she would have given a voice to many like her. Lee always rode for the Cheslers, an old-money family who specializes in hunters. However, it's evident that Lee has always harbored a crush on Tory Markham, a woman who rides for the fast and dangerous pair, Carl and Linda Rusker. Lee finds the world of show-jumping more interesting than the hunters, giving readers impressions that hunter-jumping is stagnant even if there is a steady income. Access-restricted-item true Addeddate 2011-09-27 03:04:11 Boxid IA151001 Camera Canon EOS 5D Mark II City New York Donor Her writing style encompasses everything I love and revere in a writer - a simple, heartfelt honesty that is the hardest thing to achieve.

In the early 80's we were coworkers, neighbors, and cohorts. I would have loved to have seen a book by her about those times, as she could clearly speak of them better than I could. It would've been an amazing trip down memory lane of a time when she, my girlfriend and myself were the oddest kids in the sleepy little town of Mt. Kisco, NY. Hi may have to to write it myself.urn:oclc:37246883 Scandate 20111208100831 Scanner scribe5.shenzhen.archive.org Scanningcenter shenzhen Worldcat (source edition) urn:lcp:houserules00lewi:epub:3e1beb52-f262-44ec-ba88-1c6b906f88e9 Extramarc Yale Library Foldoutcount 0 Identifier houserules00lewi Identifier-ark ark:/13960/t24b43t30 Isbn 9780385472104 Rumors circulate about the Ruskers doping their horses, but Lee finds out there's more to it than just business. A relationship begins between Tory and Lee after she signs on with the Ruskers, yet it is unhealthy and painfully ruthless. Linda, who is also Tory's ex-lover, becomes involved with Lee later on and subjects her to even more sadistic treatment. The sex is always rough and unsexy in this book, but it's visceral. Very raw and unflinching. Clearly, though, true affection and love are more painful to Lee than the fisting that Tory and Linda subject her to. The entire story—while compelling—left me feeling empty and kind of confused. The sex was clearly perverse, but…what the hell? Was it an alternate form of cutting (which was all the rage when the book was written)? I could hardly tell what was even happening most of the time, except it involved a whole lot of fists/hands and violence, and it hurt (so good?). It certainly wasn’t erotic in any way. Nobody seemed to LIKE each other—where did the perverted sexual “need” come from? This book is incredibly hard to get through not just because of the graphic violence and abuse, but because of the very real emotional fallout of the abuse. The main character, Lee, not only suffers brutal abuse from the adults who are supposed to protect her (many of them are also enabling it) but her narration reveals that she feels like it’s something about HER, that it’s her fault, which is gut wrenching.