Elidor

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GENRES Fiction ClassicFiction ModernClassics ContemporaryFiction Non-Fiction The Arts Biographies History Music Philosophy Religion Other Drama Shakespeare OtherDrama Other Poetry JuniorClassics Young Adult Classics Collections&Sets Unabridged Alan Garner's writing stems from myth and fantasy, but he invariably chooses the darker side of Faery. Two of his natural successors are Philip Pullman and Graham Joyce, although both authors conform to the present taste for longer novels. Philip Pullman has also created an "other" universe which does not always adhere to conventional moral precepts. Graham Joyce's novels have a similar pagan feel to Alan Garner's.

Little do the children know that chance didn't bring them there, but a prophecy hundreds of years old. One by one they realise that the church isn't all it seems, as the fabric of time and space opens and they are propelled into the dying and strange world of Elidor... Elidor is a wild and empty kingdom on the point of being devoured by the forces of evil. Of four castles in the landscape, three have been lost to evil and the fourth is failing. The lame fiddler of Manchester is the lame King Malebron of Elidor and he charges Roland to help him to regain the three treasures which are held in the Mound of Vandwy. Roland is able to do this by visualizing a door in the mound and walking in. Inside he is reunited with his brothers and sister who had, each in turn, tried to help Malebron but failed. They locate the three treasures: a cauldron, a sword and a stone and bear them outside to the waiting Malebron. Carnegie Medal Award". 2007(?). Curriculum Lab. Elihu Burritt Library. Central Connecticut State University ( CCSU). Retrieved 2012-08-13. The book is very much concerned with Roland and his search for identity, meaning and purpose in his life; he agrees to go into the mound of Vandwy to recover the treasures of Elidor for Malebron; but he gets the courage for this from his sense of loyalty to others. His brother and sister are trapped in the mound, and he feels he has no choice but to rescue them. Hence any dedication to the cause of “Good” here is unconscious and bound up in the specific act of rescuing his loved ones. It is only later than Roland begins to conceive of himself as in some way allied with Malebron in the battle between light and dark forces in Elidor. Nevertheless a quest has been undertaken, and in very traditional terms; to go into the Magic place – the place of death, the dark tower, the underworld – and rescue the good that is trapped there. In this quest, Roland is successful. He rescues Helen from the equivalent of Elfland, just as his original in the ballad does. [13] Round, and round, his voice went, and through it came a noise. It was low and vibrant, like wind in a chimney. It grew louder, more taut, and the wall blurred, and the floor shook. The noise was in the fabric of the church: it pulsed with sound. Then he heard a heavy door open; and close; and the noise faded away. It was now too still in the church, and the footsteps were moving over the rubble in the passage downstairs. 'Who's that?' said Roland. The footsteps reached the stairs, and began to climb."Putting this fact aside, the story itself was well done. It is a typical children’s book, where the adults don’t play much of a role and if they do they are made to sound stupid (which I think is wrong). The four children find themselves in another world, and they are given artefacts to take care of in the real world. However, in the real world, the items cause problems with the power source and give off static electricity. I was completely entranced by the tale of four children and their rusty relics, which opened a gateway to another world. It seemed like a cool and edgy version of “The Lion, the Witch and the Wardrobe” but set in the real world, or at least a world that I could identify with. Elidor was a commended runner-up for the annual Carnegie Medal from the Library Association, recognising the year's best children's book by a British subject. [9] [a] Television adaptation [ edit ] This Story was dedicated in our 1001 Stories Quest appeal in 2018 to raise funds for the capital redevelopment of The Story Museum As one by one the children are lured through the portal into the twilight world of Elidor, we view this through Roland's eyes, and feel what he feels. Roland is the most sensitive, the one we identify with. He is the one in the group whom nobody else will listen to, but is proved to be right. All the children are sensible and courageous, but only Roland remains clear-thinking and loyal under almost intolerable peer pressure. All the children must make choices and take on responsibilities far beyond anything their parents could understand. And here again is an irresistible tacit assumption made by older children's books, that the adults have closed minds. Adults may be cruel, stupid or risible - mere figures of fun. They may on the other hand be kind and sensible. But they are always, without a doubt, unimaginative and clueless.

