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Mine vaganti

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Mine vaganti , a 2010 comedy by Ferzan Özpetek, provides a layered and introspective take on the contentious issue of homosexuality in conservative southern Italy. The film follows protagonist Tommaso as his attempts to come out to his family are repeatedly thwarted by a series of unexpected obstacles. Il gruppo di ricerca, formato da oltre trecento associate/i e diecimila simpatizzanti fb, pubblica articoli e dati su ogni singolo territorio e sollecita le istituzioni affinché strade, piazze, giardini e spazi urbani in senso lato, siano dedicati a donne. Loose Cannons (Mine vaganti) is a beautiful movie about a young gay man in a large, loving and eccentric Southern Italian family. His plan to free himself from the family pasta business by coming out as gay misfires early in the movie, and the remaining ninety minutes cover how his dilemma is resolved. As usual in his movies, photography, sets and music are highly original and perfectly fitted to the story: if it were a silent movie it would be beautiful just to look at; if it were a radio program it would be delightful just to listen to. This is the first of his movies to integrate a significant amount of comedy into his usually serious but highly imaginative dramas, and he does it expertly; I laughed out loud almost as often as I wept with delight. Wigon, Zachary (27 April 2010). "Q&A: Loose Cannons". Tribeca Film Festival . Retrieved 16 March 2012.

In this issue of Classic@, we focus on selected themes that revolve around the phenomenon of the itinerant professionals of performing arts and run along it, in a way that shows the osmotic levels set in motion by such research. This issue is the result of a dynamic process: two workshops, as a twofold thematic series, were held at the Department of Classics, “La Sapienza” University, between the Fall and the Spring Term 2020/2021, with MA students in Greek Epigraphy and with doctoral students in History and Philology of the Ancient World. The outcomes of the conversations and brainstorming engaged in during the meetings worked as a starting point for this select group of young scholars to conduct an in-depth analysis on thematic ramifications arising from the topics proposed. There are two issues I had with the film. Number one: based on the trailer, I was anticipating a happy-clappy Italian comedy. Although the film has comedic moments, it is more a film about lost opportunities and regrets through to the very last scene. Comedy rarely comes into it, and by the end I was down-right depressed.

The striking contrast between traditional family structures and Tommaso’s secret double life not only builds an alluring narrative but also provides a great resource for learners at an intermediate level. With this film, they can learn a wide range of vocabulary relating to family relationships, love and food. Io non ho paura (“I’m Not Scared”)

Here are just some of the best movies to learn Italian (although it was practically impossible to narrow it down) — divertiti ! The Best Italian Movies For Learning The Language Mine vaganti (“Loose Cannons”) Loose Cannons premiered on 13 February, 2010, at the 60th Berlin International Film Festival. The following month, it was theatrically released in Italy, Switzerland, and Turkey. In the United States, the film premiered at the Tribeca Film Festival on 28 April, 2010, where it won the Special Jury Prize. It was later screened at the Seattle International Film Festival, the Provincetown International Film Festival and Palm Springs International Film Festival. In October 2010, the film was screened at the London Film Festival. Marta Marucci, “ Celebratory epigrams from Hellenistic Delos: a first survey of the epigraphic testimonies.” Vitamine vaganti è la rivista ufficiale dell’associazione, registrata presso il Tribunale di Roma il 16 marzo 2019, per dare voce alle associate e agli associati.The film has an array of characters, Tommaso's family, many of them also have hidden truths, some are revealed, some are not. Potentially this could lead to a intriguing film, but Loose Cannons struggle in many ways. Firstly the subject matter is played, for the most part, quite seriously. Yes, there is a funny side to the situation Tommaso finds himself him, but there is also a serious side, that his life as he wants it, is on hold again. But there are other serious overtones: his father's refusal to accept or understand his other son's sexuality, his grandmother dwells on her own past and lost opportunities and there is his colleague's longing for someone unattainable. There are some very touching, often moving moments in the film, as characters reveal aspects of their lives to some and withdraw from others. Yet part way in the film tries to lighten up with the introduction of Tommaso's gay friends. Unable to be openly gay they downplay their sexuality with some quite funny results, but it feels out of place. As Tommaso looks onto the life he and his friends could have, so we the viewer look on wondering whether we are watching a comedy or drama. The comedy part in the film is somewhat showy but properly amusing; the intermittent interruption of grandma's marriage is adorably empathetic, also I cherish the balmy score (from Pasquale Catalano) and the moot ending which insinuates a positive perspective of the philosophy of our beings. Dal censimento toponomastico nazionale condotto dal gruppo, risulta infatti che la media di strade intitolate a donne va dal 3 al 5% (in prevalenza madonne e sante), mentre quella delle strade dedicate agli uomini si aggira sul 40%.

Filomena Angellotti, Riccardo Biagiucci, Jorge Cocquyt, Sophia De Gaetano, Giada Di Giuseppe, Salvatore Luigi Guglielmino, Sara Mancini, Giulia Nafissi, Giulia Nardone, Elisabetta Pinto, Rossano Ricciutelli, Lavinia Tutino, “ Kraton di Calcedonia e gli Attalidi.” Section 2. Authorial poetry on StoneLoose Cannons ( Italian: Mine vaganti) is a 2010 Italian comedy film directed by Ferzan Özpetek. Özpetek also wrote the script with the help of Ivan Cotroneo, while Domenico Procacci served as a producer. The film stars Riccardo Scamarcio, Alessandro Preziosi, Nicole Grimaudo, Lunetta Savino, Ennio Fantastichini, and Ilaria Occhini. Gullotti, Antonella (30 April 2010). " "Mine Vaganti" di Ozpetek vince il premio giuria al Tribeca Film Festival". Newnotizie (in Italian) . Retrieved 16 March 2012. In this critically acclaimed drama, a hit-and-run leaves a waiter seriously injured, but an investigation into the incident prompts a frantic scramble to conceal the truth. This film makes a powerful statement about Italy’s deeply entrenched class system, demonstrating how the rich and powerful can exploit their privilege to escape their problems, leaving the poor to pay for them. Riccardo Scamarcio, Nicole Grimaudo, Alessandro Preziosi, Dario Bandiera, Ennio Fantastichini, Lunetta Savino, Elena Sofia Ricci, Ilaria Occhini, Bianca Nappi, Carolina Crescentini

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