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Roberto Cavalli Rosemary Flavoured Vodka, Premium Italian Vodka, 40% ABV, 1 Litre

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Ellen Rosand (ed), Readying Cavalli's Operas for the Stage: Manuscript, Edition, Production, Farnham/Burlington, Ashgate, 2013, p. 64, ISBN 9781409412182. Rosand, Ellen, Opera in Seventeenth-Century Venice. Berkeley: University of California Press, 1991. ISBN 0-520-06808-4

Cavalli was born at Crema, then an inland province of the Venetian Republic. He became a singer (boy soprano) at St Mark's Basilica in Venice in 1616, where he had the opportunity to work under the tutorship of Claudio Monteverdi. He became second organist in 1639, first organist in 1665, and in 1668 maestro di cappella. He took the name "Cavalli" from his patron, Venetian nobleman Federico Cavalli. Though he wrote prolifically for the church, he is chiefly remembered for his operas. He began to write for the stage in 1639 ( Le nozze di Teti e di Peleo) soon after the first public opera house opened in Venice, the Teatro San Cassiano. He established so great a reputation that he was summoned to Paris from 1660 (when he revived his opera Xerse) until 1662, producing his Ercole amante. He died in Venice at the age of 73. In addition to operas, Cavalli wrote settings of the Magnificat in the grand Venetian polychoral style, settings of the Marian antiphons, other sacred music in a more conservative manner – notably a Requiem Mass in eight parts ( SSAATTBB), probably intended for his own funeral – and some instrumental music. [2] Sacred works [ edit ]

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Roberto Cavalli was born in Florence, Tuscany, in 1940 into an already artistically rich family — his mother was a tailor and his grandfather, Giuseppe Rossi, was a member of an Italian art movement called Macchiaioli that shared common ground with Impressionist painters. Cavalli was creative at the onset and focused on textiles at the Florence Academy of Art. He garnered some high-profile attention with bold prints on knitwear. Vespero delle cinque Laudate ad uso della cappella di S Marco: Laudate pueri; Laudate Dominum laudate eum; Lauda anima mea; Laudate Dominum quoniam bonus; Lauda Jerusalem; Magnificat, ed. G. Piccioli (Milan, 1960); all ed. F. Bussi (Milan, 1995) In 2001 Thom Browne realized that there was a gap in the market for formal clothing because everyone had become overly casual in how they dressed. Therefore, the designer brand specializes in suits and formal wear, making even their casual clothing quite dressy. However, the most noteworthy thing about Thom Browne is that he loves playing with traditional proportions and creating clothes that are ‘shrunken,’ reconceptualizing the classic men’s suit while also accepting gender fluidity by dressing his male models in skirts, dresses, and heels.

It was never staged and was replaced by another opera of the same name by Giovanni Antonio Boretti. Eliogabalo was first performed in 1999, in Crema, Italy. [5] [6]Balenciaga is a designer brand that originated in the Basque Country of Spain before relocating to France due to the Spanish Civil War. Known for their sleek and linear lines, Balenciaga’s designs went against the popular hourglass shape popularized by Christian Dior during the post-war era. The fashion house made waves in the 1950s with their revolutionary approach to women’s fashion and trademark styles such as the collar that deviated from the collar bone and the “bracelet sleeves.” In 2001, Balenciaga was acquired by French company Kering, which also owns other top designer brands including Yves Saint Laurent, Gucci, and Alexander McQueen. With continued impressive growth, Balenciaga remains a strong contender in the world of designer fashion. Francesco Cavalli (born Pietro Francesco Caletti-Bruni; 14 February 1602 – 14 January 1676) was a Venetian composer, organist and singer of the early Baroque period. He succeeded his teacher Claudio Monteverdi as the dominant and leading opera composer of the mid 17th-century. A central figure of Venetian musical life, Cavalli wrote more than forty operas, almost all of which premiered in the city's theaters. His best known works include Ormindo (1644), Giasone (1649) and La Calisto (1651). [1] Life [ edit ] Cavalli's music was revived in the twentieth century. The Glyndebourne production of La Calisto is an example. [7] More recently, Hipermestra was performed at Glyndebourne in 2017. [8]

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