3 Feet High and Rising

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De La Soul 3 Feet High and Rising 30th Anniversary Mixtape mixed by Chris Read - Wax Poetics". Archived from the original on 2019-06-19 . Retrieved 2019-09-12. Offiziellecharts.de – De La Soul – 3 Feet High and Rising" (in German). GfK Entertainment Charts. Retrieved March 24, 2023.

Robert Dimery; Michael Lydon (7 February 2006). 1001 Albums You Must Hear Before You Die: Revised and Updated Edition. Universe. ISBN 0-7893-1371-5. The Daisy Age sound revolutionised an era, adopted by many of hip hop's greatest contemporaries. Artists such as Queen Latifah, A Tribe Called Quest and the Jungle Brothers, all sat alongside De La Soul as members of the Native Tongues collective - pushing forward a message heavy but feel good sound. a b c Azerrad, Michael (March 23, 1989). "3 Feet High And Rising". Rolling Stone. Archived from the original on April 14, 2022 . Retrieved June 13, 2012. In 2011, 3 Feet High and Rising was among 25 albums chosen as additions to the Library of Congress' 2010 National Recording Registry for being cultural and aesthetical and also for its historical impact. [46] Feet High and Rising has been included on numerous "best-of" lists. In 1998, the album was included in The Source 's "100 Best Albums" list. [35] It was ranked number 346 on Rolling Stone 's 2003 list of the " 500 Greatest Albums of All Time", [36] maintaining the ranking in a 2012 revision of the list, [37] then rising to number 103 in a 2020 revision. [38] 3 Feet High and Rising was voted number 138 in the 2000 edition of Colin Larkin's All Time Top 1000 Albums, [39] while in 2005, it ranked 88th in a survey held by British television's Channel 4 to determine the 100 greatest albums of all time. [40] The album was also included in the book 1001 Albums You Must Hear Before You Die. [41]The album was a critical and commercial success. It is consistently placed on lists of the greatest albums of all time by noted critics and publications, with Robert Christgau calling it "unlike any rap album you or anybody else has ever heard". [4] In 1998, it was selected as one of The Source 's "100 Best Rap Albums" [5] and in 2020 was ranked 103 on Rolling Stone's 500 Greatest Albums of All Time list. [6] It was selected by the Library of Congress as a 2010 addition to the National Recording Registry, which selects recordings annually that are “culturally, historically, or aesthetically significant”. [7] As of 2023, it is the only De La Soul album to be certified platinum by the RIAA. [8] Feet High and Rising is the debut studio album by hip hop trio De La Soul and was released on March 3, 1989. It marked the first of three full- length collaborations with producer Prince Paul, which would become the critical and commercial peak of both parties. Critically, as well as commercially, the album was a success. It contains the singles, “Me Myself and I”, “The Magic Number”, “Buddy”, and “Eye Know”. Playboy Feb. 1989". Robert Christgau. Archived from the original on 3 July 2011 . Retrieved 2011-08-16. Electronica artist James Lavelle cited 3 Feet High and Rising as one of his favorite albums. "It was definitely a reaction to the slightly more hardcore area of what was going on in hip hop. As a concept record, it's probably one of the best ever. It's like the Pink Floyd of hip hop, their Dark Side of the Moon – the way it musically and sonically moves around, but also the use of language was so unusual and out there." [44]

Feet High and Rising is the debut studio album by hip hop trio De La Soul and was released on March 3, 1989 It marked the first of three full- length collaborations with producer Prince Paul, which would become the critical and commercial peak of both parties. It contains the singles, "Me Myself and I", "The Magic Number,""Buddy," and "Eye Know" Greatest Albums of All Time: 3 Feet High and Rising – De La Soul". Rolling Stone. December 11, 2003. Archived from the original on December 20, 2010 . Retrieved July 27, 2022. The album sounded like a hip-hop version of the novelist Dos Passos’ America, crowded with voices, rhythms, rhymes, and the wit, joy, and pain of becoming aware of one’s power to change the world. And De La Soul felt like the closest hip-hop equivalent to Parliament and Funkadelic: high-concept, hilariously genuine, generously human. Chang, Jeff (September 23, 2018). "De La Soul: 3 Feet High and Rising". Pitchfork . Retrieved September 23, 2018. As stated by Maseo, "the stereotype and the stigmatism [...] was put on us with the hippy concept when D.A.I.S.Y. just was an acronym for Da Inna Sound." Hernandez, Victoria (May 11, 2016). "De La Soul Reflects On Da Inna Sound For 25th Anniversary Of "De La Soul Is Dead" ". HipHopDX . Retrieved September 27, 2023.Released amid the late-1980s boom in gangsta rap, which gravitated towards hardcore, confrontational, violent lyrics, 3 Feet High and Rising stood out from this trend by showcasing De La Soul's more positive style. [10] The mirth and intelligence of De La Soul's self-presentation led many observers to label them a " hippie" group; however, this characterization was disputed by De La Soul themselves. [11] On the album, De La Soul sought to explicitly distance themselves from gangsta rap by "lampoon[ing] emerging tropes" such as the growing materialism within the genre. [12] Their lyrics are instead characterized by a variety of "bizarre and surreal" choices of subject matter, such as dandruff, gardening metaphors, and " Dr. Dolittle-esque interactions with animals". [13] a b Christgau, Robert (March 28, 1989). "Consumer Guide". The Village Voice . Retrieved November 9, 2015. Released amid the 1989 boom in gangsta rap, which gravitated towards hardcore, confrontational, violent lyrics, De La Soul's uniquely positive style made them an oddity beginning with the first single, "Me, Myself and I." Their positivity meant many observers labelled them a "hippie" group, based on their declaration of the "D.A.I.S.Y. Age" (Da. Inner. Soul. Yall).

