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News of the Dead

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But the story really starts with Lachie, the eight-year-old son of the present day laid telling Maya, the oldest inhabitant of the glen, that he has seen the ghost of the “dumb girl”. This ghost is a newcomer to the glen. She is not part of Conach’s story. Her tory is important and will be woven into the tale of Glen Conach, and will become part of its history. Conach told Talorg that ten years was a long time to a youth, but little more than a short sleep to an older man, and less than the blink on an eye to God’ Interestingly the book had me thinking about faith also and how it is important especially when faced with the prospect of death or loss. How someone dies two deaths; one when their soul leaves this earth and one when their name is said for the last time. The only way to preserve someone’s legacy is to write it down. To pass on long after even you have left this earth. To ensure you leave your mark in this world. The three stories are quite different. In the early Middle Ages in Pictland, there’s the Christian hermit, Conach, whose signs and miracles performed in Glen are made legendary through ancient writings in a text known as “The Book of Conach.” Generations later in the 19th century, an antiquarian called Charles Kirkliston Gibb, is drawn to Glen Conach to transcribe and translate The Book of Conach, and in turn is taken into the grand home of the Baron of Glen Conach and his frenzied household. And then there’s the present-day reflections of Maja, an elderly woman who has lived in the Glen for most of her life and her relationship to a young boy, called Lachie, who claims to have seen a ghost.

News of the Dead by James Robertson | Goodreads

In the early nineteenth century, self-promoting antiquarian Charles Kirkliston Gibb has himself invited to Glen Conach, to the big house where the laird, his lady and daughter live. Gibb undertakes to translate the Book of Conach. It is in Gibb’s interest to prolong the translation for as long as possible: he has nowhere else to stay. And in time he becomes involved with Jessamine, the laird’s daughter. Jessamine convinces Gibb to include some stories from the local oral tradition. Robertson is telling us many things as he weaves his tale round the various inhabitants of the glen over the last thousand or so years. He is telling us that the oral tradition is important. Of course, some details have been forgotten, some details embellished and some invented. The mythology of our past forms us as much as the actual events. We were not witnesses of the actual events. We have to rely on documents which may or may not be accurate. Oral accounts can be lost, unless they are recorded at which point, they become a document. Not sure why that matters either but there is a real sense of place to this book. I'd describe it as a set of stories around a fictional, very remote Glen near Forfar, and it's history and legend. And it's also about history, and what that means: what we can read and trust, and what we read and have to decide if we trust or not. To each and every one and to all creatures of all kinds, a place of refuge and tranquility is assigned; and if that place be found in this life then blessed is the finder, and if not be found then hope itself is the name of it, and the only door that closes upon hope is called death.’ To tell the story of a country or a continent is surely a great and complex undertaking; but the story of a quiet, unnoticed place where there are few people, fewer memories and almost no reliable records - a place such as Glen Conach - may actually be harder to piece together. The hazier everything becomes, the more whatever facts there are become entangled with myth and legend. . .'

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Generations later, in the early nineteenth century, self-promoting antiquarian Charles Kirkliston Gibb is drawn to the Glen, and into the big house at the heart of its fragile community. News of the Dead is certainly far from dull and the author manages to pull off several different styles, including passages in Scots dialect for the stories told by the irrepressible and accommodating Geordie Kemp, who never likes to disappoint a listener. It’s been a real privilege to make this film with James Robertson,” said Baxter, speaking from his home in Montrose. “He is one of Scotland’s most respected novelists, and it’s been fascinating to explore the five year creative process of this extraordinary and compelling book, which has been partly shaped by the pandemic we’ve all been living through.”

Documentary - News of the Dead - The DreamCage Documentary - News of the Dead - The DreamCage

Details of that stay are filtered to us through Gibb’s warts-and-all journal. Two other main narrative threads are woven around it. One is Gibb’s translation of the Book of Conach. Originally written in Latin about 800 years ago, the book chronicles the life of the “blessed and venerable” Conach, who performed miracles for his fellow Picts in “the north country” before devoting himself completely to God by becoming a hermit. I’ve been thinking about it for about five years, so it’s taken a while for it to come together. I wanted to write a novel that was set in one place, but that took place over a huge amount of time. So I invented this glen, Glen Conach, which is, in my head, not far from where I live. There are three stories going on: the story of Conach himself, an 8th-century Christian missionary to the Picts who becomes a hermit in the glen; then a story set in the early 1800s, where Charles Gibb comes to the big house in the glen to look at this manuscript about the life of Conach; and finally a modern story narrated by a woman called Maya, one of the oldest residents of the glen in the year 2020.

