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Hanme Foldable Zero Gravity Deck Chair, Extra Wide Bed Recliner Chair with Padded Cushion and Arms, Breathable Sun Loungers for Garden Patio Office, Loading up to 290Kg,Pink

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Custer County is a mountainous area just northeast of the Great Sand Dunes National Park and Preserve and is home to about 4,700 people, according to the 2020 census. From Bubblegum Crisis to El-Hazard: The Magnificent World to Oh My Goddess!, production house AIC defined the anime look from the mid-’80s to early ’90s. AIC’s tendency towards warm color tones and diligent, weighty animation gave their projects an alluring haze which felt simultaneously grounded and not of this world. The Tenchi universe was the commercial crown jewel of the era, with additional OVAs, feature films, and spinoffs. Tenchi‘s premise is one of those classic anime wish fulfillment set-ups, where a hapless high school dude gets entangled in a love triangle, with the two other participants being a princess from another planet, and a roguish space pirate. Superhuman powers, time travel, and a cat-rabbit who can transform into a spaceship may also get involved. The AIC look and Tenchi‘s fluidity between romance, action, sci-fi, comedy, and drama really hits that anime sweet spot. Have you ever wanted to do something extraordinary, but then life just got in the way? That’s the premise of A Place Further Than the Universe, which follows a teenage girl who’s always wanted to do something big before graduating high school, but can never figure out what. That is, until she meets a group of girls her age who convince her to journey to Antarctica together. The show is relatable, funny, comforting, and upbeat while still managing to be very emotional. It perfectly captures the youthful optimism of the teenage spirit, as no matter how many adversities the girls face, they still manage to overcome them with each other’s help. Directed by Osamu Dezaki, known as the innovator who created the now common “Postcard Memories” technique, Golgo 13: The Professional is both a remarkable time capsule of ’80s grimy crime fiction, and true to the manga from which it is drawn. Golgo, the titular assassin, is basically an evil character who exemplifies alpha male toughness to a ridiculous degree. He is, above all, a Professional. Think Lee Marvin in Point Blank, or Charles Bronson in The Mechanic, or Steve McQueen in … well, anything. Where Golgo charms is in the glorious, fluid animation, the sophisticated cinematic techniques used by Dezaki (including very early usage of CGI), and the tense and incredibly violent action sequences. Filled with gratuitous nudity, violence and rape, this unrated film is not for the faint of heart. Yet Golgo 13: The Professional presents a quintessential example of the Japanese alpha male character, and somehow we root for him, even as we know he’s nothing more than a killer. —J.D.

