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Sony Alpha FX3 ILME-FX3 | Full-frame Cinema Line Camera

£9.9£99Clearance
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viii Supported in Catalyst Browse/Prepare Version 2020.1 or later. Image stabilization metadata that can be used by Catalyst is generated when using a Sony E-mount lens with the camera's optical image stabilization set to [OFF] or [Active]. Despite the high performance mentioned above, the DMC-FX3 achieves long battery life to shoot approx. 320 pictures (CIPA) on a single charge. Cameras designed for vlogging should be easy to carry and operate, and the ZV-E1 hits the mark. It’s Sony’s smallest and lightest full-frame camera with in-body image stabilization, with a similar form factor to the Sony A7C, which includes a decent grip and a plastic but durable body. There’s also the dumbed-down button layout of other Sony ZV cameras, which includes a defocus button and photo/ video/ S&Q mode switch.

MEGA O.I.S.(Optical Image Stabilizer), deemed by Panasonic as indispensable for all digital cameras, is featured on the entire LUMIX range and, having been highly evaluated and appreciated by the users across the world, has now become a standard requirement within the digital imaging arena. It compensates for hand-shake by shifting the O.I.S. lens unit to keep the optical axis aligned straight against the CCD, ensuring that the image is always captured sharply. I tested the camera with Pete, a filmmaking colleague who uses the Sony FX3 and FX6 cinema cameras every day for video commissions, and we’ll share our experience and thoughts on the ZV-E1’s AI-powered features in depth in a separate article.

Condition guide

Other focus features: Eye AF ([Movie] Human (Right/Left Eye Select, [Still image] Human (Right/Left Eye Select) / Animal,)

Caption “LOOK for film-like expression” over rear shot of female subject looking out on ocean with pier at sunset Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh, and cinematic freedom made possible with a full-frame sensor. Cinematic color science of S-Cinetone™ There's an option to shoot slo-mo 4K/120p footage, and the FX3 also has the popular S-Cinetone color profile, which recently arrived on the A7S III via a firmware update. Built-in cooling fan enables effective heat dissipation to support uninterrupted 4K 60p recording iChanges layout for movie, which is information and icons overlapped picture on the movie standby screen.

Arguably, the APS-C format ZV-E10 makes more sense for on-the-go content creators, not least because it’s a quarter of the price and even smaller, and also because lenses like the 11mm F1.8 are much smaller, lighter and, again, cheaper. You won’t get quite the same image and video quality, and no 4K 60p, but the ZV-E10’s image quality is still a significant cut above that of smartphones. Ultra-high sensitivity with ISO expandable to 409,600 for very low light conditions and 15+ stops of dynamic range Focus mode: [Movie] AF-C, MF [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual FocusSlightly more curious is the FX3's inclusion of a zoom lever. We say curious because only two Sony lenses – the FE PZ 28-135mm f/4 and FE C 16-35mm T3.1 – currently have a built-in power zoom motors that will work with this lever. User filming with handheld movie camera at night with external monitor, microphone and wind shield attached Naturally it is compatible with Sony E-mount lenses of which there are plenty of high quality models to choose from, as well as Cine specific options like Sony’s FE C 16-35mm T3.1 cine lens. The body has also been designed with an integral cage allowing the supplied XLR handle to be attached along with other 1/4-20 UNC screw-mounted accessories. Connectivity is provided by WiFi, Wired LAN via an adapter and USB-C connection for easy data transfers. Sony FX3 Specifications in More Detail

All three cameras have the same maximum ISO in expanded mode, but the FX6 has a higher base ISO and dual native ISO technology with base ISO levels at ISO 12,800. It sounds as if the A7S III and FX3 might be using the same basic tech, but that the FX6 has more advanced dual-circuit noise control. 3. ColorThe FX3 offers an exceptional 15+ stops2 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in color grading. Stunning bokeh and full-frame creativity For more information read the comparison between the FX3 and a7S III and FX6 cameras in our blog review. Optional Accessories S-Log2 and S-Log3 gamma curves are available, with S-Log3 giving better gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15+ stops. For camera matching with other S-Log3 capable Cinema Line cameras, three colour gamut settings (S-Gamut, S-Gamut3, and S-Gamut3.Cine) are available, offering creative flexibility and efficiency during post production.

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