Catholicism hasn’t, however, been completely banished: people like Will’s mother still attend clandestine masses. Mary, Queen of Scots has stayed loyal to the Old Religion and although she has abdicated the Scottish throne, stands a chance of taking over the English one. Meanwhile, Esme Stuart, James VI’s mentor, makes no bones about being a Catholic, and may even be plotting a Counter-Reformation. Scotland looks like being Protestant, but what kind of Protestant: Puritan or humanist? And could it not just as easily be Catholic, English (like the 1574 troops pulling the cannon to lay siege to the Castle) French (like the Queen) or (a bit of a push, this) British? I liked that about the book: it's place, and it's description. And I like stories which, without being too prescriptive about it, interlink a few different things. I also like historical fiction. The only copy of this book is kept in the library of the laird of Glen Conach, until it is destroyed by fire centuries later. Excerpts from the translated version of the book are included within the novel. In ancient Pictland, the Christian hermit Conach contemplates God and nature, performs miracles and prepares himself for sacrifice. Long after his death, legends about him are set down by an unknown hand in the Book of Conach .

News of the Dead by James Robertson - Penguin Books Australia

One day you will wake up and it will be the last day of your life. You may know this or you may not.’ Speaking to Baxter by Loch Lee in the film, Robertson says, “You come to a place like this and you find that your fiction is echoing things that really did happen.” This book is set in one of the Angus glens and tells three different stories set in in different times, one at the time of the arrival of Christianity in Scotland, the second in the early 1800's, and the third in the present day.This is also a book with a strong sense of place, in this case Glen Conach. Finding your place to belong is a key theme. As Maja says “everyone has a place, a real place or a memory of a place, or a dream of a place.” The use of dialect firmly rooted this book in the Scottish glens. I really enjoyed the use of dialect which appears in some parts of the book though it may pose a challenge to non-Scots. Even I had to look up some words! But don’t let that put you off, as it adds to the richness of the narrative. The first of these stories is of the Christian hermit Conach. In ancient Pictland, Conach contemplates God and nature. For a while he is accompanied by Talorg who serves him. Conach performs miracles and prepares himself for sacrifice. And after his death, legends about him are written by an anonymous person in the Book of Conach. Storytelling is a pervading theme of the book, whether that’s individuals’ own personal histories – the stories they tell about themselves – or how they are remembered by others. The book also explores the notion of what is true and what is invention, and how easy (or difficult) it is to tell the difference. Since the Book of Conach was later destroyed in a fire along with Charles Gibb’s transcription, only his translation (which became a joint endeavour with Jessie) remains. But who is to say that translation was faithful? After all, as Jessie asks at one point, ‘Do you think history must always be duller than fiction?’ There’s a lot to enjoy in Greig’s novel (Romance! Witchcraft! Golf! Theology! Reivers! High politics! Assassinations!) but for me none of it would work if it hadn’t already passed what I shall call the Hilary Mantel Uncertainty Test. It’s quite simple. Does the book make the past feel as alive and uncertain as the present? Remarkably – and wonderfully – all three of this crop of Scottish novels do just that. The News of the Dead is a cleverly almost classicesque written piece which is thought provoking and moving. Delving into the people of our past and the stories that are passed down through generations. These stories are the way in which people are remembered for years after they leave this earth. But how much of these stories are true? And as they are passed down throughout the generations and rewritten, how much is added to it by the new narrator of its time.

News of the Dead by James Robertson - Episode guide - BBC

In the film, Baxter follows Robertson from his home in Newtyle to Glen Esk in search of an ancient cross stone captured in a postcard, once given to the novelist by a neighbour. The stone is said to have been carved by a pupil of the real life seventh-century Glen Esk hermit, Saint Drostan. A good story… had to have some element of truth in it, even if he had made it up or stolen it. If it did not have that truth, even if it was the best tale of them all, it would fail.” In ancient Pictland, the Christian hermit Conach contemplates God and nature, performs miracles and prepares himself for sacrifice. Long after his death, legends about him are set down by an unknown hand in the Book of Conach. These two quotes sum it up: ‘The story of a quiet unnoticed place where there are few people, fewer memories and almost no reliable records - a place such as Glen Conach…when you return to the present it may seem fact and fiction were never that discrete from one another after all.’ Another is the importance of storytelling itself. It is ow we learn empathy. It is how we learn to distinguish between right and wrong. It is how we learn how to behave. History is essentially storytelling. All the great religions centre around the stories that they tell, whether it is Moses parting the Red Sea, the Good Samaritan, the flight from Mecca or the Mahabharata. It is how we teach the next generation the essentials of our beliefs. It is how we teach them what is safe and wat is not.

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This book looks at the ways stories are passed on through generations, how they connect the past and present, how they change and evolve with each retelling. And yet there is still that principle of truth which validates them. James Robertson weaves a compelling story with legends, beliefs and traditions from three different time periods. There was an element of mystery as I wondered what connected the three parts of the story, with Maja’s story from the contemporary strand being particularly intriguing.

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