Parallel Lines [VINYL]

Product Information

Offiziellecharts.de – Blondie – Parallel Lines" (in German). GfK Entertainment Charts. Retrieved July 6, 2017. I have the Mo-Fi but that is the worst sounding version I have of this LP. The only good thing about it is the virgin vinyl it was pressed in. Even my worst Japanese pressing (I have 4 copies) sounds noticeably better than the Mo-Fi. Billboard 200 Albums – Year-End 1979". Billboard. Archived from the original on May 22, 2020 . Retrieved February 21, 2020.

Blondie – Parallel Lines (Santa Maria, Vinyl) - Discogs Blondie – Parallel Lines (Santa Maria, Vinyl) - Discogs

The 500 Greatest Albums Of All Time: 100–1". NME. London. October 25, 2013 . Retrieved October 19, 2020. Larkin, Colin (2011). "Blondie". The Encyclopedia of Popular Music (5th conciseed.). London: Omnibus Press. ISBN 978-0-85712-595-8. Christgau, Robert (September 2008). "Blondie: Parallel Lines". Blender. No.73. New York . Retrieved June 30, 2013. a b c "500 Greatest Albums of All Time: Parallel Lines – Blondie". Rolling Stone. New York. November 18, 2003. Archived from the original on December 20, 2010 . Retrieved June 30, 2013. Blondie To Fete 'Parallel Lines' 30th Anniversary With Tour, Reissue". Billboard. May 7, 2008 . Retrieved January 31, 2014.There were two different picture disc edtions, by the way. One regular stamped copy and one with the picture as a cardboard inside two halves of transparent vinyl. No idea which one sounded worse. Matrix / Runout (Runout side A, stamped / 1 etched, variant 5): 10 AA6307632 1Y 320 1 [E (sideways)] There were two US picture disc pressings made, one pressed as a traditional picture disc, and one pressed with clear vinyl over a cardboard photo, both CHP-5001.

Blondie – Parallel Lines (1978, Vinyl) - Discogs Blondie – Parallel Lines (1978, Vinyl) - Discogs

Blondie Celebrating 30th Birthday Of 'Parallel Lines' ". Billboard. May 20, 2008 . Retrieved February 4, 2014. In June 1978 the band entered the Record Plant in New York to record their third album, and first with Chapman. [2] However, Chapman found the band difficult to work with, remembering them as the worst band he ever worked with in terms of musical ability, although praising Frank Infante as "an amazing guitarist". Sessions with Chris Stein were hampered by his being stoned during recording, and Chapman encouraged him to write songs rather than play guitar. Similarly, according to Chapman, Jimmy Destri would prove himself to be far better at songwriting than as a keyboardist, and Clem Burke had poor timing playing drums. As a result, Chapman spent time improving the band, especially Stein with whom Chapman spent hours rerecording his parts to ensure they were right. [1] Bassist Nigel Harrison became so frustrated with Chapman's drive for perfection that he threw a synthesizer at him during recording. [2] Chapman recalls the atmosphere at the Record Plant in an interview for Sound on Sound:Will show some signs that it was played and otherwise handled by a previous owner who took good care of it.