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Fisher, Glenn (2005). "What's with all the Funny Stuff?". David Shrigley. Archived from the original on 26 April 2006. David Shrigley's invitation to Lose Your Mind in Mexico". BBC Online. 7 January 2015 . Retrieved 27 January 2016. Shrigley has had several notable solo exhibitions for his iconic visual art, including "David Shrigley" at Dundee Contemporary Arts (2006), "Everything Must Have a Name" at the Malmo Konsthall in Sweden (2007), an exhibition at the Baltic Centre for Contemporary Art in Gateshead (2008), the Museum Ludwig in Cologne (2008), "New Powers" at the Kunsthalle Mainz in Germany (2009), the Kelvingrove Museum in Glasgow (2010) and "Animate" at the Turku Art Museum in Finland (2011). It’s not like he is trapped in the English countryside either. He frequently visits Copenhagen where he has the Shrig Shop (inspired by Keith Haring’s Pop Shop), which, even though it’s “around the corner and up the alley”, acts as the physical focus of his online business. I can’t help asking if he has sampled Copenhagen’s food scene. It turns out the legendary restaurant Noma gives departing staff a Shrigley print – and in return he gets free meals there. Yes, he confirms, it is as good as people say.

He laughs. “I’ve realised my tastes are very peculiar relative to the rest of the world. I see genius and other people see rubbish. I see rubbish and they see genius.” These days he lets the gallery choose which works to exhibit.Getting a book designer involved,” he said. “It turned out that the book designer’s grandfather proofread the original Nineteen Eighty-Four and then his sister actually proofread this version of it. Interview with Bill Kenny, 2003". David Shrigley. 2003. Archived from the original on 11 October 2011. Jones, Jonathan (29 September 2016). "Thumbs up to David Shrigley's fabulously feel-bad fourth plinth". The Guardian. London . Retrieved 5 October 2016. Unsurprisingly, this obsession led him to being a “smart-arse” student by the time he’d arrived at Glasgow School of Art. His tutors didn’t always share the same outsider viewpoint. Was he disappointed with a 2:2 after his final show?

In 2006, Shrigley's first spoken word album Shrigley Forced to Speak With Others was released by Azuli Records, under their Late Night Tales label. [41] [42] a b Gatti, Tom (4 March 2009). "David Shrigley: the joker with a deadly punchline". The Times. Archived from the original on 2 February 2016. Alt URL [ permanent dead link]

Limited edition silkscreen prints still available from Shrigley’s Copenhagen shop are generally priced within the EUR €1,500 to €4,000 range, depending on dimension and edition size. Untitled (You Cannot Help Looking at This), an unframed 130 x 98cm print from an edition size of 100, is priced at the upper end of that margin, at €4,000, for example, whilst Untitled (Shit), at 65 x 50cm, is only €2,000. Despite his success with the highly collectable and instantly recognisable satirical drawings, Shrigley also works across other mediums including sculpture, animation, photography, large-scale installations and music.

Whilst Shrigley claims that one’s response to his work is always correct, “whatever that may be or whatever my intention was”, his installation work and sculptures often carry an alternate meaning.

David Shrigley

Shrigley Forced To Speak With Others – Shrigley Forced To Speak With Others". Discogs . Retrieved 30 January 2016. People read their own messages into them regardless. “You think you’re making a work about the climate crisis and then it becomes about the pandemic, because that’s what everyone’s thinking about. Or everything you make becomes about Brexit.” David Shrigley Animations". www.davidshrigley.com. Archived from the original on 7 January 2016 . Retrieved 30 January 2016. In 2016, Shrigley’s work was part of a British Council touring exhibition. In the same month, he was showcased in the Liverpool Provocations event. Shrigley was nominated for the 2013 Turner Prize and awarded an OBE in the Queen’s New Years Honours List 2020. Shrigley is collected by the Stephen Friedman Gallery (London), Anton Kern Gallery (New York), the Museum of Modern Art (New York), the Tate (London) and the Royal Academy of Arts (London) among other institutions.