Shufflemania

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Terry Edwards Presents... Queer Street: No Fish Is Too Weird for Her Aquarium Vol. III (Sartorial Records, February 2004) – "Are 'Friends' Electric?" Okay. There we are. I can’t see. So it’s all perfect. Good. Did I send you a copy of the record or did somebody so you heard it? Jason LeValley of Psychedelic Scene: a b Holdship, Bill (13 March 2001). "The Soft Boys: Underwater Moonlight". Rolling Stone. Archived from the original on 2 October 2007 . Retrieved 15 February 2015. Son of Rogues Gallery: Pirate Ballads, Sea Songs & Chanteys (ANTI-Records, February 2013) – "Sam's Gone Away" Julia Darling (1956–2005)". Literary Winchester. 2011. Archived from the original on 2 April 2015 . Retrieved 10 January 2015.

Not really. What I did was I did… This was Jonathan Demme, the late film director, who is best known for Silence of the Lambs and then some great movies. He tried never to make the same movie twice, he said, but he was also a big music fan, so he did Stop Making Sense, Talking Heads, which is his most famous movie. But he also worked with Neil Young and.. God, the Feelies, I think. He did The Feelies and he did stuff for people like UB40, but he made an in-concert movie of me in New York in a shop window in 1996,

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He went off into some strange sort of premature senility, but those sorts of people, you know, Peake, Ballard, Wells really went right into my hypothalamus, along with sort of similar artists, musicians like Captain Beefheart and Syd Barrett. And of course I love Dylan and the Beatles like millions of mainstream folks, but that was my particular brew of influences, I suppose. I’ve tried, but in fact, the more I’ve tried to write short stories, the more I know that that’s not for me. I can make things work for like… That’s why I’m a songwriter or a poet. I’m great for four or five verses, but over any length of time, what I do is maybe too saturated, too kind of dense to make sense as a story. Or maybe I can’t create characters that the reader can empathize with or whatever. My dad was, he was basically an ideas man who had put a lot of ideas there’s a whole trunk full of unpublished manuscripts. He may have had, like, six or seven books published in his lifetime, and there’s probably ten times that lying around moldering. They probably will be thrown away or burned when my sisters and I pass on. He wrote three novels about Stonehenge, I think, and none of them came to anything. He wrote quite a few about William Rufus, the son of William the Conqueror. He had certain fixations in time.

All Ready for the 25th? (Sartorial Records, 2012) – "There Ain't No Santa Claus on the Evenin' Stage"What is SHUFFLEMANIA!? It’s surfing fate, trusting your intuition, and bullfighting with destiny. It’s embracing the random and dancing with it, even when it needs to clean its teeth. It’s probably the most consistent album I’ve made. It’s a party record, with a few solemn moments, as parties are wont to supply. Groove on, groovers! The Man Downstairs: Demos & Rarities (2020) – Outtakes and demos recorded in 2013 for the Man Upstairs sessions [24] [25]

M-E-R-V-Y-N-P-E-A-K-E. Mervyn Peak wrote the Gormenghast Trilogy. You’ll have to look up how to spell that. But Gormenghast was a sort of fictitious English type castle in a forest somewhere that was very, very like a cross between a sort of boarding school and a royal family and sort of medieval Victorian place. But they had electricity and gas lamps and horses, and it’s not set in any particular time. That was his main. There were three books of Titus Alone and Gormenghast. It’s really hard to describe briefly, but again, they were quite popular in the sort of hippie era. So I got into Gormanghast when I was 17 or 18– into Mervyn Peake. He was also a really good illustrator, a brilliant… He made his living, actually, by teaching art and by illustrating other people’s work. He did some illustrations of Lewis Carroll. He had a sort of premature breakdown when he was only in his forties, I think, after having to go to Auschwitz and do some drawings. He was a very sensitive man and it didn’t really… Army life didn’t suit him, and going into a concentration camp suited him even less. And he kind of just did like Captain Beef heart.

Groovy Decoy (1985) – A re-worked version of Groovy Decay, featuring demo versions of many of that album's songs) I call it the wire-between-the-ears sound. It’s like you hit a couple of notes, a couple of E notes and a couple of strings, and they just kind of jangle. They just go between your ears like a wire. LeValley: Mandatory just for a young groover to a young person to at least smoke pot and drop a little bit of acid, and then you might go into other things. The only thing I did get from taking LSD was playing electric guitar. One evening I borrowed someone’s electric guitar and I realized that you could get that what I call the wire-between-the-ears sound, which you hear in things like “Interstellar Overdrive” by Pink Floyd and “Eight Miles High”, the McGuinn twelve-string sound and a little bit in things like when The Beatles are being Byrds-y, things like “She Said She Said”. LeValley: That was a much lower budget production. I think he didn’t really like having to deal with the big studios. And the big studios, they might still have been working on filming those days. Everything was just expensive. They’d fly you around first class and put you up in nice hotels, get you up at five in the morning so you could sit around in your trailer all day and then say two lines. It was very lush. I enjoyed the life. But Rachel Getting Married was much cheaper I think they funded that themselves. And it was a hit, which was great. One of his later kind of drama movies. He also did a lot of filming down in New Orleans after Katrina went through in Ward 9, I think it is. He’d go down just by himself and talk to people. He liked people. That was the thing with Jonathan.

a b c d e f Colin Larkin, ed. (1992). The Guinness Who's Who of Indie and New Wave Music (Firsted.). Guinness Publishing. p.137. ISBN 0-85112-579-4. I don’t know, but I’m sure I’ve inherited a fair bit of that. But I went into music, I think, probably maybe unconsciously, so I wouldn’t compete with him because, although I do write and draw and paint, my main gig is as a musician. And Raymond never touched an instrument and was self-confessedly, tone deaf, so he couldn’t sing. So in no way was I competing with my father. Luminous Groove (2008) – Boxed set of reissued albums, with many previously unreleased live performances, outtakes and raritiesA Middle-Class Hero (2000) – Italian-English authorised interview book written by Luca Ferrari with CD-EP of outtakes included