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Olympus M.Zuiko Digital 45 mm F1.8 Lens, Fast Fixed Focal Length, Suitable for All MFT Cameras (Olympus OM-D & PEN Models, Panasonic G-Series), Silver

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easyazon_link identifier=”B00CI3R53W” locale=”US” tag=”mhmedia07-20″] Olympus M.45mmF1.8[/easyazon_link] The lens has only one control on it, the manual focus ring. The ring is plastic with thin ribs, about 5/8'' wide. The focus ring sits in the center of the lens and is very smooth to turn, yet stiff enough that it will stay where it is set. With its fly-by-wire focusing design, the lens does not have any stops on it to let the user know it has reached either its close-focusing distance or infinity distance. Spend a day walking around with your camera and see where on the zoom dial you like your shots and then choose a lens that matches those focal lengths If budget isn’t an issue, there are many valid reasons to choose the new M.Zuiko 45mm f/1.2 PRO over the 45mm f/1.8. Steve, thanks for the writeup. I just got my 45/1.8 yesterday and agree with you 100% — this lens is a sign that Micro Four Thirds has matured as a serious photography system.

Reasons Why I Love Olympus M.Zuiko 45mm F1.8 Lens Reasons Why I Love Olympus M.Zuiko 45mm F1.8 Lens

Incidentally, the lens works just as well on Panasonic’s bodies, although of course with those you don’t get IS (I didn’t miss it.) In case anyone would rather look at ballerinas than fish, here are some sample photos I shot with mine yesterday: Levels of distortion are also very low, as you might expect for a prime lens like this. Imatest managed to detect 0.215% barrel distortion, which will be very difficult to spot by eye, even with straight lines close to the edges of the frame. I know a lot of new parents that find photography as a way to capture and share their new life experiences. Lots of friends have suddenly gotten very interested in photography, even at a low level just to capture their day to day moments with their newborns. A large dslr doesn’t fit in a diaper bag and becomes one more burden to carry. An em10 or Pen-F, or especially the EPL7 or 8 become a perfect choice. Paired with the 45mm you have an amazing portrait setup with minimal size. It takes very little space at all and weighs virtually nothing compared to usual camera setups. And no iphone 7 portrait mode will yield the same results. Especially when it comes to control. Pair that with a 17mm or 12mm prime and you have a fantastic travel kit with pro level results. Live performance Using the spot meter of the E-P3 I metered off of the leaves where the sun was hitting. This will give you the best exposure for a scene like this. f/1.8

For video I noticed a decrease in speed with the G7 when set to continuous autofocus. After the first attempts I found it easier to switch to manual focus and use the excellent peaking of the camera. Being small and fast means the camera is easy to work with, doesn’t get tiring to hold, and your subjects don’t pay attention to it. In fact it is very easy for the camera and lens to become virtually invisible. Good gear does that… but the larger the camera the harder to forget about its presence in your hands. This lens disappears. Maternity portrait with a touch of glow

f/1.7 vs. Olympus 45mm f/1.8 - MirrorLessons Panasonic 42.5mm f/1.7 vs. Olympus 45mm f/1.8 - MirrorLessons

The autofocus is really fast with this lens at short and long distances. On Panasonic bodies like the new G7, I didn’t come across any flaws in either AF-S or AF-C. I briefly tested it on the Olympus OM-D E-M1 as well and I didn’t notice a decrease in performance. The AF motor is silent as well. m4/3 ที่ทำการละลายหลังได้ยาก แต่เลนส์ตัวนี้ก็สามารถละลายหลังได้ในระดับที่ดี เหมาะกับการใช้งานด้าน Portrait มากๆ

Even without looking at any side by side images, we already know that the internal design of the 45mm PRO is more complex, with 14 elements in 10 groups and 6 special elements. The 45mm, on the other hand, has just 9 elements in 8 groups with 2 special elements. Furthermore, the PRO lens has a 9 blade aperture in comparison to the 7 blades of the f/1.8 lens. Sharpness Finally the Pansonic 45mm enjoys optical stabilization, whereas the Olympus 45mm has none built-in. This may be a moot point though depending on which body you own. All Olympus PEN and OM-D bodies sport built-in stabilization which works with any lens, so mount the 45mm f1.8 on an Olympus body and it’ll become stabilized; having stabilization built-into the Olympus bodies also makes the optical stabilization on the Panasonic lens redundant. But if you mount the Olympus 45mm f1.8 on a Panasonic Lumix G body they’ll become an unstabilised combination which could be an issue depending on your usage.

