Nintendo DS Lite Coral Pink

Product Information

You can see some degree of granulation in some of the samples below and they all painted out fairly well except the Mayan Orange, which I didn't like. I painted it from a very small dry sample, but as I always squeeze out my paints into a palette and let them dry, it didn't work for me. (Winsor Red is another popular option if you are looking at W&N watercolours - pictured in the cool reds section below, along with the lovely DS Permanent Red. Whoops!) If I had two reds in a larger palette of perhaps 12 colours I would use Pyrrol Scarlet as a warm and Carmine as a cool. The Pyrrol Scarlet could mix with a blue to create an indian red hue.

Spectrum Red AS, Cadmium Red Pale DR, Cadmium Red W&N, Mayan Orange DS, Vermilion Extra OH, Flesh Ochre, OH, Anthraquinoid Scarlet DS, Coral AS Pyrrol Red DS, Naphthol Red DV, Pyrrol Scarlet DS, Cadmium Red Scarlet DS, Naphthol Red MG, Organic Vermilion DS, Bright Red OH, Scheveningen Red Light OH.

'UMEŠALA ME JE U NJIHOV ODNOS!' Lejdi Di se OGRADILA od Anitinih tvrdnji da stvara preteranu BLISKOST s Matorom, Stanojlovićeva odmah sela pored Tomić

Potter's Pink PR233 is an interesting granulating dusty pink - lovely but of limited use. I have this as an occasional use pan just in case, but wouldn't recommend it as a 'must have' colour. Quinacridone Red DS, Permanent Rose W&N, Permanent Rose (Quinacridone) DV,Quinacridone Rose MG,Quinacridone Pink DS, Rose Red Deep (Quinacridone), Opera Pink DS, Opera Rose W&N. The many cool reds, or purple biased reds, are often variations of an Alizarin Crimson hue, since Alizarin Crimson PR83 is fugitive and certainly not recommended. Carmine by DS, mentioned above, is one of my favourites for a primary or single pigment red. W&N Permanent Alizarin also works well for this purpose. I also like the DS Permanent Alizarin as a deeper crimson but it is a mixture of three pigments, so I use DS Pyrrol Crimson.

I like DS Quinacridone Rose, DV Permanent Rose Quinacridone, DV Red Rose Deep Quinacridone (which I have as a huge 37ml tube) and the MG Quinacridone Rose, except that this colour, like all in the MG range, is best for the studio as it doesn't 'set' or dry. My four reds in a 20 colour palette would be Pyrrol Crimson and Quinacridone Rose instead of Carmine, along with Transparent Pyrrol Orange and Indian red. So the reds I choose depend on how many colours I have and how much each individual colour has to do in the palette.Permanent Alizarin DS, Carmine DS, Anthraquinoid Red DS, Pyrrol Crimson DS, Perylene Red DS, Winsor Red W&N (a warm red), Permanent Red DS (a mid red) These painted out very well so the thing to watch is how many pigments are in the colour and how permanent they are. I love the colour of DS Permanent Red Deep but closer inspection of the pigment eliminated it from my palette as the light-fast of that specific version of PR170 is not good enough. It's a shame as it is another great primary red colour, but only if it is in a sketchbook or for reproduction, not for framing or sale. I don't have a problem mixing one brand with another, it's really about what brand you can get hold of most easily and most affordably. Make sure you look at the tube size when buying to compare the price per gram or ounce, but keep in mind that artist quality watercolour lasts a very long time so while a colour you love may cost a bit when you buy it, you may still be using the same tube 15 years later! Unless you are doing a lot of flower painting, you may find you get through your warm reds fairly slowly too, so a smaller tube is fine.