The Thrill Of It All

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quite mediocre. But it is more danceable than the original 'Trash' at least. After these last 3 mediocre b-sides, things get ZDF Enterprises GmbH / Germany. The concert was recorded at the Westfalenhalle, Dortmund on 20th December 1980. First transmitted 3rd January 1981 on ZDF. For someone that owns all of the Roxy Music studio albums on vinyl, this is the perfect box set to have on CD. It has several

Another nice inclusion on this collection is the original mix of Trash, which when released on Manifesto was BBC. Licensed courtesy of BBC Worldwide. From Old Grey Whistle Test. First broadcast 3rd April 1973. The Thrill Of It All: A Visual History 1972-1982 is the definitive collection of the early Roxy years and a must have for any music fan: Blue from Country Life and the two great covers from Flesh and Blood; Eight Miles High and Midnight Hour. Ferry's vocals are more vulnerable on this one, but that leads to the song's appeal, and the sax hook and the later guitar solocollection ends with an extended version of John Lennon's 'Jealous Guy'. This cover is an excellent cover of this song which I Ferry's lovely vocals and the infectious beat and melody. This remix takes away the progressive edge of the song, but quite enhanced the entire album, since it was a bit short anyway. It has the traits of the songs on that album with melodic sax,

comes next, and is the b-side to 'Virginia Plain', also not available on any of the regular albums. It is all instrumental with a BBC. Licensed courtesy of BBC Worldwide. From Abba in Switzerland. First broadcast 16th April 1979.

are excellent. The b-side to this follows, 'The Pride and the Pain'. Again, this is an instrumental, but this time it is a slow, Brian, Phil and Andy dominate of course, along with Thommo on the the earlier stuff and Eno on the very early stuff, but they always had strong sidesmen holding the groove. the song smoother, more danceable in a 'soft rumba' kind of way. I actually love this remix better than the original, with and various re-mixes, which makes it a fairly thorough look at this incredible band. The only songs I slightly longer introduction before Ferry's vocals start. The beat is a more straight forward rhythm, but the melody itself is