Memoirs and Misinformation: A Novel

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St. Clair, Josh (July 8, 2020). "Jim Carrey Would Like to Be Erased Forever". Men's Health . Retrieved September 12, 2020. An engaging, fun tale that plays with the public perceptions of celebrities, questions our compulsive need to view, and contains a gloriously off-the-wall conclusion.” That reality, as you might expect from Carrey’s career of infiltrating fiends, clowns and sad men trying to stave off loneliness, naturally tilts toward the surreal — a tone consistent with the experience of speaking with Carrey himself. For instance, when the conversation turns to Las Vegas, a place the book’s “Jim Carrey” fears he’ll wind up “when he’s old, jowly with bleached teeth and hair plugs, whoring for the bingo crowds,” Carrey describes his own visits to Sin City in feverish prose that surpasses the book. It was the year 1994. The economy was thriving, the Twin Towers still dominated the New York City skyline, ‘Influencers’ weren’t even sperm yet and I was watching, “The Mask” starring Jim Carrey with my neighbor-friend, Amanda. Carrey was in the height of his fame and I was in love – telling Amanda that one day I will date Jim Carrey. Lofty aspirations for a 10-year old.

The final collaboration with Ace Ventura director Tom Shadyac, improbably, remains the biggest hit of Carrey’s career. Carrey dials it down a bit as Bruce Nolan, a conceited television anchor who misses out on a promotion and blames an unfeeling and uncaring God for his troubles. Then God (Morgan Freeman, of course) shows up and basically dares Bruce to do His job better, giving him His powers. Carrey has his showcase moments — though it’s worth noting that Steve Carell, as his rival anchor, has the more traditionally elastic, over-the-top, “Jim Carrey” moments, and the role would eventually lead to Carrell getting the inevitable sequel. But the appeal of Bruce Almighty was less in his theatrics and more the journey he goes on to become A Better Human Being. It’s a universal story that’s competently done, but the real star of his movie is Freeman: We don’t know what God is like, but we hope He’s like this. Sonic the Hedgehog (2020) The blatant issue with “Memoirs and Misinformation” is that Carrey simply “tries too hard”. Carrey is clearly terribly egotistical but severally insecure and therefore constantly at battle with himself. This comes though in the writing with the text exaggerating neurotic tendencies and cloaking them as being deep and complex. Jim, I love you but these are fears and NOT deep soul vacations. Basically, Carrey focuses too much on being ‘weird’ and playing it up. “Memoirs and Misinformation” is supersaturated and simply misses a cohesive strand. This book has no point... and more importantly it has no purpose other than to indirectly illuminate why actors don't typically write the stories they star in. I can't help but feel like this is a Kaufman-esque joke about the results of binge watching a bunch of crappy late night History Channel shows about ancient civilizations and aliens. A book begging to be read on the beach, with the sun warming the sand and salt in the air: pure escapism. I walked through a parade of hookers and took my little green ass to some motel room that would make Baretta jealous,” Carrey says. “And I’m reading this book saying the world is going to end soon and I’m like, ‘But I just got here. I gotta make it before I die.’ So, literally, I’ve been making it before I die for almost 40 years. But we all have the sword of Damocles over our heads. That mushroom cloud is a character in our lives. And we have to learn how to dance and smile and do all the proper and appropriate things.”He puts the phone down. The house is quiet, and neither of us wants to break the spell. “There’s freedom in creating, man,” Carrey finally says. “I swear to God, I couldn’t live without it. I’m drawing my father, and there’s joy because I’m remembering my dad, how hurt he was in life, but still what a beautiful gentleman and joyful soul. Creating these things makes me happy.” If you think of Carrey’s career like Adam Sandler’s — and we’re not saying you should — you can make an argument that during his Biggest Movie Star in the World period, he had his Jim Carrey Comedy Superstar movies (the Farrelly brothers and Shadyac) and then his Working With Serious Directors to Make Art movies (two of which we’ll be getting to next). The one film that comes closest to merging those two is Liar Liar, a high-concept comedy about a slimy lawyer (Carrey) who, because of a birthday wish from his son, cannot tell a single lie. This turns out to be an extremely fruitful idea for a comedy, as the lawyer keeps running into situations in which his particular affliction is incredibly inconvenient. But he also gets a redemption arc that, particularly at this point in Carrey’s career, is surprisingly moving; Carrey has that normal-guy mode he can shift into that really works when he gets it right. Plus: We’ve been using “the Claw” on little kids for 23 years because of this movie. They love it. The Truman Show (1998) If it weren’t for Carrey’s brilliant humor, and Vachon’s taut, lyrical prose, I might not have been able to take this grim version of Hollywood culture. Jim Carrey, Drama King, is an apocalyptic persona within an apocalypse. He exposes the underbelly of acting, agents, celebrity, and privilege, while yearning for friendship, romance, and meaning. My assistant, Linda, called me and said, ‘Chief, we have 10 minutes,’ and I said, ‘What do you mean?’ And she said, ‘The missiles are coming.’ And she was squeezing the phone and accidentally took a screen shot,” Carrey says. “That’s the cover of the book, my actual face after being told I had 10 minutes to live.”