Olympus 45mm f/1.8 ED M.Zuiko Digital Olympus 45mm f/1.8 ED M.Zuiko Digital

The M.Zuiko Digital 45mm f/1,8 may have a lot of plastic parts but the lens mount is, thankfully, made of metal. Olympus does not claim any sort of weather resistance for this lens, and indeed you cannot see a rubber seal around the mount (note that no current Micro Four Thirds camera is weather sealed anyway) Corner shading (vignetting) is minimal at the fastest apertures, and distortion is very well-controlled thanks to the auto-correction performed on the RAW files by Micro Four Thirds cameras. Colours This compact telephoto prime lens weighs only 116g, which makes it a perfect companion for the lightweight Micro Four Thirds system, and this lens balances well on the Olympus E-PM1 used for testing. Much of the lens barrel is constructed from high quality plastics, with a smart metallic finish applied to them. The lens mount is made from metal, which should enhance the durability of the design. The build quality is good for a lens of this price. It manages to feel relatively solid, yet lightweight. As seen in the photo above, the Olympus 45mm f/1.8 balances nicely on the E-PL2 camera body used for this test. In this image of a dinosaur looking log, the 3D rendering can clearly be seen. I love shots like this that allow me to visually explore the subject and get a sense of depth. If you hike a lot, such a small lens will be quite appreciated too.We've been asking manufacturers to make a proper portrait lens for as long as we can remember. APS-C may have become the de-facto standard sensor size, making up the majority of interchangeable camera sales, but you'd never know it to look at the lens ranges current available from most camera makers. There are very few prime lenses specifically intended for APS-C and fewer still that offer the classic combination of large aperture and the circa 100mm equivalent focal length that film users used to enjoy (though some people use 85s or less perfectly, 50s to give something around 135/85mm equivalent on APS-C). But that is about it as I find the lens sharp at every aperture, fast to AF, and the color rendition is very good as well. I mean, I just sat here and said it was part of the “Holy Trinity” of Micro 4/3 glass, so not many complaints that I have found. Just for fun I wanted to give a real reference for size. This is the 45mm next to a Canon 50mm F/1.8. The “original nifty fifty” as it is called. A small fast prime most people are familiar with. I used this since they are almost the same focal length and speed. Notice the Olympus is just slightly taller… but it could literally fit inside the canon lens. Talk about small. Olympus 45mm F/1.8 vs Canon 50mm F/1.8 As a dedicated macro lens – indeed the first macro lens for Micro Four Thirds – the Panasonic Leica 45mm f2.8 boasts a closest focusing distance of 15cm allowing 1:1 reproduction. In contrast the Olympus 45mm f1.8’s closest focusing distance is a modest 0.5m, allowing just 0.11x magnification, or a reproduction that’s almost ten times smaller. You can see the difference in practice in my Olympus 45mm f1.8 macro results. Some mild chromatic aberration is present in images taken with both lenses up to around f/2.8 on the 45mm PRO and f/4 on the 45mm f/1.8 but it can be easily removed in post production.

Panasonic Lumix G 42.5mm f1.7 review | Cameralabs Panasonic Lumix G 42.5mm f1.7 review | Cameralabs

The reason I wrote about the camera I used and my own photographic experiences are to set the context. I wanted to make sure I explained the underpinnings of my opinions, rather than simply announce them as if they were the only possible conclusion anyone could draw. This lens is a must for micro 4/3 users if it suits their way of photographing. If you are looking for a short tele prime and you don't need macro, look no further, this is the one to get. Speaking of which it’s worth talking about the Panasonic 45mm f2.8 in more detail as it’s a model many will compare to the Olympus 45mm f1.8. Both share the same mount and focal length, so the main differences in optical specifications concern their aperture, closest focusing distances and stabilization.

Ease of Use

don’t shoot portraits on a regular basis but want something better than the kit lens that comes with your camera

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