Alan Garner writes (yes writes - he recently published the third book in the Tales of Alderly series after a 50 YEAR gap!) in the way in which I try to write. Much of his work looks to me like mine would if I were better at it. The name Elidor originates in a Welsh folktale whose title is commonly translated as Elidor and the Golden Ball, described by Giraldus Cambrensis in Itinerarium Cambriae, a record of his 1188 journey across the country. Elidor was a priest who as a boy was led by dwarves to a castle of gold in a land that, while beautiful, was not illuminated by the full light of the sun. [5] This compares with Garner's description of the golden walls of Gorias contrasting with the dull sky of the land of Elidor. While writing and getting published may not carry quite the same danger of universal destruction that the Watson children face in taking on the forces in Elidor, the decision of Roland and his brothers and sister to follow an uncertain path wherever it leads is an echo of Garner’s own courage. Elidor is a children's fantasy novel by the British author Alan Garner, published by Collins in 1965. Set primarily in modern Manchester, it features four English children who enter a fantasy world, fulfill a quest there, and return to find that the enemy has followed them into our world. Translations have been published in nine languages [2] and it has been adapted for television and radio. I miss my old edition of Elidor but it seems to have vanished along with its wonderful illustrations. Elidor, that strange halfway-house book between Garner's more conventional children's fantasies and his truly powerful, timeshifting work in Owl Service and Red Shift.Garner believes that the force of the magical elements will be stronger if they can be seen to affect events in the objective world. He is aware of the significance of place, of the need to belong, to find the right place, to fit into and to accept oneself. Poignancy is heightened in Garner to a tragic pitch by his protagonists’ ultimate failure to win the battle for self-acceptance and self-control. There is triumph at the end of Elidor, but it is qualified, mitigated by grief.

And the conclusion of the novel is a masterpiece of terror, leaving the reader wanting more - yet dreading what it might portend. For there is never an easy, happy ending, in a pagan myth. Turning away from fantasy as a genre, Garner produced The Stone Book Quartet (1979), a series of four short novellas detailing a day in the life of four generations of his family. He also published a series of British folk tales which he had rewritten in a series of books entitled Alan Garner's Fairy Tales of Gold (1979), Alan Garner's Book of British Fairy Tales (1984) and A Bag of Moonshine (1986). In his subsequent novels, Strandloper (1996) and Thursbitch (2003), he continued writing tales revolving around Cheshire, although without the fantasy elements which had characterised his earlier work. In 2012, he finally published a third book in the Weirdstone trilogy. Elidor is a wild and empty kingdom on the point of being devoured by the forces of evil. Of four castles in the landscape, three have been lost to evil and the fourth is failing. The lame fiddler of Manchester is the lame King Malebron of Elidor and he charges Roland to help him to regain the three treasures which are held in the Mound of Vandwy. Elidor had only been published in 1965, so at that stage it was a fairly contemporary novel. Although Garner was ostensibly writing for children the book had some very adult themes. It was a brave Mrs McEke that tried to illustrate symbolism to a bunch of largely disinterested nine year olds. However she would probably be delighted to learn that some forty-four years on at least one of her pupils still remembers the symbolic importance of the sword, the spear, the stone and the cauldron.Garner and Don Webb adapted Elidor into a children's television series for the BBC. The series consisted of six half-hour episodes broadcast weekly from 4 January to 8 February 1995, starring Damian Zuk as Roland and Suzanne Shaw as Helen. [10] Publication history [ edit ] And this is not the only myth that has a resonance in the story – there is a less commonly known Welsh folk-tale about a priest called Elidor (or Elidorus) who, as a child, was also granted entrance to a mysterious world. And the names of the four castles in Elidor appear in some of the oldest Irish mythology. Garner takes these mythic stories and gives them a concrete reality, one that spills into the actual concrete reality of his characters, the Watson children, who have to cope with moving house, getting to school and the suspicions of their parents while also guarding the treasures of Elidor and dealing with the threats they pose to everyone’s safety. I thought I'd read this book as a child, but no - reading it to my daughter Celyn this week has convinced me that I just remember passages of it from drama classes in my primary school when I was very small. The origins of this particular novel are from a Welsh folktale, whose title can be translated as "Elidor and the Golden Ball". In it, Gerald of Wales, "Giraldus Cambrensis", described his 1188 journey across the country in a medieval account, "Itinerarium Cambriae", or "The Itinerary Through Wales". In the account, Elidor was a priest who, as a boy, was led by dwarfs to a castle of gold. This castle was in a land which, although beautiful, was not illuminated by the full light of the sun. Alan Garner develops this idea, making the golden walls of Gorias contrast with the dull sky in Elidor.