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Hydrasynth Desktop

£9.9£99Clearance
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Of course, there is more! Using the macro facility, each knob and related button can control eight user-assigned parameters at once – meaning that you can set up your go-to performance parameters and tweak them on fly during a performance or studio jam. Note: each button also has several trigger modes. As it pertains to the Hordijk article, let us briefly compare equal temperament tuning with just intonation. In Western music history, 12 tone equal temperament (12-TET for short) has been the predominant tuning system since the European classical period, as composers were beginning to be more adventurous with their harmonic progressions. 12-TET allows for the frequency of all notes in the chromatic scale to have an equal relationship with each other, meaning that sequences of chords will sound consistent regardless of which key they were played in, eliminating the need to retune an instrument between performances. This contrasts with practices in the Baroque period as well as numerous traditions in Eastern music, where note relationships were defined in just ratios around a specific tonal center. I recommend the ASM Hydrasynth to any synthesist, but especially anyone who loves to build patches from scratch. If that describes you, it offers powerful programming tools and a well-designed, intuitive interface." Finally, the Modulation Matrix offers 32 user-definable modulation routings are available for you to bridge 29 modulation sources and 155 modulation destinations. You can route the modulation in almost any direction, including the effects, arpeggiator and Modulation Matrix points. Specifications Hydrasynth is a great end user product and built better than anything else I own in the high-end synth offerings. It is disappointing how other well established synth manufactures have compromised the integrity of their product using light weight plastic construction materials that wont hold up as good as the Hydrasynth in constant transport.

ASM Hydrasynth Desktop – Thomann UK

All three oscillators can access any of the 219 available waveforms; these include the expected analogue modelled waves, plus families of more exotic fare, with names such as Cluster, Flux, Vokz, Klangor and Scorpio. The tonal qualities of each are rich, varied and best experienced by trying them out while watching the oscilloscope. I did initially wonder whether a couple of hundred waves would be enough, but since the Hydrasynth offers myriad ways to twist, squash, mash and trash them, it should be ages before you try every combination.The general sound quality is truly excellent. It can be precise and crisp, warm and textured, and these can be anything from high-quality ‘bread and butter’ sounds, to something truly unique, something you have never heard before. Oscillators 1 & 2 are routed into our MUTANTS. The Mutants allow you to modulate, bend and sculpt the sound in new (and old) ways. You might expect that just eight waves couldn't compare with the longer tables of older synths, but in practice I didn't find this to be the case. One of the common misconceptions concerning wavetable synthesis is that it's all about endless transitions, but in my experience, the coolest results are achieved by morphing between one or two markedly different waveforms. In such cases, the in-betweens are often as interesting as deliberately prepared waves. With the keyboard version of the Hydrasynth, you get a 49-note keybed with polyphonic aftertouch. Not only is this is an excellent synth for connecting to external controllers and sequencers; it’s an all-encompassing performance instrument in its own right.

ASM Ashun Sound Machines

Furthermore, all of the Hydrasynth's LFOs feature delay, fade in, 3 triggering modes, smoothing, start phase and one shot modes allowing them to act as envelopes and BPM sync. One thing we would change is to make the pitches on the ribbon line up with the notes on the keyboard; for example, press middle C and the ribbon position directly in line is also a C. Extremely expressive and with multiple pad layouts to choose from along with multiple scales, playing the Hydrasynth Desktop is fun, unique and inspiring. Oscillation and MutationFive LFOs and five DAHDSR envelopes are on board the Hydrasynth, further powering your sound shape shifting adventure. Two filters can be found on the ASM Hydrasynth Desktop with the first offering 11 different filter models for a wide variety of sonic options.

ASM Hydrasynth

At first I was not sure about this product as it truly is a synth where everything is built from the ground up sound wise. I did not know how the bread-and-butter sounds were going to be as I create music and don't have much time for sound design. The tone generation capability is the heart of any synthesizer, and the 3 Hydrasynth oscillators are alive with potential. Because of the 24 polyphonic pressure sensitive pads, you can play the Hydrasynth Desktop synth without any external controllers. Getting around isn't as easy as it might be because there's no method of going directly to a particular location. Initially, you change patches by spinning the encoder or pressing the L/R arrows, holding Shift to jump in 10s. To speed things along you can define 32 'Favorite' patches which serve as more efficient entry points. Additionally, you can browse by name and category, but there are no User categories. Osc Sync: This gives you those classic hard sync sounds. Try hard-syncing a morphing wavetable for some fun.

Of course, you can also modulate these effects and make them become an integral part of the sound design process. ASM provides an onboard arpeggiator that is comprehensively featured with a number of octave modes, tap tempo (for when jamming along live), gate, swing, ratcheting with probability (called ‘chance') – plus 64 preset phrases, chord mode, latch and sustain. Filter 2 is a 12dB per octave state-variable filter, which means it can sweep continuously from either low pass > bandpass > high pass or low pass > notch > high pass. It is similar to the classic SEM filter in many ways.

Hydrasynth Digital Polyphonic Desktop Synthesizer ASM Hydrasynth Digital Polyphonic Desktop Synthesizer

But it doesn’t end there; two filters offer 12 modes in total, from LPG to 12dB octave-morphing. Then there’s the LFOs, 5 envelope generators, ring modulator, noise generator, mixer and effects (including modulation, ambience and more) so you can send your signal on whatever wild path you choose. Tactile User Interface While we are talking performance controls, let's look at the unique paddle-style pitch and mod wheels. The paddles are clever and add a more nuanced method of moving the wheels. They also light up in several rather lovely colours along with the big selector wheel, and you can customise this when saving your patches. PW-ASM: Divides the incoming wave into 8 slices and lets you set the amount of FM that is applied to each segment. This is FM unleashed. Giving you more tools to manipulate your sound, the Hydrasynth's three oscillators are fed through a mixer, a Noise Generator and a Ring Modulator. These are substantial instruments, weighing in at 10kg and 3.6kg respectively, with no skimping on I/O. MIDI is available over USB and a full complement of 5-pin ports. The keyboard model has a ribbon controller running almost its full length, and on both versions, every knob, button and encoder feels solid and trustworthy. The Colour Of Magic

The new Mutator, called PhazDiff, creates a new waveform which is derived from the difference between the incoming waveform and its inverted and phase-shifted counterpart. MusicRadar verdict: This is a very impressive debut release. The Hydrasynth looks and sounds great, dares you to explore it further – plus, it is impeccably built and fairly priced. There is a lot to like here. The web says Old gold! The well-respected Blofeld includes user-sample-upload, virtual analogue synthesis, three fast LFOs per voice and four fast envelopes per-voice, 16 parts, arpeggiator, three oscs per-voice (with wavetables) and FM. Before moving on, it's worth mentioning that the ring modulator can make use of any oscillator, Mutator, Mod input or noise (white, pink or brown). It therefore opens up either Mod input as a potential source of external audio, as we'll see later. For now, it's worth knowing that all audio sources — internal and external — may be panned and processed by a pair of filters, a balance control setting the amount for each. Filters Modal’s latest board includes all the great features of the Argon 8 but with a 61-note keyboard. Features include 120 wavetables, 32 static wavetable modifiers, 32 high-resolution wavetable oscillators, eight types of oscillator modifier and four filter types.

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