A mad fever dream starring Jim Carrey, incorporating morsels of autobiography with adventures involving Nicolas Cage, Kelsey Grammer, Taylor Swift, Anthony Hopkins, Goldie Hawn, Sean Penn, and many more. Look, I’ve loved Jim Carrey since his first Ace Ventura movie. Shortly after this movie, or maybe the second, I happened upon a family drama he had made previously, where he played an alcoholic son. I distinctly remember a scene with him crying on the stairs, and remember marvelling at his drama performance, and have since then sought out the dramas he has done, and they’re definitely my favorite of his films. Granted, he is funny, but he is also tragic, and is great at portraying these dual personalities. Me, Myself and Irene, is a deeply serious film about mental illness, and while the people at the cinema I was in were laughing, I was wondering why they couldn’t see that he was portraying a character who was deeply troubled. Even though, usually, a stream of consciousness novel is deliciously gripping; “Memoirs and Misinformation” fails in that there is no character growth or arc and Carrey is not likable. He is a self-pitying fool and obsessed with sex. On the other hand, Carrey successfully shows his broken interior and doesn’t attempt to gloss it up to be popular which is admirable especially for an individual so obsessed with being liked and accepted. When you go to enough therapy your whole life, you eventually become your own therapist ... and I think Jim has mastered the art of self-study,” Holstein adds. “He’s so unsatisfied, in a way that most incredibly ambitious people are, that there’s always something they feel they can accomplish that they haven’t yet done.” Carrey's novel, co-written with Dana Vachon, is a wonderful surprise - part memoir, part fiction. The novel follows Carrey as he rebounds from a post-I LOVE YOU PHILLIP MORRIS career slump by finding love and battling an alien invasion alongside Kelsie Grammer and Nic Cage. It may be about mental illness. Or it may just be about an alien invasion. Either way, Carrey's book has a lot of satire against the Hollywood machine - fame and the pursuit of accolades - but more importantly, it has a lot of empathy. Even as he skewers his fellow actors, he does so lovingly, trying to find the humanity behind their outlandish, weird behavior and, in the process, showing his own humanity.

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He’s in mourning for the world, and for his lost “self.” Terrified of life, terrified of death. The thought of John Lennon’s final portrait taken in the morgue, sends him into a self-grooming frenzy, just in case he dies and fanboys at the morgue sell his photo to the highest bidder. James Eugene "Jim" Carrey (born January 17, 1962) is a Canadian American actor and comedian. He has received two Golden Globe Awards and has also been nominated on four occasions. Carrey began comedy in 1979, performing at Yuk Yuk's in Toronto, Ontario. After gaining prominence in 1981, he began working at The Comedy Store in Los Angeles where he was soon noticed by comedian Rodney Dangerfield, who immediately signed him to open his tour performances. Carrey, long interested in film and television, developed a close friendship with comedian Damon Wayans, which landed him a role in the sketch comedy hit In Living Color, in which he portrayed various characters during the show's 1990 season. A mad fever dream. . .Carrey and his collaborator Vachon pull out all the stops as their protagonist Jim Carrey careens from midlife blues through love and career complications toward the apocalypse . . . gems of comic fantasy and the nuggets of memoir gold.” He affirms in interviews that some passages were written from real life experiences. As a sincere seven-year-old, he definitely was desperate to bring a smile to his ill mother’s face. He truly does carry a torch for the singer, Linda Ronstadt, who he dated in his twenties. He is still mourning the loss of his friend Rodney Dangerfield.