Can't Come Out To Play [DVD] [2017]

Product Information

Even though I knew what was going to happen, the narrator had such an innocent voice I was shitting myself thinking, oh my god, this pimp is gonna give this girl a 'test drive', oh my god, this is actually going to happen. This took me by surprise, because obviously, that's what we're here for. The author does a really good job making you feel worried for Steffie. We recognise that one of the barriers to increased outdoor learning and play is a perceived difficulty in setting up or accessing an outdoor space. Within the Expansion of Early Learning and Childcare in Scotland: Quality Action Plan we committed to help remove this barrier by producing this guide which supplies practical advice and support for Early Learning and Childcare settings and practitioners as well as the wider childcare sector. John McNaughton’s credits speak for themselves. Henry: Portrait of a Serial Killer and Wild Things are two very fine films. I can even imagine why on a script level, he’d have been interested in this project, but it doesn’t come together quite as well as I had hoped it would. Whilst the acting from all involved and direction from McNaughton are solid, the same cannot be said of Can’t Come Out to Play‘s script. Penned by first timer Stephen Lancellotti (a former Troma-ite no less), the script is one of those that thinks it’s a lot cleverer that it actually is. And despite twist after twist, was actually all-too predictable. Honestly I saw the film’s biggest twist coming a mile away – in fact once it was revealed what was actually in the basement! Yet the fact I knew what was to come did not spoil what was, at its core, a story about family and the lengths people go to protect theirs.

Steffie's carrying her teddy bear around and one of the other girls tries to take it off her, basically to be mean and the cops diffuse the situation and tell her to go home, like "home" home. John McNaughton sought a PG rating for the film, but failed: "I made a promise that I would deliver a movie with no overt violence, no bad language, no sex, no nudity. But the concept was so dark that (...) they wouldn’t give us the PG rating I wanted. Nothing you can really point to except, as with Henry, the overall moral tone." [4] Release [ edit ] Embedding outdoor play into the fabric of young people's lives will require us all to work together. Nurseries, schools, councils, community groups and families all have a role to play in supporting our children to get outside but we recognise that many people don't know where to start. The main event in part two is her roommate gets roughed up by a client, Steffie freaks out what with all the blood and calls the cops for help. She’s had no hassles from them and views them in a positive light. This new guide is a result of partnership working between the Care Inspectorate and Inspiring Scotland.

The fact that John McNaughton directed this, coupled with such an impressive cast, meant I was sure I would be in for a real treat as I sat down to watch this. Sadly, despite everyone’s best efforts, the end result was akin to something you’d find playing late at night on Movies 24.

The film is devoid of suspense or tension, with much of the running time spent following characters wander around the island with no concessions made toward mood or atmosphere. Attempting to make children seem terrifying is a tough ask for any film-maker but Makinov completely fails to convince us that his young antagonists pose any tangible threat. A few years ago, the British film 'The Children' tread similar ground but added dramatic weight by having its killer kids the children of the film's protagonists. There's no such quandary for the lead couple of 'Come Out & Play'. As we have no investment in these children, they may as well be zombies or any other type of movie monster. This guide builds on a number of resources which promote outdoor learning within the education and childcare sectors. In 2016, the Care Inspectorate published the guidance My World Outdoors, which encourages further development of high quality outdoor play, and in 2017 Space to Grow was published as guidance for the Early Learning and Childcare 2020 expansion. This How to Guide complements these publications and also provides the important step-by-step, practical advice that we know will promote more use of the outdoors. As well as nursery settings, the guide is designed to be used by childminders, schools and out of school care settings who are looking to utilise local greenspace to enhance children's learning. The Harvest" is a great low-budget thriller with top-notch performances, highlighting Samantha Morton. The immediate impression is that there is a flaw when Maryann finds the truth and does not call the police. However, if she is not able to convince her grandparents, imagine the police department of a small town. The plot becomes predictable in a certain moment after the first plot point, but keeps the tension until the very end. My vote is seven. Feeling isolated, Maryann goes for a walk and is overjoyed to discover a young boy named Andy (Tahan) lives in the nearest house. Andy is very ill however, and his overprotective mother, Katherine (Morton) does not allow visitors. At first, Maryann visits in secret, climbing through Andy’s window when his parents are out. When Katherine eventually discovers that Maryann has secretly been in the house in her absence, she becomes erratic. Maryann soon discovers why Andy’s mother doesn’t want her to visit. With devastating consequences. Now Maryann must try and help her friend from a terrifying fate, but who do you turn to when all of the adults in your life don’t believe you?