Lydia Slater (9 September 2010). "Toby Mott, from the punk of Pimlico to power player". Evening Standard.Rabin, Nathan (March 29, 2002). "Prince Paul: Prince Among Thieves". The A.V. Club . Retrieved July 22, 2021. Features | Baker's Dozen | Baker's Dozen: UNKLE'S James Lavelle On His 13 Favourite Records". The Quietus. 2011-04-20 . Retrieved 2011-08-16. Sampling artists as diverse as Hall & Oates, Steely Dan and The Turtles, 3 Feet High and Rising is often viewed as the stylistic beginning of 1990s alternative hip hop (and especially jazz rap). 3 Feet High and Rising was chosen by the Library of Congress to be added to the National Recording Registry for its cultural significance and general excellence.

Rappers Posdnuos and Trugoy the Dove talked about anything they wanted (up to and including body odor), playing fast and loose on the mic like Biz Markie. Thinly disguised under a layer of humor, their lyrical themes ranged from true love ("Eye Know") to the destructive power of drugs ("Say No Go") to Daisy Age philosophy ("Tread Water") to sex ("Buddy"). Prince Paul (from Stetsasonic) and DJ Pasemaster Mase led the way on the production end, with dozens of samples from all sorts of left-field artists -- including Johnny Cash, the Mad Lads, Steely Dan, Public Enemy, Hall & Oates, and the Turtles. American album certifications – De La Soul – 3 Feet High and Rising". Recording Industry Association of America. Sampling artists as diverse as Johnny Cash, Hall & Oates, Steely Dan and the Turtles, 3 Feet High and Rising is often viewed as the stylistic beginning of 1990s alternative hip hop (and especially jazz rap). [30] Writing in retrospect for The A.V. Club, Nathan Rabin credits Prince Paul for helping "create progressive hip hop" with his production on 3 Feet High and Rising, [31] while author John Riordan says "its comedy skits and positive lyrics established the group as a progressive hip-hop act at odds with the increasingly violent image of mainstream rap." [32] Phil Witmer of Noisey cites De La Soul's " sampledelia" on the album as an "old-school" example of sampling being applied to "jarring, collage-like effect". [33] 3 Feet High and Rising is also credited with introducing the hip hop skit, a style of comedic sketch used both to introduce rap albums and as interludes between songs. [34] Source Magazine's 100 Best Albums". Raquenel.com. Archived from the original on 2011-07-24 . Retrieved 2011-08-16.Feet High and Rising received widespread critical acclaim upon its release. "An inevitable development in the class history of rap, [De La Soul is] new wave to Public Enemy's punk", wrote Robert Christgau of the album in his 1989 "Consumer Guide" column for The Village Voice. "Their music is maddeningly disjunct, and a few of the 24-cuts-in-67-minutes (too long for vinyl) are self-indulgent, arch. But their music is also radically unlike any rap you or anybody else has ever heard— inspirations include the Jarmels and a learn-it-yourself French record. And for all their kiddie consciousness, junk-culture arcana, and suburban in-jokes, they're in the new tradition— you can dance to them, which counts for plenty when disjunction is your problem." [28] Rolling Stone magazine's Michael Azerrad called 3 Feet High and Rising "(o)ne of the most original rap records ever to come down the pike", and described it as an "inventive, playful" record which "stands staid rap conventions on their def ear." [14] When The Village Voice held its annual Pazz & Jop critics' poll for 1989, 3 Feet High and Rising was ranked at number one, outdistancing its nearest opponent ( Neil Young's Freedom) by 21 votes and 260 points. [29]