Stop Trying to be Fantastic

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Swimming costume (swimming keeps me sane at the best of times)! Yoga mat (sorry, I’m that guy now)! Those pesky little magpies: astute, sneaky, determined. Their presence can be felt even when they’re not visible to other people. It’s highly likely that, at some point, you’ll encounter one. Or maybe more than one. You might not realise its significance at first. Yet from year to year, situation to situation, despite your best efforts to ignore it, there’s an incessant, attention-seeking tap-tap-tap.

If anyone’s seen me do a gig, I do talk quite a lot between songs. I tell stories and I try and make the introductions funny. Over the years that’s just extended until somebody said to me, “you know you’re a real folk singer when the introductions get longer than the songs!” So I thought, I need to put my money where my mouth is. I wanted to see what happens if there’s no safety net of a guitar. It’s just me with nothing to hide behind. It’s been an amazing experience learning that I can do that. I’m full of admiration for comedians who do it all the time, but I’m really proud of myself for taking the leap. How did you find striking the balance between funny and serious, when talking about such an identity-centric topic? I’m a weird mix of lots of things. My work borrows from lots of forms: storytelling, poetry, stand-up, theatre… Blue by Joni Mitchell… or the Blue Album by Weezer? Can I have both because they both have blue in the title? (yes you can) From award-winning writer/performer Molly Naylor (Whenever I Get Blown Up I Think Of You, Sky One’s After Hours) comes this lyrical and funny spoken-word show that explores what we owe to each other and what we owe to ourselves. Molly Naylor is a scriptwriter, poet, performer and graphic novelist. Her stories and plays have been broadcast on BBC Radio 4 and she has performed at festivals and events all over the world. She has featured on several renowned radio shows and podcasts including A Good Read and The Guilty Feminist. Her third poetry collection is published by Bad Betty Press. She is the co-creator and writer of Sky One comedy After Hours. She wrote and performed the acclaimed solo spoken-word shows Whenever I Get Blown Up I Think Of You and My Robot Heart. Her first graphic novel Lights, Planets, People! was published by Avery Hill in September 2021 and won the Broken Frontier award for best graphic novel. Her new live show Stop Trying to be Fantastic is currently touring the UK.Stop Trying To Be Fantastic poetically confronts our deepest fears of abandonment, of being unloved and unlovable. Burrowing into the complexity of why we often find it so unbearable to feel bad or face our problems head on, it highlights how the pursuit of being ‘perfect’ for everyone else stops us from living a life that is actually perfect for us. Do you have a nagging voice inside your head? How do you deal with it? Stop Trying to be Fantastic by Molly Naylor explores the challenges of having that constant internal nagging. The project’s development was supported by Inn Crowd, a brilliant scheme that sends artists into rural pubs. Norwich Arts Centre also co-commissioned the piece. The difficult, answerable questions she promises to explore (How can we stop ourselves from feeling bad? How can we stop others from feeling bad?), the drunken mistakes and lurches she gets lost in, and the emotional revelations that buffet and bruise - these all weave and wander into crystal moments of startling clarity. A fox in the headlights, a mistimed but desperately needed drink in a bar, the sound of a beak tap-tap-tapping at a rainy train window. Molly begins her story in the same place that it ends, with her sat in a room of a fertility clinic, and the aim of becoming an egg donor. But this was not to be….

It is clear to see why Stop Trying to be Fantastic had such a great run at Edinburgh Fringe. A performance that lends itself to smaller performance spaces and possibly would feel even better in a makeshift performance space like those at the Fringe. The simple but strong integrated lighting and sound design round the production of well. One day, a magpie comes into a little girl’s house by mistake. It decides it likes her. She spends the next twenty-five years trying to get away from it.

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