Tentacle erotica. Orrore, seduzione, immaginari pornografici

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Like many forms of pornography, tentacle erotica has been the subject of controversy and debate. Critics argue that the fetishization of non-consensual acts and the portrayal of women as objects to be dominated is harmful and contributes to a culture of sexual violence. Proponents of tentacle erotica, on the other hand, argue that it is simply a harmless form of sexual expression that allows individuals to explore their deepest desires. But it seemed the decision would not be up to her, after all. The ground trembled as the source of the squelching finally came into her field of vision, one writhing, coiling, twisting, agitated tentacle at a time. A massive, giant blob of silvery-purple, glistening with slime and pulsating with those odd little lights, surrounded by a mass of appendages that were the diameter of a small tree at the base and ended in a variety of extremities. The genre is well known enough in Japan that it is the subject of parody. In the 21st century, Japanese films of this genre have become recognized in the United States and Europe, although it remains a small, fetish-oriented part of the adult film industry. While most tentacle erotica is animated, there are also a few live-action films that depict it. Leaders within the tentacle porn industry have stated that much of their work was initially directed at circumventing this policy. According to the mangaka Toshio Maeda:

In an interview with AAN (reported on Kotaku), Maeda explained that, if his erotic drawings were deemed “too extreme,” his editors could potentially be arrested. Adding tentacles—which “are like hands and legs or like, uh, just body parts, so it's OK to go there,” said Maeda—skirted the laws just enough. Even now pornography in Japan isn't allowed to just straight-up show genitalia, which is why it's often blurred out in live-action porn. Irie had always wondered if her submissive streak, her rape fantasies, would ever have an effect on her real life. She realised now that they could turn this situation into a nightmare. Or... they might be her saving grace. If she had no way out, could she get the most out of it? Her mind grappled with this dilemma for a bit - years of society-imbued shame and victim-blaming battling against her darkest desires, aided by a basic fear for her life. Tentacle erotica is often added to horror or hentai animations, with tentacled beings (often imaginary creatures) involved in sexual acts, mostly with females. In some cases, the portrayed intercourse is consensual but most of the time the emphasis is on rape. Films Fig.56. Cover art by Hugh Joseph Ward for Spicy Adventure Stories (Aug 1936). Illustration for Lew Merrill’s story ‘The White Godess’ (Photo source; picbear.org) Hmmmh," she groaned against the tentacle lodged so deeply in her throat that even pistoning in and out, it didn't ever leave her mouth anymore.There is an interesting discrepancy between the western audiences, who experience Hokusai’s image as an involuntary encounter, and the Japanese of the Edo period who saw it is as consensual. The latter would have understood the dialogue that expresses the mutual enjoyment of both the diver and the octopuses. They also would have recognized the print as a reference to the legend of the female abalone diver Tamatori.

The taboo nature of tentacle erotica has made it a lightning rod for criticism and scrutiny. While some defend the genre as a form of harmless sexual expression, others argue that it contributes to harmful societal attitudes towards women and the fetishization of non-consensual acts.Taboos are things that change with the times, and that are handled differently in different countries or regions in the first place. I think of my work as a constant operation on the brink of rule violation… it’s just that the things that I’ve been pursuing from the beginning came to be tabooed at certain times and places” – Sawatari Hajime

The oldest artifacts considered pornographic were discovered in Germany in 2008 CE and are dated to be at least 35,000 years old. Throughout the history of erotic depictions various people made attempts to suppress them under obscenity laws, censor, or make them illegal. Such grounds and even the definition of pornography have differed in various historical, cultural, and national contexts. The Indian Sanskrit text Kama Sutra (3rd century CE) contained prose, poetry, and illustrations regarding sexual behavior, and the book was celebrated; while the British English text Fanny Hill (1748), considered "the first original English prose pornography," has been one of the most prosecuted and banned books. In the late 19th century, a film by Thomas Edison that depicted a kiss was denounced as obscene in the United States, whereas Eugène Pirou's 1896 film Bedtime for the Bride was received very favorably in France. Starting from the mid-twentieth century on, societal attitudes towards sexuality became more lenient in the Western world where legal definitions of obscenity were made limited. In 1969, Blue Movie became the first film to depict unsimulated sex that received a wide theatrical release in the United States. This was followed by the " Golden Age of Porn" (1969–1984). The introduction of home video and the World Wide Web in the late 20th century led to global growth in the pornography business. Beginning in the 21st century, greater access to the internet and affordable smartphones made pornography more mainstream. ( Full article...) Fig.66. Cover art by Emanuele Taglietti for the italian fumetto Vipera Bionda issue 12 ‘La tigre gialla’ (1978) A decade later, Corman would again use tentacle rape while producing Galaxy of Terror, released in 1980. Corman also directed a scene in which actress Taaffe O'Connell, playing an astronaut on a future space mission, is captured, raped, and killed by a giant, tentacled worm. The film borrows the concept of the "Id Monster" from the 1950s film Forbidden Planet, with the worm being a manifestation of O'Connell's character's fears. The scene was graphic enough that the film's director, B. D. Clark, refused to helm it, and O'Connell refused to do the full nudity required by Corman, so Corman directed the scene himself and used a body double for some of the more graphic shots. Initially given an X-rating by the Motion Picture Association of America, small cuts were made to the scene, which changed the film's rating to "R.".

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Kimi, Rito (2021). The History of Hentai Manga: An Expressionist Examination of Eromanga. FAKKU. p.144. ISBN 978-1-63442-253-6.

Previous life, for she would be - was already - forever changed by this encounter. A passing thought while the heat in her belly expanded into her whole body. It’s also worth noting that tentacle porn has its roots in Japanese culture, where it has been a popular genre of erotic art for centuries. The cultural differences between Japan and Western countries may play a role in why some individuals find tentacle porn intriguing or exotic. Furthermore, the use of tentacles in Japanese folklore and mythology may have contributed to the popularity of the genre in modern times. The Impact of Hentai on the Popularity of Tentacle PornScherer, Agnes (2016). Plant Horror: Approaches to the Monstrous Vegetal in Fiction and Film. Springer Publishing. p.41. ISBN 9781137570635. Tentacle erotica is a vast and diverse genre that encompasses a wide range of subgenres and kinks. From the romantic and sensual to the grotesque and extreme, there is something for everyone in the world of tentacle porn. A spellbinding, exhilarating and often eye-popping exhibition, Sex and Pleasure in Japanese Art, collating more than 150 works of shunga, opens this week at the British Museum in London. A copy of Hokusai’s notorious print once owned by the French connoisseur Edmond de Goncourt, who wrote a monograph about the artist, is included in the show, as well as a steamy translation of the picture’s abundant text, which contains several onomatopoeic sighs and exclamations signifying the woman’s fulfilment. Toshio Maeda's Urotsukidōji was a pioneer in the tentacle rape genre with its mix of sex, bishōjo and tentacles. Maeda's depiction of tentacles was more creature-like and possessed at will, imitating male genitalia. However, six years prior to Urotsukidōji in 1976, Maeda created his first tentacle work in an experimental short story called SEX Tearing, which is considered the origin for Urotsukidōji as well as the earliest work depicting sex between women and tentacles. [6] [7] Shunga could be sensuous and comic, but it was rarely violent or exploitative. Most shunga depicts vigorous heterosexual couples in mutual bliss – and these prints were likely cherished by men and women, both young and old, from different strata of society, including samurai lords as well as prosperous merchants and commoners. “The division between art and obscene pornography is a Western conception,” says Clark. “There was no sense in Japan that sex or sexual pleasure was sinful.”