The City

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Spark, Alasdair (1993). "Horrible Writing: the Early Fiction of James Herbert". In Bloom, Clive (ed.). Creepers: British Horror & Fantasy in the Twentieth Century. London: Pluto Press. pp.147–160. ISBN 9780745306650. Toen ik de cover en titel zag trok dit boek gelijk mijn aandacht. Dit moet wel een hele vette horror zijn dacht ik. Eenmaal halverwege het boek was ik nog steeds niks engs tegengekomen. In tegendeel het was een heerlijk cozy en magisch verhaal. here are three books that deal with darkly enchanted residences in ways that i found to be much more accomplished, multi-leveled, and downright shivery:

With his third novel, the ghost story The Survivor, Herbert used supernatural horror rather than the science fiction horror of his first two books. In Shrine, he explored his Roman Catholic heritage with the story of an apparent miracle which turns out to be something much more sinister. Haunted, the story of a sceptical paranormal investigator taunted by malicious ghosts, began life as a screenplay [13] for the BBC, though this was not the screenplay used in the eventual film version. Its sequels were The Ghosts of Sleath and Ash. [14] Others of Herbert's books, such as Moon, Sepulchre and Portent, are structured as thrillers and include espionage and detective story elements along with the supernatural.He was the subject of a This is Your Life programme in 1995, when he was surprised by Michael Aspel at the London Dungeon. [ citation needed] Reception [ edit ] a b Weber, Bruce (24 March 2013). "James Herbert, British Horror Novelist, Dies at 69". The New York Times. Herbert's final novel has an eerie political edge. Ash imagines Princess Diana and her secret son as well as Lord Lucan, Colonel Gaddafi and Robert Maxwell living together in a Scottish castle. [15] a b Plint, Alec (21 March 2013). "20 things you didn't know about James Herbert". The Daily Telegraph. London . Retrieved 21 March 2013.

boring cult action. it did not agree with me and i found it be over-obvious, eye-rolling. perhaps i just don't like reading about creepy cults. i kept hoping that they would be a minor part, but oh no, it's major. The story wasn't as eerie as I remember, nothing goes bump in the night, not even when reading it at night in the middle of the woods. At its core, it is a story about good and evil and how they balance each-other out in the world. The character of Mycroft and its followers might have been about sects in the 80's, it is about denial of science in general - a theme that remains very actual today. a b c d Holland, Steve (21 March 2013). "James Herbert obituary". Guardian.co.uk. London . Retrieved 24 March 2013.Cabell, Craig (2003). James Herbert: Devil in the Dark. United Kingdom: John Blake Publishing. ISBN 978-1-84358-059-1. With his next novel, Lair (1979), Herbert regaled readers with the return of the rats, and he completed the trilogy with Domain (1984), set in a future where rats are now dominant following a nuclear war that has devastated civilisation. Herbert's The City (1994), a graphic novel illustrated by Ian Miller, was set in the same post-apocalypse world in which only a handful of people have survived. Etchison, Dennis, ed. (1991a). Masters of Darkness III. New York City: Tor Books. ISBN 978-0-8125-1766-8. I will start by saying that I have been reading this whilst staying in a remote cottage in the woods during an early Easter break, which certainly helped me getting the atmosphere right. It started slow, but I like that as it was primarily the atmosphere I wanted to revel in. A few things hit me that I wouldn't have noticed the first time around. The most prominent one is the slight feeling of unease that lingered all around due to the fact that both protagonists are portrayed as much younger than the early 30's they are supposed to be. They both often act and speak as children, certainly Midge, and she is often referred to as a child-like wife, a pixie that needs to be protected. I found this unsettling at times, but not to the point to stop reading. this is not a bad book. i don't think this is a particularly good book either. easy to read and not particularly painful to get through... i read it all through one long rainy night. Herbert is a real professional: the screws are tightened expertly, our two leads are sympathetic & realistic (although one of them is a wee bit off), the mysteries unfold at a good pace, creepy supernatural goings-on abound, some enjoyable twists & turns pop up, and of course a mysterious & possibly threatening figure lurking on the edge of things appears.

Williamson, J.N., ed. (1987). Masques II: All-New Stories of Horror and the Supernatural. Baltimore: Maclay & Assoc. ISBN 978-0-940776-24-1. when the horror hits... to put it bluntly: i was not scared. instead, i gave birth to sighs, many of them. sad to say, there was a lot more 'horror' in the atmosphere itself. perhaps i just have a problem with cheap horror thrills, especially of the kind that i've read dozens upon dozens of times previously. so quite a bit of fun to be had in the foreboding quality of the cottage in question, some hairs were definitely raised... but when the book tries to get me to jump, all i did was yawn. Een leuk koppel verhuisd van de drukke stad naar een prachtige cottage op het Engelse platteland. Het sfeertje deed me denken aan de tv serie midsomer murder (voordat er in de aflevering een moord wordt gepleegd). Het huis lijkt een weldadig helend effect te hebben. Er lopen massa's tamme dieren rond het huis. Op een klein duister sfeertje na wat je toch op je hoede laat zijn was het een heerlijk knus verhaal. territories of evil, evoking a sense of brooding menace and rising tension. He relentlessly draws the reader through the story's ultimate revelation - one that will stay to chill the mind long after Etchison, Dennis, ed. (1991b). The Complete Masters of Darkness. United States: Underwood-Miller. ISBN 978-0-88733-116-9.James Herbert was Britain's number one bestselling writer (a position he held ever since publication of his first novel) and one of the world's top writers of thriller/horror fiction.

James Herbert is Britain's number one bestselling writer (a position he has held ever since publication of his first novel) and one of the Jones, Stephen, ed. (1992). James Herbert: By Horror Haunted. London: Hodder & Stoughton. ISBN 978-0-450-53810-0. He is an author who has produced some of the most powerful horror fiction of the past decade. With a skilful blend of horror and thriller fiction, he explores the shaded He is survived by his wife, Eileen, whom he married in 1967, and their daughters, Kerry, Emma and Casey. Herbert released a new novel virtually every year from 1974 to 1988, wrote six novels during the 1990s and released three new works in the 2000s. "I am very insecure about being a writer", he stated in the book Faces of Fear. "I don't understand why I am so successful. And the longer I stay that way, the better it's going to be, because that's what keeps me on the edge, striving if you like."Herbert's 23 novels have sold 54m copies worldwide. He was published in 34 languages, including Russian and Chinese. In 2010 he was made an OBE and received the Grand Master award at the World Horror Convention. Williamson, J.N., ed. (1988). The Best of Masques. New York City: Berkley Books. ISBN 978-0-425-10693-8. yep, Herbert is a professional, but he is not really a master. he has a tendency to badly overwrite certain things. for example, when he writes about Love... my stomach starts to cramp and i get a little nauseated. really, Herbert - restrain yourself, please! or perhaps i am just against Love? This was my introduction to this author and I enjoyed this introduction. At first, this seems like a horror genre novel as the reader knows there is something going on with this cottage. The author does a slow burn for the tension as we get a pervading presence throughout. There is also a sub plot with a religious group that eventually will tie in with the main plot. I did think with the main plot and the sub plot was a little too slow for the majority of the book. I was interested in both plots but not totally enthralled. The finale when these two plots merge is fantastic and why I raised my rating the half star. It was explosive and switched genres to the fantasy genre without losing a beat. I could not stop reading the final scene and I believe it would be great to see visually. Masterton, Graham, ed. (1989). Scare Care (Tor horror). New York City: St. Martin's Press. ISBN 978-0-312-93156-8.