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How can we make these look like real creatures? It’s a struggle because it’s a technological exercise more than anything else. Jim’s ability to combine old puppet techniques with state-of-the-art [ones] was his genius. He really understood how to [do] make-believe and then make it real.” Michael got to try the pants on before he died and saw how the lights worked. He was so thrilled with Zaldy's work that he declared, "It's everything I've always wanted." Costumes for the Show [ ] Zaldy Opening Songs Outfit (Wanna Be Startin Somethin', Jam, Drill/They Don't Care About Us, and Human Nature/Stranger In Moscow) [ ] Moreover, it’s implied that all of the characters we meet in the Labyrinth come from Sarah’s imagination. We see stuffed-toy versions of them in the childhood bedroom that she’s starting to outgrow. In the masked ball scene in which she dances with the Goblin King, Labyrinth is explicit about her being an adolescent thrust into an adult world she doesn’t comprehend.

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Labyrinth has also contributed to the mythology of Bowie, known to many younger people less as the Thin White Duke and more as the mega-mulleted weirdo who steals baby Toby for the goblin hordes. Following his death in 2016, one of the ways in which fans paid tribute was by attending Labyrinth screenings. For this costumes Zaldy and Bush used the most advanced technology. Michael Bush affirmed that it was the first time he put crystals on the Billie Jean costume and that during the working you must wear sunglasses because the crystals reflected lots of light. Zaldy also told that he had worked with Swarovski and that he created the "Wanna Be Startin' Somethin'" costume with 300000 crystals.Jones was put to work on Lee’s script. He was surprised to discover that it was essentially a “poetic novella”. Most of that was thrown out by Jones, who envisaged the film as having an environmental message. He was also keen to keep the Goblin King off-screen for most of the movie. This would have left David Bowie, and his trousers, at a bit of a loose end. Henson was not enthused. I was adapting my book, Erik the Viking, into a film, and I thought I’d ring Jim Henson’s office to see if they’d like to do the monsters,” Jones told Empire magazine. New! Bad Trousers- (Pro Series) this is the closest to the originals available anywhere.. you will not get quality like this anywhere else, Insist on the best! Lots, it turned out. Labyrinth’s fatal flaw was that, although the production design and cast were top-notch, the script was threadbare. Really, it was just an idea – Bowie as King of the Goblins, with the story and dialogue an afterthought.

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Working from this initial idea, Froud and Henson handed off the task of putting flesh and bones on the script to Dennis Lee, the poet and children’s author. But after Lee had submitted his draft, Henson felt more work was needed. So he reached out to Terry Jones of Monty Python fame. Coincidentally, Jones had been trying to get hold of Henson, with a view to collaborating on a big screen version of his children’s tale, Erik the Viking. Jones and Henson agreed to disagree, and went their separate ways. George Lucas, creator of Star Wars and Indiana Jones, was co-producing Labyrinth, and weighed in with his own contributions to the script. These were incorporated into one of several rewrites, which tilted the plot closer to Henson’s initial vision.In European fairy tales, that’s what goblins do – they steal babies. I painted a picture of a baby surrounded by goblins, and then continued to paint other conceptual things, just ideas for characters. And the story developed from there.” They brought me the concept,” said Bowie. “[Henson] showed me The Dark Crystal,which I found a fascinating piece of work. And I could see the potentiality of making that kind of movie, with humans, songs, more of a lighter comedy.”