After wrapping production on Akira in 1988, Katsuhiro Otomo returned in 1995 to helm his third anthology collection of short films, titled Memories. Initially scripted around the theme of the collection’s namesake, the anthology eventually yielded a series of three shorts, each directed by one of three of the most acclaimed directors working at the time, Otomo included. The collection’s first segment, “Magnetic Rose,” is unanimously praised as the anthology’s best and for good reason. Directed by Koji Morimoto and scripted by Satoshi Kon, “Magnetic Rose” is emblematic of the themes of perception, identity and uncertainty, which exemplify Kon’s work at its best, depicting the terrifying story of a deep space salvage cruise’s ensnarement in the siren wiles of an aristocratic opera singer. The anthology’s other two installments, Tensai Okamura’s “Stink Bomb” and Otomo’s “Cannon Fodder,” are worth the price of admission as well, the former a crassly comedic take on an extinction-level crisis and the latter a wartime parable animated with a intriguing Terry Gilliam-esque art style in one long take. Whatever your palate as anime film-goer, Memories is not to be missed.— Toussaint Egan Because if you get the reference it’s like high-fiving the creator in slow motion, but if you don’t get it you feel like you’ve brought great dishonor to your family. Or you just turn it off and move on. The show’s longevity itself speaks volumes to how good it is. Gintama has been going on for hundreds of episodes, with specials and movies, all of which are highly critically acclaimed. The beloved manga and TV series known as Sailor Moon has been ever popular ever since its debut in the early 90s, and not just for fans of cosplay or the magical girl genre. The story follows Usagi Tsukino, a young schoolgirl who was bestowed with some pretty miraculous powers thanks to a talking cat named Luna. She transforms into her magical alter ego, Sailor Moon, a hero tasked with battling the evil forces of the Dark Kingdom, led by Queen Beryl, alongside her fellow moon princesses. Queen Beryl, meanwhile, summons monsters called Youma that sap the energy from humans. She's set her sights on the Silver Crystal, a gem capable of unlimited power. Genzaburo Yoshino’s 1937 novel How Do You Live? is a time capsule, preserving the virtues of the society it was made and circulated in. It’s about how to live as a good person in this world, about the childhood experience of discovering difference, disparity, and loss—and, thus, turning to philosophy. The influence of the text is apparent in Miyazaki’s work at Ghibli. While the protagonist of his latest film, Mahito (Soma Santoki), is styled around Miyazaki’s childhood, Miyazaki himself appears as he is today more directly in the figure of Mahito’s granduncle (Shōhei Hino), a man who built a mysterious library on the family estate decades ago before disappearing into his stories forever. The Boy and the Heron, released in Japan with the same name as Yoshino’s novel, becomes a firm reminder of the need to grow up, but one that recognizes the importance of the ephemeral experiences of childhood. Unlike Miyazaki’s semi-biographical 2013 swan song The Wind Rises, the quasi-autobiographical The Boy and the Heron is styled as the fantasy Bildungsroman that he became famous for—with a mature, edgier bent. The opening sequence depicts a 1943 firebombing, rendered with striking animation that entirely breaks with the art style of the rest of the film, veering into the abstract. Mahito’s ill mother dies in the flames. Afterwards, the 12-year-old moves to the countryside as his father Shoichi (Takuya Kimura), an industrialist contributing to the war effort, remarries his late mother’s younger sister, Natsuko (Yoshino Kimura).

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Once you have got discovered the hanime.tv application on your phone or laptop computer you get access to all or any the hanime.tv shows free and if you want an upgraded top-rated version then pay a bit penny and get access to everything regarding hanime.tv. The final two episodes of Neon Genesis Evangelion are notorious among fans of the series.Titled “Do you love me?” and “Take Care of Yourself,” the two-part finale infamously sidelined the climactic finale to the series’ central conflict, instead opting to take place entirely away from the action within the subconscious of the show’s protagonist, Shinji Ikari, as he wrestled to resolve the self-loathing and hatred which plagued him throughout the story’s duration. The unconventionality and unsatisfying nature of this conclusion prompted disgruntled fans to issue death threats on Anno’s life and Gainax’s building to be defaced with graffiti. In response, Anno set to work on an alternative ending to the series to be produced in two parts and aired in theaters. If you were looking for a light, campy and celebratory conclusion, End of Evangelion is not that movie. Instead, what fans were treated to was perhaps one of the most fatalistic, avant garde, and oddly enough, life-affirming endings to an anime series ever produced. In short, it is the best and worst of everything that is Evangelion combined to create a film that is unlike anything that had come before it. Despite its unrelenting darkness, End of Evangelion remains true to the ethos of its subtitle, that the joy of death is in the act of rebirth.— Toussaint Egan

Anime is one of the biggest entertainment industries in Japan today, second only to Manga. But what happens when you take this unique storytelling style and re-create it in another language? Would you lose some of the magic? Or do dubs offer something a subtitled version can’t? It’s a debate that has raged for decades and one we’ll probably be having for many more to come. And that is why I have decided to go through the best-dubbed anime here in this article.In Kakegurui Hyakkaou Private Academy is a place for the rich. But it has a special curriculum. If you are rich, it’s not about athletic prowess or book smarts that keep you ahead. It’s about reading your opponent and understanding the art of the deal. There’s no better approach to polishing those talents with a rigorous gambling education than living like a king. The winners live like kings at Hyakkaou Private Academy, but the losers are put through the wringer; nevertheless, when Yumeko Jabami joins, she’ll teach these kids what it’s like to be a high roller. The shooting began with a dispute over property lines, the sheriff's office said. In a news conference Tuesday, Smith said a dispute between the suspect and his neighbors had been ongoing for some time.

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