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Volkswagen blues

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The lyrics of Volkswagen Blues are poetic and thought-provoking, allowing listeners to interpret them in various ways. At its core, the song speaks about the longing for freedom and the need to break free from societal constraints. It reflects the desire to embark on a journey, both physically and metaphorically, in search of oneself and the meaning of life. Lintvelt, Jaap, (2000), Aspects de la narration : thématique, idéologie et identité : Guy de Maupassant, Julien Green, Anne Hébert, Jacques Poulin, Québec, Éditions Nota bene.

In the opening years of the ‘60s, Volkswagen added a raft of gorgeous and it has to be said totally timeless turquoise hues, including Turquoise itself (L 380), Pacific (L 398), the iconic Bahama Blue (L 519) below and the equally evocative Pastel Blue (L 391). Poulin, Jacques, (1984) (2004), Volkswagen Blues, translated by Sheila Fischman, Toronto, Cormorant Books, 219-220.The Quebec Novel Today: Multiple Perspectives, Mary Jean Green, The French Review, Vol. 67, No. 6, Special Issue on Québec (May, 1994), pp. 922-92. The vivid Olympic Blue (L 51P) broke cover in 1973 alongside another of VW’s rather non-descript blues, Biscay (L 52) and Alaska (L 96). Ontario (L 95) followed a year later and was joined by the popular and now wonderfully retro looking Miami (L 51) – below – and Laguna (L 50) in 1975. Marathon Blue (L 96) was used on the Marathon Beetles of the time, while Ancona Blue (L 97) was a lovely metallic that looked particularly good on Cabriolets. Lccn 88141790 Ocr tesseract 5.0.0-alpha-20201231-10-g1236 Ocr_detected_lang en Ocr_detected_lang_conf 1.0000 Ocr_detected_script Latin Ocr_detected_script_conf 0.8003 Ocr_module_version 0.0.13 Ocr_parameters -l eng Old_pallet IA-NS-0000856 Openlibrary_edition Things started to come a bit more down to earth again with rather unimaginatively named VW Blue (L 633) – see below – which was offered between 1966 and 1968 alongside Zenith Blue (L 639) from August 1967. Cobalt Blue (L 630) was similarly subdued and appeared on a variety of VWs until around 1970. This was followed by Diamond Blue (L 50B) from 1969 and Marina Blue (L 54) and Sapphire (L 50D) from 1970. Gemini (L 96) heralded the first of the vibrant ‘70s metallics. Gentian (L 51B) joined VW’s colour palette from 1971 and a rather unusual Turquoise metallic (L 95) appeared a year later.

The pastel Fjord Blue (L 434) was available from 1958, and Capri also made a re-appearance at about that time. The somewhat understated Slate Blue (L 361) was offered from 1959 alongside the equally sombre Indigo Blue (L 436). Gulf Blue (L 390) came along in 1960, and the popular and long lasting Sea Blue (L 360) followed from August 1963 until 1966 (below).Volkswagen Blues resonated with audiences when it was released due to its relatable themes and poetic lyrics. The song became an anthem for those longing for freedom and searching for their place in the world. 8. Are there any covers or adaptations of Volkswagen Blues? I just couldn't stop reading, I felt like I knew both main characters, even though not many specific details are given about them. We don't know their full names, we don't know their age or so many other things. I think it is actually what makes them ring so realistic ! it feels like we all met on the side of the road, that we all rode in the old Volkswagen, looking for someone only the man knows, and even he doubts he has actually ever known his brother.

The novel is set in Canada during the 1970s. With this period, the author explains, came a large group of French-speaking Quebecians who thought it wise to try to declare independence from the rest of Canada. As we know, this did not end up happening, but it plays a role in conflict in the story. The idea of secession from the country isn't the main problem in the story, rather, the main ideas that each person considers in times like that, like cultural unity and self-actualization. Jean Morency, et al., Romans de la route et voyages identitaires. Québec: Nota Bene (collection "Terre américaine"), 2006. In the early ‘80s VW added Cornat Blue (LH5H), Medium Blue (LH5G), Tarpon (LE5Y) and Helios (LA5Y) as well as Regatta (LB5Y) and Lago (LE5B). Frost (LE5U) and Monaco (LA5D) came along in 1983, followed by Strato (LA5Z) a year later. Simon, Sherry (1994), Le trafic des langues : traduction et culture dans la littérature québécoise, Montréal, Boréal, 172.

Into the mid-‘90s and VW again freshened their palette with the addition of a variety of exciting new blues, including Mint (LB6U), Calypso (LA6Z), Smoke Blue (LH5Y), Jamaica Blue (LL5V) as above left and Steel (LB5T) above right. Alas, things all became a bit more reserved when it came to later blues, with most being somewhat dark and anonymous metallics. Gilberto Gil, who was also a key figure in the tropicalismo movement, uses powerful imagery and metaphors in the song to convey his message. The mention of the Volkswagen Beetle in the title serves as a symbol of both nostalgia and freedom. The car in the song represents a means of escape, a vehicle that can take us on a transformative journey, both physically and spiritually.

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