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colour bleeds from the surround into the image, a cubist-derived device that Caulfield has continued to use ... to demonstrate the fictitious nature of the printed image, and to show that a single undifferentiated colour may simultaneously serve both decorative and descriptive purposes, can at once magically define image and ground, create the illusion of both a form and of a circumambient fictive space, and assert the objective actuality of the printed plane. Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
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