Rate And Review

It feels almost like reading an account of child abuse or grooming. The reader can see what is unfolding clearly but the girl can't. It's awful! But riveting. Tension levels are through the roof. A part of the film’s enjoyment is lost in its slow pace. It manages to find its stride at the half-way point, but up until then it does drag ever so slightly. However this can be forgiven, because as the film draws to a close you may feel a bit thankful for the amount of time you have vested in this family. There is a surprising finale, which is all the more hard-hitting because you’ve been on a long journey with these characters. Also, there are twists and turns elegantly weaved in to the story to keep you on your toes, preventing Can’t Come Out To Play from being as predictable as you may think. It may seem like a bit of a chore at times, but there is a lot to enjoy in this quietly terrifying, character-driven horror thriller and it’s worth watching for Samantha Morton’s performance alone. McNaughton’s latest foray into horror is far-removed from his previous films, instead it plays out like a modern gothic horror, the kind of story that wouldn’t be out of place as an episode of Tales of the Unexpected or Hammer House of Horror. There’s nothing as excessive as was seen in McNaughton’s Henry or The Borrower – well unless you count the over-the-top, scenery chewing performance from Samantha Morton, who seems to be channeling shades of The Terminator in her single-minded pursuit of Maryann and Andy comes the films final act. Morton is legitimately terrifying.

Stars: Michael Shannon, Samantha Morton, Peter Fonda, Natasha Calis, Charlie Tahan, Peter Fonda, Leslie Lyles | Written by Stephen Lancellotti | Directed by John McNaughton I would like to thank the Care Inspectorate and Inspiring Scotland for their work this year in shaping this guide. I commend its publication as an important step towards increased outdoor play and learning as part of the expansion of early learning and childcare by 2020 and beyond. I'm in no doubt of the impact this will have on nurseries, schools, after school and holiday clubs looking for guidance on how to utilise their local greenspace, whether that's in rural settings or right in the heart of our cities. I hope it assists in making it easier to get children outdoors, and to ensure that we create safe, nurturing and inspiring outdoor learning experiences which will no doubt help foster a true love of the outdoors in our young people that stays with them for a lifetime. The expansion of early learning and childcare in Scotland brings challenge and opportunity. There are exciting new opportunities to invest in and transform the way in which early learning and childcare is shaped and delivered. As part of this, we also have an important and timely opportunity to ensure that all children are offered high quality experiences as part of their provision.Despite the aforementioned pacing (I was at the 45 minute mark before anything thrilling happened) and questionable editing, my biggest problem with this was Samantha Morton’s over the top portrayal of an unhinged mad woman. It was reminiscent of that time French & Saunders did Stephen King’s Misery. Michael Shannon was much better here as a concerned father caught in the crossfire, but the younger cast members, especially Calis are the central figures in this show and the real ones to root for. One of the most chilling and psychologically disturbing tales of the year will demand your full attention when CAN’T COME OUT TO PLAY comes to DVD and digital platforms from June 22, 2015, courtesy of Signature Entertainment.

Steffie gets into a scuffle again with one of the other girls over her teddy bear and her pimp throws her bear in the gutter and hits her. The cops see this, and kind of feel protective of Steffie (or as they call her, 'teddy bear girl') and beat up her pimp as retaliation. This title was actually on the ALA Best Books For Young Adults list in 1978 which didn't surprise me. The title and cover make it look less substantial than it is... it's a bit of a hidden gem. Worst of all, it's just not quite bad-enough-to-be-good. I wish I hadn't re-read it and had just let the memories of sniggering over it in summer camp live in my mind. Gingold, Michael. "Exclusive photos: Fantasia film "THE HARVEST," from "HENRY's" John McNaughton". Fangoria . Retrieved September 25, 2014.The resource is important as it helps support the Scottish Government's A Blueprint for 2020: the Expansion of Early Learning and Childcare in Scotland. In particular, this resource links to the Quality Action Plan (action 10), namely to, '…promote greater use of outdoor learning and physical activity by producing a 'how-to-guide on finding access to suitable outdoor areas and making the most of the opportunities that these offer to promote children's development.' Grozdanovic, Nikola. "Fantasia Review: John McNaughton's 'The Harvest' Starring Michael Shannon & Samantha Morton". IndieWire . Retrieved September 25, 2014. It is a remake of " Who Can Kill a Child?" (aka Island Of The Damned), a 1976 Spanish horror movie. [3] Cast [ edit ] As the father, Michael Shannon is a bit annoying. You’ll probably want to shake him, tell him to man-up and stand up to his wife. He does get a 1-up on her at one point and it’s a great little moment, you’ll cheer him on and then realise you’re genuinely terrified for his safety. I would be out of there in a second. We never know how Kathleen’s going to act and her personality shifts more suddenly than the British weather. Overall, the whole cast are spot-on and deliver great performances and they do drive the film forward. Tension is built up effortlessly and, at times, it is the screaming silence that speaks louder than any words could.